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Lahiri uses Subhash and Udayan’s point of view as children to deliver a simple and affecting portrait of a complicated political situation in a town divided by religious and cultural tension. Even Subhash and Udayan, young as they are, know that the more privileged members of their society would rather ignore the pressing humanitarian problems facing it, and the Tolly Club’s raised walls symbolize the willful ignorance of the privileged and the elite—an ignorance which will, later in the boys’ life, motivate one of them to drastic action.