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In the novel, Settembrini represents humanist ideals of personal liberty, progress, and rationality. Clavdia, meanwhile, with her Russian background, represents sensuality and irrational passion. Given all this, the fact that Hans is now gravitating away from Settembrini and toward Clavdia signals that Hans is also embracing her values, which the book frames as destructive. Though Hans is theoretically staying at the Berghof to get well, he ironically may leave there worse off than when he arrived.