Gabriel Syme Character Analysis

“An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything. He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist disregards all governments, abolishes all conventions. The poet delights in disorder only.”

[…]

“The rare, strange thing is to hit the mark; the gross, obvious thing is to miss it. We feel it is epical when man with one wild arrow strikes a distant bird. Is it not also epical when man with one wild engine strikes a distant station? Chaos is dull; because in chaos the train might indeed go anywhere, to Baker Street, or to Bagdad. But man is a magician, and his whole magic is in this, that he does say Victoria, and lo! it is Victoria.”

“What is it you object to? You want to abolish Government?”

“To abolish God!” said Gregory, opening the eyes of a fanatic. “We do not only want to upset a few despotisms and police regulations; that sort of anarchism does exist, but it is a mere branch of the Nonconformists. We dig deeper and we blow you higher. We wish to deny all those arbitrary distinctions of vice and virtue, honour and treachery upon which mere rebels base themselves. The silly sentimentalists of the French Revolution talked of the Rights of Man! We hate Rights and we hate Wrongs. We have abolished Right and Wrong.”

“‘You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?’ I nodded. He suddenly lifted his lion’s voice. ‘Why then, dress up as an anarchist, you fool!’ he roared so that the room shook. ‘Nobody will ever expect you to do anything dangerous then.’”

“Well,” said Syme slowly, “I don’t know how to tell you the truth more shortly than by saying that your expedient of dressing up as an aimless poet is not confined to you or your President. We have known the dodge for some time at Scotland Yard.”

Gregory tried to spring up straight, but he swayed thrice.

“What do you say?” he asked in an inhuman voice.

“Yes,” said Syme simply, “I am a police detective. But I think I hear your friends coming.”

“Don’t you see we’ve checkmated each other?” cried Syme. “I can’t tell the police you are an anarchist. You can’t tell the anarchists I’m a policeman. I can only watch you, knowing what you are; you can only watch me, knowing what I am. In short, it’s a lonely, intellectual duel, my head against yours. I’m a policeman deprived of the help of the police. You, my poor fellow, are an anarchist deprived of the help of that law and organization which is so essential to anarchy. The one solitary difference is in your favour. You are not surrounded by inquisitive policemen; I am surrounded by inquisitive anarchists. I cannot betray you, but I might betray myself. Come, come: wait and see me betray myself. I shall do it so nicely.”

“I do not go to the Council to rebut that slander that calls us murderers; I go to earn it (loud and prolonged cheering). To the priest who says these men are the enemies of religion, to the judge who says these men are the enemies of law, to the fat parliamentarian who says these men are the enemies of order and public decency, to all these I will reply, ‘You are false kings, but you are true prophets. I am come to destroy you, and to fulfil your prophecies.’”

“Talk sense,” said Syme shortly. “Into what sort of devils’ parliament have you entrapped me, if it comes to that? You made me swear before I made you. Perhaps we are both doing what we think right. But what we think right is so damned different that there can be nothing between us in the way of concession. There is nothing possible between us but honour and death,” and he pulled the great cloak about his shoulders and picked up the flask from the table.

Gabriel Syme was not merely a detective who pretended to be a poet; he was really a poet who had become a detective. Nor was his hatred of anarchy hypocritical. He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion.

[…]

Being surrounded with every conceivable kind of revolt from infancy Gabriel had to revolt into something so he revolted into the only thing left—sanity. But there was just enough in him of the blood of these fanatics to make even his protest for common sense a little too fierce to be sensible.

“I will tell you,” said the policeman slowly. “This is the situation. The head of one of our departments, one of the most celebrated detectives in Europe, has long been of opinion that a purely intellectual conspiracy would soon threaten the very existence of civilization. He is certain that the scientific and artistic worlds are silently bound in a crusade against the Family and the State. He has, therefore, formed a special corps of policemen, policemen who are also philosophers. It is their business to watch the beginnings of this conspiracy.”

“The outer ring—the main mass of their supporters—are merely anarchists; that is, men who believe that rules and formulas have destroyed human happiness.”

[…]

“They are under no illusions; they are too intellectual to think that man upon this earth can ever be quite free of original sin and the struggle. And they mean death. When they say that mankind shall be free at last, they mean that mankind shall commit suicide. When they talk of a paradise without right or wrong, they mean the grave. They have but two objects, to destroy first humanity and then themselves.”

Syme had never thought of asking whether the monstrous man who almost filled and broke the balcony was the great President of whom the others stood in awe. He knew it was so, with an unaccountable but instantaneous certainty. Syme, indeed, was one of those men who are open to all the more nameless psychological influences in a degree a little dangerous to mental health. Utterly devoid of fear in physical dangers, he was a great deal too sensitive to the smell of spiritual evil. Twice already that night little unmeaning things had peeped out at him almost pruriently, and given him a sense of drawing nearer and nearer to the headquarters of hell. And this sense became overpowering as he drew nearer to the great President.

He had thought at first that they were all of common stature and costume, with the evident exception of the hairy Gogol. But as he looked at the others, he began to see in each of them exactly what he had seen in the man by the river, a demoniac detail somewhere. That lop-sided laugh, which would suddenly disfigure the fine face of his original guide, was typical of all these types. Each man had something about him, perceived perhaps at the tenth or twentieth glance, which was not normal, and which seemed hardly human. The only metaphor he could think of was this, that they all looked as men of fashion and presence would look, with the additional twist given in a false and curved mirror.

A barrel-organ in the street suddenly sprang with a jerk into a jovial tune. Syme stood up taut, as if it had been a bugle before the battle. He found himself filled with a supernatural courage that came from nowhere. The jingling music seemed full of the vivacity, the vulgarity, and the irrational valour of the poor, who in all those unclean streets were all clinging to the decencies and the charities of Christendom. […] He did feel himself as the ambassador of all these common and kindly people in the street, who every day marched into battle to the music of the barrel-organ. And this high pride in being human had lifted him unaccountably to an infinite height above the monstrous men around him.

Every movement of the old man’s tottering figure and vague hands, every uncertain gesture and panic-stricken pause, seemed to put it beyond question that he was helpless, that he was in the last imbecility of the body. He moved by inches, he let himself down with little gasps of caution. And yet, unless the philosophical entities called time and space have no vestige even of a practical existence, it appeared quite unquestionable that he had run after the omnibus.

Syme had for a flash the sensation that the cosmos had turned exactly upside down, that all the trees were growing downwards and that all stars were under his feet. Then came slowly the opposite conviction. For the last twenty-four hours the cosmos had really been upside down, but now the capsized universe had come right side up again. The devil from whom he had been fleeing all day was only an elder brother of his own house, who on the other side of the table lay back and laughed at him.

Syme was increasingly conscious that his new adventure had somehow a quality of cold sanity worse than the wild adventures of the past. Last night, for instance, the tall tenements had seemed to him like a tower in a dream. As he now went up the weary and perpetual steps, he was daunted and bewildered by their almost infinite series. But it was not the hot horror of a dream or of anything that might be exaggeration or delusion. Their infinity was more like the empty infinity of arithmetic, something unthinkable, yet necessary to thought. Or it was like the stunning statements of astronomy about the distance of the fixed stars. He was ascending the house of reason, a thing more hideous than unreason itself.

He felt a strange and vivid value in all the earth around him, in the grass under his feet; he felt the love of life in all living things. He could almost fancy that he heard the grass growing; he could almost fancy that even as he stood fresh flowers were springing up and breaking into blossom in the meadow—flowers blood-red and burning gold and blue, fulfilling the whole pageant of the spring. And whenever his eyes strayed for a flash from the calm, staring, hypnotic eyes of the Marquis, they saw the little tuft of almond tree against the skyline. He had the feeling that if by some miracle he escaped he would be ready to sit for ever before that almond tree, desiring nothing else in the world.

