The Machine Stops

by E.M. Forster

Vashti Character Analysis

Vashti is the main viewpoint character of “The Machine Stops.” She is an “everywoman” of this society, accepting its values and lifestyle. She is perfectly content to spend her whole life in her underground room, listening to music and lectures and calling her friends. She also has a great fondness for her son Kuno, even though she also finds him strange. Despite her hatred of traveling, Vashti nonetheless undergoes the journey to visit her son simply to make him happy. However, she has a falling-out with Kuno after he tells her the story of how he escaped to Earth’s surface, because this, for her, is crossing a line too far. Unlike Kuno, she worships the Machine, finding great comfort in praying to her Book. But the Machine’s final collapse transforms her worldview, as she finally recognizes what her son has been trying to warn her of all along: the vulnerability and destructiveness of the Machine. Vashti’s perspective provides the reader with a valuable insight into the values and worldview of this society, but she is also a complex character who does not align completely with this society’s values, such as in her love for her son. The clash between her conformist worldview and Kuno’s rebellious worldview provides the central conflict of the story, while her final transformation as a character is the internal climax that coincides with the external climax of the Machine’s destruction.

Vashti Quotes in The Machine Stops

The The Machine Stops quotes below are all either spoken by Vashti or refer to Vashti . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Technology vs. Nature Theme Icon
).

Part 1: The Air-Ship Quotes

“I want to see you not through the Machine,” said Kuno. “I want to speak to you not through the wearisome Machine.”

“Oh, hush!” said his mother, vaguely shocked. “You mustn’t say anything against the Machine.”

“Why not?”

“One mustn’t.”

“You talk as if a god had made the Machine,” cried the other. “I believe that you pray to it when you are unhappy. Men made it, do not forget that. Great men, but men. The machine is much, but it is not everything. I see something like you in this plate, but I do not see you. I hear something like you through this telephone, but I do not hear you. That is why I want you to come. Pay me a visit, so that we can meet face to face, and talk about the hopes that are in my mind.”

Related Characters: Vashti (speaker), Kuno (speaker), The Machine
Page Number and Citation: 92
Explanation and Analysis:

“In the air-ship—” He broke off, and she fancied that he looked sad. She could not be sure, for the Machine did not transmit nuances of expression. It only gave a general idea of people—an idea that was good enough for all practical purposes, Vashti thought. The imponderable bloom, declared by a discredited philosophy to be the actual essence of intercourse, was rightly ignored by the Machine, just as the imponderable bloom of the grape was ignored by the manufacturers of artificial fruit. Something ‘good enough’ had long since been accepted by our race.

Related Characters: Kuno (speaker), Vashti , The Machine
Page Number and Citation: 93
Explanation and Analysis:

And of course she had studied the civilization that had immediately preceded her own—the civilization that had mistaken the functions of the system, and had used it for bringing people to things, instead of for bringing things to people. Those funny old days, when men went for change of air instead of changing the air in their rooms! And yet—she was frightened of the tunnel: she had not seen it since her last child was born. It curved—but not quite as she remembered; it was brilliant—but not quite as brilliant as a lecturer had suggested. Vashti was seized with the terrors of direct experience. She shrank back into the room, and the wall closed up again.

Related Characters: Kuno , Vashti , The Machine
Page Number and Citation: 96-97
Explanation and Analysis:

Few traveled in these days, for, thanks to the advance of science, the earth was exactly alike all over. Rapid intercourse, from which the previous civilization had hoped so much, had ended by defeating itself. What was the good of going to Peking when it was just like Shrewsbury? Why return to Shrewsbury when it would all be like Peking? Men seldom moved their bodies; all unrest was concentrated in the soul.

The air-ship service was a relic from the former age. It was kept up, because it was easier to keep it up than to stop it or to diminish it, but it now far exceeded the wants of the population.

Related Characters: Vashti , The Machine
Page Number and Citation: 98
Explanation and Analysis:

And, as often happens on clear nights, [the stars] seemed now to be in perspective, now on a plane; now piled tier beyond tier into the infinite heavens, now concealing infinity, a roof limiting for ever the visions of men. In either case they seemed intolerable. “Are we to travel in the dark?” called the passengers angrily, and the attendant, who had been careless, generated the light, and pulled down the blinds of pliable metal. When the air-ships had been built, the desire to look direct at things still lingered in the world. Hence the extraordinary number of skylights and windows, and the proportionate discomfort to those who were civilized and refined.

Related Characters: Vashti , The Flight Attendant, The Machine , Kuno
Related Literary Devices:
Page Number and Citation: 100
Explanation and Analysis:

Part 2: The Mending Apparatus Quotes

She might well declare that the visit was superfluous. The buttons, the knobs, the reading-desk with the Book, the temperature, the atmosphere, the illumination—all were exactly the same. And if Kuno himself, flesh of her flesh, stood close beside her at last, what profit was there in that? She was too well-bred to shake him by the hand.

Related Characters: Vashti , Kuno , The Machine , The Flight Attendant
Related Symbols: The Book
Page Number and Citation: 103
Explanation and Analysis:

“I did not get an Egression-permit.”

“Then how did you get out?”

“I found out a way of my own.”

The phrase conveyed no meaning to her, and he had to repeat it.

“A way of your own?” she whispered. “But that would be wrong.”

“Why?”

The question shocked her beyond measure.

“You are beginning to worship the Machine,” he said coldly. “You think it irreligious of me to have found out a way of my own. It was just what the Committee thought, when they threatened me with Homelessness.”

At this she grew angry. “I worship nothing!” she cried. “I am most advanced. I don’t think you irreligious, for there is no such thing as religion left. All the fear and the superstition that existed once have been destroyed by the machine. I only meant that to find out a way of your own was—Besides, there is no new way out.”

“So it is always supposed.”

“Except through the vomitories, for which one must have an Egression-permit, it is impossible to get out. The Book says so.”

“Well, the Book’s wrong, for I have been out on my feet.”

Related Characters: Kuno (speaker), Vashti (speaker), The Machine
Page Number and Citation: 104
Explanation and Analysis:

For Kuno was possessed of a certain physical strength.

By these days it was a demerit to be muscular. Each infant was examined at birth, and all who promised undue strength were destroyed. Humanitarians may protest, but it would have been no true kindness to let an athlete live; he would never have been happy in that state of life to which the Machine had called him; would have yearned for trees to climb, rivers to bathe in, meadows and hills against which he might measure his body. Man must be adapted to his surroundings, must he not? In the dawn of the world our weakly must be exposed on Mount Taygetus, in its twilight our strong will suffer euthanasia, that the Machine may progress, that the Machine may progress, that the Machine may progress eternally.

Related Characters: Kuno , Vashti , The Machine
Related Literary Devices:
Page Number and Citation: 104-105
Explanation and Analysis:

“You know that we have lost the sense of space. We say ‘space is annihilated,’ but we have annihilated not space, but the sense thereof. We have lost a part of ourselves. I determined to recover it, and I began by walking up and down the platform of the railway outside my room. Up and down, until I was tired, and so did recapture the meaning of ‘Near’ and ‘Far.’ ‘Near’ is a place to which I can get quickly on my feet, not a place to which the train or the air-ship will take me quickly. ‘Far’ is a place to which I cannot get quickly on my feet; the vomitory is ‘far,’ though I could be there in thirty-eight seconds by summoning the train. Man is the measure. That was my first lesson. Man’s feet are the measure for distance, his hands are the measure for ownership, his body is the measure for all that is lovable and desirable and strong.”

