The Line Becomes a River

by

Francisco Cantú

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Themes and Colors
Trauma and Emotional Detachment Theme Icon
Natural Migration vs. Human Boundaries Theme Icon
The Value of a Human Life Theme Icon
Nature, Beauty, and Humanity Theme Icon
Institutional Violence Theme Icon
LitCharts assigns a color and icon to each theme in The Line Becomes a River, which you can use to track the themes throughout the work.
The Value of a Human Life Theme Icon

While working for the United States Border Patrol, Francisco Cantú confronts the enormous scale of death on the U.S.–Mexico border. While working as a field agent in the desert, he finds the bodies of migrants who’ve died while trying to cross the desert into the U.S.—and, later, when he’s stationed in an office in El Paso, Texas, he sees countless images of mutilated and murdered bodies belonging to victims of Mexico’s drug violence just across the Rio Grande, in Ciudad Juárez. He can only continue to do his work and live in proximity to such death by “suspending knowledge and concern” about it—that is, by ceasing to treat each of the dead with the care they deserve as humans. He notes, too, that Mexican and U.S. cultures at large have developed strategies to minimize the trauma of this mass dying by negating the individual humanity of the dead. Years after leaving Border Patrol, Cantú becomes deeply involved in the plight of his friend José, an undocumented migrant whose life is destroyed when he leaves the United States to visit his dying mother in Mexico and is repeatedly captured by Border Patrol while trying to return to his wife and three kids in the U.S. This intimate knowledge of an individual migrant’s case and the suffering the border causes in a family’s life forces Cantú to think about the countless other migrants he’d found dead or been responsible for deporting throughout his time in Border Patrol, who now take on an unbearable weight. Cantú argues that the value of a human life is not relative to a person’s nationality or other origins but is instead incalculable and even infinite. He also suggests that in order to fully value a life, humans need a sense of the subject’s story and individuality—but that this is precisely what is denied to most people seeking to cross the border.

Throughout the book, the deaths and injuries of American citizens and patrol officers are treated with much more gravity than those of Latin American migrants, suggesting that American culture has become blind to migrants’ equal humanity, simply because they’re anonymous and “other.” When a Border Patrol agent is killed, Cantú goes to work “to find the intel center teeming with uniformed agents and high-level command staff.” The agency goes into overdrive seeking resolution and justice for the death of one staff member; meanwhile, an endless flow of dead migrants passes through its jurisdiction with barely any response. Similarly, when Cantú’s friend Morales ends up in hospital after a traffic accident, his visiting room is filled with family, childhood friends, and coworkers—in stark contrast to the silent, anonymous deaths and injuries Cantú witnesses among migrants trying to cross the border.

Cantú often cites statistics about the lives lost in border crossings, drug violence, and human trafficking, while also noting that statistics alone dehumanize the dead and thus exacerbate the problem of migrants being seen as faceless masses. Worse still, even statistics omit the many humans who have simply disappeared in the humanitarian catastrophes on the border. In discussing the femicides (the killing of women) that began to escalate in Ciudad Juárez in the mid-1990s, Cantú describes the discovery of mass graves in which different women’s body parts were mingled—“a literal amalgamation of individual victims into an undifferentiated mass.” In their anonymity, the women lose all dignity and right to justice in the eyes of the authorities. Cantú also cites a study by cultural sociologist Jane Zavisca, which analyzed the most common metaphors journalists use in discussing migrant deaths. Zavisca found that “economic metaphors were predominant, characterizing migrant deaths as a ‘cost,’ ‘calculation,’ or ‘gamble.’” This recurring metaphor dehumanizes migrants by turning them into a currency, thus making their individual humanity and suffering easier to dismiss.

Cantú struggles to reconcile his heartbreak over José’s case with his involvement in enforcing so many other family separations as a Border Patrol officer, recognizing that he himself had ceased to see the migrants he interacted with as individuals. The book’s structure reflects the disproportionate weight Cantú lends José’s story compared to other migrants’: the third of its three sections focuses on José’s story alone, leaving readers to imagine all the equally full and human stories that might surround the countless anonymous migrants in the two earlier sections. After leaving Border Patrol, Cantú struggles with being so invested in José’s case when there are millions like him. His mother reassures him that caring for José is important because it’s helping him remember the humanity of all migrants: “For his family, and for you, José is unique. Sure there might be thousands or millions of people in his position, but it’s because of him that their situation is no longer abstract to you.” The incalculable value of a life, his mother suggests, can’t be appreciated through numbers alone.

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The Value of a Human Life ThemeTracker

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The Value of a Human Life Quotes in The Line Becomes a River

Below you will find the important quotes in The Line Becomes a River related to the theme of The Value of a Human Life.
Part 1 Quotes

Hay mucha desesperación, he told me, almost whispering. I tried to look at his face, but it was too dark.

Related Characters: Francisco Cantú (speaker), Morales
Page Number: 31
Explanation and Analysis:
Part 2 Quotes

Saint Francis proposed a compact: in exchange for the wolf’s promise to cease its killing of livestock and townspeople, the residents of Gubbio would feed the animal every day for the rest of its life. “Thought shalt no longer suffer hunger,” he told the wolf, “as it is hunger which has made thee do so much evil.”

Related Characters: Francisco Cantú (speaker)
Related Symbols: Wolves
Page Number: 82
Explanation and Analysis:

After hanging up, I sat staring at the camera feeds on the massive screen in front of me, imagining all the bodies that I knew were out there, undiscovered under trees and in dry washes, slowly returning to the earth.

Related Characters: Francisco Cantú (speaker)
Page Number: 97
Explanation and Analysis:

I look out at the walls of the canyon and find that all beauty has drained from the landscape, that I am surrounded only by the sinister threat of violence, by faceless men and stacks of empty chests.

Related Characters: Francisco Cantú (speaker)
Page Number: 99
Explanation and Analysis:

It is difficult, of course, to conceive of such numbers in any tangible and appropriate way. The number of border deaths, just like the number of drug war homicides, or the numbers that measure the death toll of the Mexican Revolution or the War of Independence, does little to account for all the ways that violence rips and ripples through a society, through the lives and minds of its inhabitants.

Related Characters: Francisco Cantú (speaker)
Page Number: 107
Explanation and Analysis:

Antígona González asks: “What thing is the body when someone strips it of a name, a history, a family name? … When there is no face or trail or traces or signs … What thing is the body when it’s lost?”

Related Characters: Francisco Cantú (speaker)
Page Number: 115
Explanation and Analysis:

“We must be able not only to reckon the number of deaths but to reckon with each victim as an individual.”

Related Characters: Francisco Cantú, José
Page Number: 144
Explanation and Analysis:
Part 3 Quotes

I tell you, Walter said, the Border Patrol, the marshals, it’s like they forget about kindness. I’ve almost never seen these guys express any humanity, any emotion. I don’t know how they do it. How do you come home to your kids at night when you spend your day treating other humans like dogs?

Related Characters: Walter (speaker), Francisco Cantú, José
Page Number: 188
Explanation and Analysis:

For his family and for you, José is unique. Sure there might be thousands or millions of people in his position, but it’s because of him that their situation is no longer abstract to you. You are no longer severed from what it means to send someone back across the border. You know what’s keeping him away, what keeps him from his family. It’s something close to you, something that’s become a part of you.

Related Characters: Cantú’s Mother (speaker), Francisco Cantú, José
Page Number: 229
Explanation and Analysis: