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Hans makes a few key observations in this scene. First, he seems to accept Krokowski’s notion that bourgeois social norms stifle love, and he questions whether he is really going about life the right way: is it better to rationally suppress one’s dark, inner urges or to live a “magical” life full of unrepressed, irrational bursts of passion, even if they ultimately lead to self-destruction? Here, Hans’s disgust toward Chauchat seems slowly to shift toward attraction. Through the Christ-like figure of Krokowski, he has seen the light.