Related Characters: Kuno (speaker), Vashti , The Machine
Page Number and Citation: 105
Explanation and Analysis:

‘I loosened another tile, and put in my head, and shouted into the darkness: ‘I am coming, I shall do it yet,’ and my voice reverberated down endless passages. I seemed to hear the spirits of those dead workmen who had returned each evening to the starlight and to their wives, and all the generations who had lived in the open air called back to me, ‘You will do it yet, you are coming.’”

Related Characters: Kuno (speaker), Vashti , The Machine
Related Literary Devices:
Page Number and Citation: 106
Explanation and Analysis:

“The mortar had somehow rotted, and I soon pushed some more tiles in, and clambered after them into the darkness, and the spirits of the dead comforted me. I don’t know what I mean by that. I just say what I felt. I felt, for the first time, that a protest had been lodged against corruption, and that even as the dead were comforting me, so I was comforting the unborn. I felt that humanity existed, and that it existed without clothes. How can I possibly explain this? It was naked, humanity seemed naked, and all these tubes and buttons and machineries neither came into the world with us, nor will they follow us out, nor do they matter supremely while we are here. Had I been strong, I would have torn off every garment I had, and gone out into the outer air unswaddled. But this is not for me, nor perhaps for my generation. I climbed with my respirator and my hygienic clothes and my dietetic tabloids! Better thus than not at all.”

Related Characters: Kuno (speaker), Vashti , The Machine
Related Symbols: Respirators
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Page Number and Citation: 107
Explanation and Analysis:

“The Machine hums! Did you know that? Its hum penetrates our blood, and may even guide our thoughts. Who knows! I was getting beyond its power. Then I thought: ‘This silence means that I am doing wrong.’ But I heard voices in the silence, and again they strengthened me.”

Related Characters: Kuno (speaker), Vashti , The Machine
Page Number and Citation: 107
Explanation and Analysis:

Tears gathered in his mother’s eyes. She knew that he was fated. If he did not die today he would die tomorrow. There was not room for such a person in the world. And with her pity disgust mingled. She was ashamed at having borne such a son, she who had always been so respectable and so full of ideas. Was he really the little boy to whom she had taught the use of his stops and buttons, and to whom she had given his first lessons in the Book? The very hair that disfigured his lip showed that he was reverting to some savage type. On atavism the Machine can have no mercy.

Related Characters: Vashti , Kuno , The Machine
Related Literary Devices:
Page Number and Citation: 108
Explanation and Analysis:

“Cannot you see, cannot all you lecturers see, that it is we that are dying, and that down here the only thing that really lives is the Machine? We created the Machine, to do our will, but we cannot make it do our will now. It has robbed us of the sense of space and of the sense of touch, it has blurred every human relation and narrowed down love to a carnal act, it has paralyzed our bodies and our wills, and now it compels us to worship it. The Machine develops—but not on our lives. The Machine proceeds—but not to our goal. We only exist as the blood corpuscules that course through its arteries, and if it could work without us, it would let us die. Oh, I have no remedy—or, at least, only one—to tell men again and again that I have seen the hills of Wessex as Aelfrid saw them when he overthrew the Danes.”

Related Characters: Kuno (speaker), The Machine , Vashti
Related Literary Devices:
Page Number and Citation: 110
Explanation and Analysis:

Part 3: The Homeless Quotes

“The Machine,” they exclaimed, “feeds us and clothes us and houses us; through it we speak to one another, through it we see one another, in it we have our being. The Machine is the friend of ideas and the enemy of superstition: the Machine is omnipotent, eternal; blessed is the Machine.” And before long this allocution was printed on the first page of the Book, and in subsequent editions the ritual swelled into a complicated system of praise and prayer. The word “religion” was sedulously avoided, and in theory the Machine was still the creation and the implement of man. But in practice all, save a few retrogrades worshipped it as divine.