Was he wearing a mask? Was anyone wearing a mask? Was anyone anything? This wood of witchery in which men’s faces turned black and white by turns, in which their figures first swelled into sunlight and then faded into formless night, this mere chaos of chiaroscuro (after the clear daylight outside) seemed to Syme a perfect symbol of the world in which he had been moving for three days. […] Was not everything, after all, like this bewildering woodland, this dance of dark and light? Everything only a glimpse, the glimpse always unforeseen, and always forgotten. For Gabriel Syme had found in the heart of that sun-splashed wood what many modern painters had found there. He had found the thing which the modern people call Impressionism, which is another name for that final scepticism which can find no floor to the universe.

“You’ve got that eternal idiotic idea that if anarchy came it would come from the poor. Why should it? The poor have been rebels, but they have never been anarchists: they have more interest than anyone else in there being some decent government. The poor man really has a stake in the country. The rich man hasn’t; he can go away to New Guinea in a yacht. The poor have sometimes objected to being governed badly; the rich have always objected to being governed at all. Aristocrats were always anarchists, as you can see from the barons’ wars.”

The next instant the automobile had come with a catastrophic jar against an iron object. The instant after that four men had crawled out from under a chaos of metal, and a tall lean lamp-post that had stood up straight on the edge of the marine parade stood out, bent and twisted, like the branch of a broken tree.

“Well, we smashed something,” said the Professor, with a faint smile. “That’s some comfort.”

“You’re becoming an anarchist,” said Syme, dusting his clothes with his instinct of daintiness.

“Everyone is,” said Ratcliffe.

“Oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet.”

“In what or whom is your hope?” asked Syme with curiosity.

“In a man I never saw,” said the other, looking at the leaden sea.

“I know whom you mean,” said Syme in a low voice, “the man in the dark room.”

“Do you see this lantern?” cried Syme in a terrible voice. “Do you see the cross carved on it, and the flame inside? You did not make it. You did not light it. Better men than you, men who could believe and obey, twisted the entrails of iron and preserved the legend of fire. There is not a street you walk on, there is not a thread you wear, that was not made as this lantern was, by denying your philosophy of dirt and rats. You can make nothing. You can only destroy. You will destroy mankind; you will destroy the world. Let that suffice you. Yet this one old Christian lantern you shall not destroy. It shall go where your empire of apes will never have the wit to find it.”

“I tell you this, that you will have found out the truth of the last tree and the topmost cloud before the truth about me. You will understand the sea, and I shall be still a riddle; you shall know what the stars are, and not know what I am. Since the beginning of the world all men have hunted me like a wolf—kings and sages, and poets and law-givers, all the churches, and all the philosophers. But I have never been caught yet, and the skies will fall in the time I turn to bay. I have given them a good run for their money, and I will now.”

“Have you noticed an odd thing,” he said, “about all your descriptions? Each man of you finds Sunday quite different, yet each man of you can only find one thing to compare him to—the universe itself. Bull finds him like the earth in spring, Gogol like the sun at noonday. The Secretary is reminded of the shapeless protoplasm, and the Inspector of the carelessness of virgin forests. The Professor says he is like a changing landscape. This is queer, but it is queerer still that I also have had my odd notion about the President, and I also find that I think of Sunday as I think of the whole world.”

“Listen to me,” cried Syme with extraordinary emphasis. “Shall I tell you the secret of the whole world? It is that we have only known the back of the world. We see everything from behind, and it looks brutal. That is not a tree, but the back of a tree. That is not a cloud, but the back of a cloud. Cannot you see that everything is stooping and hiding a face? If we could only get round in front—”

But though he affected to despise the mummery, he felt a curious freedom and naturalness in his movements as the blue and gold garment fell about him; and when he found that he had to wear a sword, it stirred a boyish dream. As he passed out of the room he flung the folds across his shoulder with a gesture, his sword stood out at an angle, and he had all the swagger of a troubadour. For these disguises did not disguise, but reveal.

