The Man of the Crowd
by Edgar Allan Poe
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The Man of the Crowd Quotes

Now and then, alas, the conscience of man takes up a burden so heavy in horror that it can be thrown down only into the grave. And thus the essence of all crime is undivulged.

Related Characters: The Narrator (speaker), The Old Man
Page Number and Citation: 442
Explanation and Analysis:
Before recounting his strange day in London, the narrator reflects on the nature of dark and heavy secrets that people keep to themselves for the rest of their lives. He alludes to a “horror” that must be hidden and buried rather than faced, foreshadowing the old man’s ultimate refusal to reveal the secrets that seem to torment him. It’s implied that there are people in the world who are hiding within themselves a deeper, central secret at the heart of “all crime,” unable to be discovered by the world at large simply because some things are too terrible to ever Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta i

Others, still a numerous class, were restless in their movements, had flushed faces, and talked and gesticulated to themselves, as if feeling in solitude on account of the very denseness of the company around.

Related Characters: The Narrator (speaker)
Page Number and Citation: 443
Explanation and Analysis:
Here, the narrator begins his evening of people-watching by observing the more “respectable” upper-class men walking by the window, including businessmen and lawyers. Among this group, he notes people who act as though they’re alone despite walking in the midst of a massive crowd on a busy London street. Their restlessness and disregard for the people around them suggests that they feel no connection to the rest of the crowd, seemingly content to be “in solitude” in their own private worlds. This behavior reinforces the theme of urban alienation: the emotional disconnect and sense of loneliness that defines Poe’s depiction Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaq

They all had slightly bald heads, from which the right ears, long used to pen-holding, had an odd habit of standing off on end. I observed that they always removed or settled their hats with both hands, and wore watches, with short gold chains of a substantial and ancient pattern.

Related Characters: The Narrator (speaker)
Page Number and Citation: 444
Explanation and Analysis:
The narrator continues his examination of the people outside the coffee-house window, noting the most minute details of their appearance and mannerisms. This is just one example of the level of detail the narrator applies to his observations. His obsessive curiosity drives him to focus on the most subtle and intricate traits of the people walking by, even including minor habits such as the way they hold their hats and slight differences in the angles of their ears. His almost absurd powers of perception prompt the reader to question whether the narrator’s point of view can be fully trusted. Regardless Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Elige

The wild effects of the light enchained me to an examination of individual faces; and although the rapidity with which the world of light flitted before the window prevented me from casting more than a glance upon each visage, still it seemed that, in my peculiar mental state, I could frequently read, even in that brief interval of a glance, the history of long years.

Related Characters: The Narrator (speaker)
Related Literary Devices:
Page Number and Citation: 446
Explanation and Analysis:
This is the point at which the narrator’s seemingly objective observations of the crowd begin to veer heavily into speculation. The narrator feels as though he can intuitively learn the intimate histories of the people walking past, just by glancing at their features. But this sensation doesn’t seem to be deliberate on his part; instead, he feels “enchained” by the interesting play of the lights in the streets, and by his own curiosity and overactive imagination. He feels forcibly compelled not only to categorize the people of the crowd, but to imagine entire backgrounds and life stories about them in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atq

Any thing even remotely resembling that expression I had never seen before. I well remember that my first thought, upon beholding it, was that Retzch, had he viewed it, would have greatly preferred it to his own pictural incarnations of the fiend.

Related Characters: The Narrator (speaker), The Old Man
Related Literary Devices:
Page Number and Citation: 446
Explanation and Analysis:
As the narrator sees the strange old man for the first time, he remarks on the extremely unusual expression and compares the old man’s appearance to that of the devil himself. Moritz Retzsch was a German painter best known for his depictions of “the fiend,” so the narrator invoking this name illustrates just how striking and unsettling he finds the old man’s appearance to be. Naturally, the expression only increases the narrator’s obsessive desire to learn more about this figure. More importantly, likening the old man to Satan immediately gives him strong thematic associations with darkness, evil, and the promise Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus pos

His clothes, generally, were filthy and ragged; but as he came, now and then, within the strong glare of a lamp, I perceived that his linen, although dirty, was of beautiful texture; and my vision deceived me, or, through a rent in a closely-buttoned and evidently second-handed roquelaire which enveloped him, I caught a glimpse of both a diamond and of a dagger.

Related Characters: The Narrator (speaker), The Old Man
Related Symbols: The Diamond or the Dagger
Related Literary Devices:
Page Number and Citation: 446
Explanation and Analysis:
As the narrator begins following the fascinating old man and looking at him more closely, he notices a few strange and seemingly contradictory details in his appearance. This description of the old man goes out of its way to depict polar opposites existing at the same time, echoing the description of his conflicting expressions when the narrator first saw him. The old man’s clothes aren’t just high quality; they’re “beautiful” despite being filthy, an image which is difficult to imagine and all the more interesting as a result. As the reader tries to picture the old man’s bizarre appearance, the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. H

By and by he passed into a cross street, which, although densely filled with people, was not quite so much thronged as the main one he had quitted. Here a change in his demeanor became evident. He walked more slowly and with less object than before —more hesitatingly.

Related Characters: The Narrator (speaker), The Old Man
Page Number and Citation: 447
Explanation and Analysis:
Partway into his pursuit, the narrator notices a shift in the old man’s behavior when the two of them enter a comparatively less busy area of the city. This “change in his demeanor” occurs several times throughout the pursuit, whenever the old man walks into a part of London that has fewer people in it. He moves “hesitatingly” in these less populated zones, while back in the thronging main street, he had walked much more quickly and seemingly with more purpose. His increased discomfort in this moment indicates that he’s reluctant to be alone, or even close to alone. This Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestia

“This old man,” I said at length, “is the type and the genius of deep crime. He refuses to be alone. He is the man of the crowd. It will be in vain to follow, for I shall learn no more of him, nor his deeds.”

Related Characters: The Narrator (speaker), The Old Man
Page Number and Citation: 450
Explanation and Analysis:
After finally facing the old man directly, only to be ignored as the old man continues on his lonely way, the narrator gives up his chase and attempts to explain his quarry’s strange behavior. He “refuses to be alone,” so he must be hiding something terrible, even from himself. This explanation seems to be mostly for the narrator’s own benefit, as he still feels compelled to satisfy his curiosity despite giving up. Although he admits that he “shall learn no more” of the old man, the narrator nonetheless ends his tale by trying to categorize the old man in the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequa
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