Related Characters: Kuno , Vashti , The Machine
Related Symbols: The Book
Related Literary Devices:
Page Number and Citation: 115
Explanation and Analysis:

They wept for humanity, those two, not for themselves. […] Man, the flower of all flesh, the noblest of all creatures visible, man who had once made god in his image, and had mirrored his strength on the constellations, beautiful naked man was dying, strangled in the garments that he had woven. Century after century had he toiled, and here was his reward. Truly the garment had seemed heavenly at first, shot with the colours of culture, sewn with the threads of self-denial. And heavenly it had been so long as it was a garment and no more, so long as man could shed it at will and live by the essence that is his soul, and the essence, equally divine, that is his body. The sin against the body—it was for that they wept in chief; the centuries of wrong against the muscles and the nerves, and those five portals by which we can alone apprehend—glozing it over with talk of evolution, until the body was white pap, the home of ideas as colourless, last sloshy stirrings of a spirit that had grasped the stars.

Related Characters: Vashti , Kuno , The Machine
Related Literary Devices:
Page Number and Citation: 122-123
Explanation and Analysis:

“Is there any hope, Kuno?”

“None for us.”

“Where are you?”

She crawled towards him over the bodies of the dead. His blood spurted over her hands.

“Quicker,” he gasped, “I am dying—but we touch, we talk, not through the Machine.”

He kissed her.

“We have come back to our own. We die, but we have recaptured life, as it was in Wessex, when Aelfrid overthrew the Danes. We know what they know outside, they who dwelt in the cloud that is the colour of a pearl.”

“But, Kuno, is it true? Are there still men on the surface of the earth? Is this—this tunnel, this poisoned darkness—really not the end?”

He replied:

“I have seen them, spoken to them, loved them. They are hiding in the mist and the ferns until our civilization stops. To-day they are the Homeless—to-morrow—”

“Oh, to-morrow—some fool will start the Machine again, to-morrow.”

“Never,” said Kuno, “never. Humanity has learnt its lesson.”

Related Characters: Vashti (speaker), Kuno (speaker), The Machine
Page Number and Citation: 123
Explanation and Analysis:

As he spoke, the whole city was broken like a honeycomb. An air-ship had sailed in through the vomitory into a ruined wharf. It crashed downwards, exploding as it went, rending gallery after gallery with its wings of steel. For a moment they saw the nations of the dead, and, before they joined them, scraps of the untainted sky.

Related Characters: Vashti , Kuno , The Machine
Related Literary Devices:
Page Number and Citation: 123
Explanation and Analysis:
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Vashti Character Timeline in The Machine Stops