Syme sprang to his feet, shaking from head to foot. “I see everything,” he cried, “everything that there is. Why does each thing on the earth war against each other thing? Why does each small thing in the world have to fight against the world itself? Why does a fly have to fight the whole universe? Why does a dandelion have to fight the whole universe? For the same reason that I had to be alone in the dreadful Council of the Days. So that each thing that obeys law may have the glory and isolation of the anarchist. So that each man fighting for order may be as brave and good a man as the dynamiter. So that the real lie of Satan may be flung back in the face of this blasphemer, so that by tears and torture we may earn the right to say to this man, ‘You lie!’ No agonies can be too great to buy the right to say to this accuser, ‘We also have suffered.’”

[Syme] could only remember that gradually and naturally he knew that he was and had been walking along a country lane with an easy and conversational companion. That companion had been a part of his recent drama; it was the red-haired poet Gregory. They were walking like old friends, and were in the middle of a conversation about some triviality. But Syme could only feel an unnatural buoyancy in his body and a crystal simplicity in his mind that seemed to be superior to everything that he said or did. He felt he was in possession of some impossible good news, which made every other thing a triviality, but an adorable triviality.

“An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything. He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist disregards all governments, abolishes all conventions. The poet delights in disorder only.”

[…]

“The rare, strange thing is to hit the mark; the gross, obvious thing is to miss it. We feel it is epical when man with one wild arrow strikes a distant bird. Is it not also epical when man with one wild engine strikes a distant station? Chaos is dull; because in chaos the train might indeed go anywhere, to Baker Street, or to Bagdad. But man is a magician, and his whole magic is in this, that he does say Victoria, and lo! it is Victoria.”

“What is it you object to? You want to abolish Government?”

“To abolish God!” said Gregory, opening the eyes of a fanatic. “We do not only want to upset a few despotisms and police regulations; that sort of anarchism does exist, but it is a mere branch of the Nonconformists. We dig deeper and we blow you higher. We wish to deny all those arbitrary distinctions of vice and virtue, honour and treachery upon which mere rebels base themselves. The silly sentimentalists of the French Revolution talked of the Rights of Man! We hate Rights and we hate Wrongs. We have abolished Right and Wrong.”

“‘You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?’ I nodded. He suddenly lifted his lion’s voice. ‘Why then, dress up as an anarchist, you fool!’ he roared so that the room shook. ‘Nobody will ever expect you to do anything dangerous then.’”

“Well,” said Syme slowly, “I don’t know how to tell you the truth more shortly than by saying that your expedient of dressing up as an aimless poet is not confined to you or your President. We have known the dodge for some time at Scotland Yard.”

Gregory tried to spring up straight, but he swayed thrice.

“What do you say?” he asked in an inhuman voice.

“Yes,” said Syme simply, “I am a police detective. But I think I hear your friends coming.”

“Don’t you see we’ve checkmated each other?” cried Syme. “I can’t tell the police you are an anarchist. You can’t tell the anarchists I’m a policeman. I can only watch you, knowing what you are; you can only watch me, knowing what I am. In short, it’s a lonely, intellectual duel, my head against yours. I’m a policeman deprived of the help of the police. You, my poor fellow, are an anarchist deprived of the help of that law and organization which is so essential to anarchy. The one solitary difference is in your favour. You are not surrounded by inquisitive policemen; I am surrounded by inquisitive anarchists. I cannot betray you, but I might betray myself. Come, come: wait and see me betray myself. I shall do it so nicely.”

“I do not go to the Council to rebut that slander that calls us murderers; I go to earn it (loud and prolonged cheering). To the priest who says these men are the enemies of religion, to the judge who says these men are the enemies of law, to the fat parliamentarian who says these men are the enemies of order and public decency, to all these I will reply, ‘You are false kings, but you are true prophets. I am come to destroy you, and to fulfil your prophecies.’”

“Talk sense,” said Syme shortly. “Into what sort of devils’ parliament have you entrapped me, if it comes to that? You made me swear before I made you. Perhaps we are both doing what we think right. But what we think right is so damned different that there can be nothing between us in the way of concession. There is nothing possible between us but honour and death,” and he pulled the great cloak about his shoulders and picked up the flask from the table.

