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Frau Stöhr’s remark about Dr. Blumenkohl being very near death seems to be made more in passing than out of genuine concern for the man, further underscoring the frank, casual attitude toward death that many of the Berghof’s residents share. Hans’s ill-tasting Maria Mancini and his pounding heart reflect his inner struggle to resist the Berghof’s pull. At this point, he wants to return to his life in ordinary society and live a productive existence there, yet it’s becoming harder for him to honor those obligations when the Berghof’s decadence continues to tempt him.