The timeline below shows where the character Vashti appears in The Machine Stops. The colored dots and icons indicate which themes are associated with that appearance.
Part 1: The Air-Ship
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...but music is playing. The only furniture is the armchair and a reading-desk. The woman, Vashti, to whom the room belongs, is a “swaddled lump of flesh,” with skin “as white... (full context)
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A bell rings, and Vashti turns off the music. She is irritable, having been interrupted multiple times while listening to... (full context)
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Kuno tells Vashti that he wants her to come and see him. She protests that she can already... (full context)
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Vashti claims she doesn’t have the time for a visit, but Kuno counters that it takes... (full context)
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Vashti asks what kinds of ideas the air could give Kuno. He tells her about a... (full context)
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Kuno trails off, and Vashti imagines he looks sad. But she can only imagine this because the Machine does not... (full context)
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Vashti tries to dissuade Kuno from visiting Earth’s surface, telling him there is “no advantage” in... (full context)
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Vashti briefly feels lonely now that Kuno has ended their conversation. But then she turns on... (full context)
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Impatient as most people in this society are, Vashti responds to most of the questions with irritation. Then she turns on the isolation-switch again... (full context)
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Vashti picks up the Book of the Machine lying beside her on the reading-desk. It contains... (full context)
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Vashti continues to follow her predictable daily routine. She talks briefly to Kuno, asking him if... (full context)
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Vashti is frightened of the tunnel. She hasn’t seen it since her last child was born,... (full context)
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Vashti thinks about Kuno as a baby and their past visits. In this society, parents have... (full context)
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As Vashti catches sight of the air-ship, she is seized by the “horror of direct experience,” unused... (full context)
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Vashti’s anxiety increases as she boards the air-ship: there is a female flight attendant whom she... (full context)
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The air-ship takes off. They fly over the coast of Sumatra, and Vashti looks at the stars, which she finds “intolerable.” The passengers are angry at the careless... (full context)
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Annoyed by the light that shines through her blind, Vashti tries to fix it, but she winds up making the blind fly up altogether. She... (full context)
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...due to her out-of-the-ordinary occupation, which requires her to frequently talk to passengers directly. When Vashti nearly falls trying to dodge a beam of sunlight, the flight attendant touches Vashti in... (full context)
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The flight attendant tells Vashti they are flying over Asia and shows her the Himalayas. The attendant says they were... (full context)
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...died. The man who dropped his Book is traveling back home after fathering a child. Vashti is the only passenger who is traveling for private reasons only. She glances at Earth... (full context)
Part 2: The Mending Apparatus
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Vashti arrives at Kuno’s room, which is identical to her own. Vashti still feels that the... (full context)
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Kuno tells Vashti that he has been threatened with Homelessness. He could not tell her this through the... (full context)
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Kuno tells Vashti that she is starting to “worship” the Machine, and that she sees it as “irreligious”... (full context)
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Kuno tells Vashti that their society has lost “the sense of space,” which, according to Kuno, also means... (full context)
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...The voices urged him on, saying, “You will do it yet, you are coming.” When Vashti hears Kuno tell this part of his story, she is moved by it. She reflects... (full context)
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...shaft, Kuno went back to his room, and at that point he once again called Vashti to ask her to visit him. Here, Vashti interrupts his story and tells him that... (full context)
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...did manage to grab the handle. At this point in Kuno’s story, tears gather in Vashti’s eyes. She knows that he is fated to die, because there was “not room for... (full context)
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Kuno breaks off in his story and apologizes to Vashti, realizing that the story doesn’t interest her because there are “no ideas” in it. He... (full context)
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Kuno asks Vashti how she can’t see that it is they, all of humanity, who are dying, and... (full context)
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Kuno breaks off again, feeling that he cannot tell Vashti the rest, but she insists that he continue. He explains that the Mending Apparatus had... (full context)
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...wound around his ankle, trapping him. He struggled against it, crying for help. He tells Vashti that there is a part of the story here that is too awful for him... (full context)
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...his head, and he woke up in his room. Kuno’s story comes to an end. Vashti tells him it will end in Homelessness, and that the Machine has been merciful to... (full context)
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Vashti asks Kuno if he ever saw the bones of those who were executed through Homelessness... (full context)
Part 3: The Homeless
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...surface, respirators are abolished. Most people are in favor of the change, because people like Vashti always considered the habit of visiting Earth’s surface for no reason but simple curiosity to... (full context)
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Vashti’s life continues peacefully until the “final disaster.” Some of her friends receive Euthanasia, and she... (full context)
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Vashti calls a friend and, referring to Kuno as “a man who was my son,” tells... (full context)
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At the moment of this complete collapse, Vashti is lecturing, and she does not realize what has happened at first, until she remembers... (full context)
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But when the Machine’s hum stops, leaving only utter silence, Vashti breaks down, for she has been surrounded by the hum her entire life. This silence... (full context)
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Deciding that it is better to die in solitude, Vashti closes her door again to “wait for the end.” Her room disintegrates, and the light... (full context)
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Vashti “open[s] her prison and escape[s],” spiritually but not physically. She cries at the sight, and... (full context)
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Vashti asks Kuno if there is any hope, and Kuno answers that there is none for... (full context)
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Vashti asks Kuno if it is true that there are still humans on Earth’s surface, if... (full context)
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As Kuno and Vashti speak, the whole city breaks apart when an air-ship crashes into it. Before they die,... (full context)