Gabriel Syme was not merely a detective who pretended to be a poet; he was really a poet who had become a detective. Nor was his hatred of anarchy hypocritical. He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion.

[…]

Being surrounded with every conceivable kind of revolt from infancy Gabriel had to revolt into something so he revolted into the only thing left—sanity. But there was just enough in him of the blood of these fanatics to make even his protest for common sense a little too fierce to be sensible.

“I will tell you,” said the policeman slowly. “This is the situation. The head of one of our departments, one of the most celebrated detectives in Europe, has long been of opinion that a purely intellectual conspiracy would soon threaten the very existence of civilization. He is certain that the scientific and artistic worlds are silently bound in a crusade against the Family and the State. He has, therefore, formed a special corps of policemen, policemen who are also philosophers. It is their business to watch the beginnings of this conspiracy.”

“The outer ring—the main mass of their supporters—are merely anarchists; that is, men who believe that rules and formulas have destroyed human happiness.”

[…]

“They are under no illusions; they are too intellectual to think that man upon this earth can ever be quite free of original sin and the struggle. And they mean death. When they say that mankind shall be free at last, they mean that mankind shall commit suicide. When they talk of a paradise without right or wrong, they mean the grave. They have but two objects, to destroy first humanity and then themselves.”

Syme had never thought of asking whether the monstrous man who almost filled and broke the balcony was the great President of whom the others stood in awe. He knew it was so, with an unaccountable but instantaneous certainty. Syme, indeed, was one of those men who are open to all the more nameless psychological influences in a degree a little dangerous to mental health. Utterly devoid of fear in physical dangers, he was a great deal too sensitive to the smell of spiritual evil. Twice already that night little unmeaning things had peeped out at him almost pruriently, and given him a sense of drawing nearer and nearer to the headquarters of hell. And this sense became overpowering as he drew nearer to the great President.

He had thought at first that they were all of common stature and costume, with the evident exception of the hairy Gogol. But as he looked at the others, he began to see in each of them exactly what he had seen in the man by the river, a demoniac detail somewhere. That lop-sided laugh, which would suddenly disfigure the fine face of his original guide, was typical of all these types. Each man had something about him, perceived perhaps at the tenth or twentieth glance, which was not normal, and which seemed hardly human. The only metaphor he could think of was this, that they all looked as men of fashion and presence would look, with the additional twist given in a false and curved mirror.

A barrel-organ in the street suddenly sprang with a jerk into a jovial tune. Syme stood up taut, as if it had been a bugle before the battle. He found himself filled with a supernatural courage that came from nowhere. The jingling music seemed full of the vivacity, the vulgarity, and the irrational valour of the poor, who in all those unclean streets were all clinging to the decencies and the charities of Christendom. […] He did feel himself as the ambassador of all these common and kindly people in the street, who every day marched into battle to the music of the barrel-organ. And this high pride in being human had lifted him unaccountably to an infinite height above the monstrous men around him.

Every movement of the old man’s tottering figure and vague hands, every uncertain gesture and panic-stricken pause, seemed to put it beyond question that he was helpless, that he was in the last imbecility of the body. He moved by inches, he let himself down with little gasps of caution. And yet, unless the philosophical entities called time and space have no vestige even of a practical existence, it appeared quite unquestionable that he had run after the omnibus.

Syme had for a flash the sensation that the cosmos had turned exactly upside down, that all the trees were growing downwards and that all stars were under his feet. Then came slowly the opposite conviction. For the last twenty-four hours the cosmos had really been upside down, but now the capsized universe had come right side up again. The devil from whom he had been fleeing all day was only an elder brother of his own house, who on the other side of the table lay back and laughed at him.

Syme was increasingly conscious that his new adventure had somehow a quality of cold sanity worse than the wild adventures of the past. Last night, for instance, the tall tenements had seemed to him like a tower in a dream. As he now went up the weary and perpetual steps, he was daunted and bewildered by their almost infinite series. But it was not the hot horror of a dream or of anything that might be exaggeration or delusion. Their infinity was more like the empty infinity of arithmetic, something unthinkable, yet necessary to thought. Or it was like the stunning statements of astronomy about the distance of the fixed stars. He was ascending the house of reason, a thing more hideous than unreason itself.

He felt a strange and vivid value in all the earth around him, in the grass under his feet; he felt the love of life in all living things. He could almost fancy that he heard the grass growing; he could almost fancy that even as he stood fresh flowers were springing up and breaking into blossom in the meadow—flowers blood-red and burning gold and blue, fulfilling the whole pageant of the spring. And whenever his eyes strayed for a flash from the calm, staring, hypnotic eyes of the Marquis, they saw the little tuft of almond tree against the skyline. He had the feeling that if by some miracle he escaped he would be ready to sit for ever before that almond tree, desiring nothing else in the world.

Was he wearing a mask? Was anyone wearing a mask? Was anyone anything? This wood of witchery in which men’s faces turned black and white by turns, in which their figures first swelled into sunlight and then faded into formless night, this mere chaos of chiaroscuro (after the clear daylight outside) seemed to Syme a perfect symbol of the world in which he had been moving for three days. […] Was not everything, after all, like this bewildering woodland, this dance of dark and light? Everything only a glimpse, the glimpse always unforeseen, and always forgotten. For Gabriel Syme had found in the heart of that sun-splashed wood what many modern painters had found there. He had found the thing which the modern people call Impressionism, which is another name for that final scepticism which can find no floor to the universe.

“You’ve got that eternal idiotic idea that if anarchy came it would come from the poor. Why should it? The poor have been rebels, but they have never been anarchists: they have more interest than anyone else in there being some decent government. The poor man really has a stake in the country. The rich man hasn’t; he can go away to New Guinea in a yacht. The poor have sometimes objected to being governed badly; the rich have always objected to being governed at all. Aristocrats were always anarchists, as you can see from the barons’ wars.”

The next instant the automobile had come with a catastrophic jar against an iron object. The instant after that four men had crawled out from under a chaos of metal, and a tall lean lamp-post that had stood up straight on the edge of the marine parade stood out, bent and twisted, like the branch of a broken tree.

“Well, we smashed something,” said the Professor, with a faint smile. “That’s some comfort.”

“You’re becoming an anarchist,” said Syme, dusting his clothes with his instinct of daintiness.

“Everyone is,” said Ratcliffe.

“Oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet.”

“In what or whom is your hope?” asked Syme with curiosity.

“In a man I never saw,” said the other, looking at the leaden sea.

“I know whom you mean,” said Syme in a low voice, “the man in the dark room.”

“Do you see this lantern?” cried Syme in a terrible voice. “Do you see the cross carved on it, and the flame inside? You did not make it. You did not light it. Better men than you, men who could believe and obey, twisted the entrails of iron and preserved the legend of fire. There is not a street you walk on, there is not a thread you wear, that was not made as this lantern was, by denying your philosophy of dirt and rats. You can make nothing. You can only destroy. You will destroy mankind; you will destroy the world. Let that suffice you. Yet this one old Christian lantern you shall not destroy. It shall go where your empire of apes will never have the wit to find it.”

“I tell you this, that you will have found out the truth of the last tree and the topmost cloud before the truth about me. You will understand the sea, and I shall be still a riddle; you shall know what the stars are, and not know what I am. Since the beginning of the world all men have hunted me like a wolf—kings and sages, and poets and law-givers, all the churches, and all the philosophers. But I have never been caught yet, and the skies will fall in the time I turn to bay. I have given them a good run for their money, and I will now.”

“Have you noticed an odd thing,” he said, “about all your descriptions? Each man of you finds Sunday quite different, yet each man of you can only find one thing to compare him to—the universe itself. Bull finds him like the earth in spring, Gogol like the sun at noonday. The Secretary is reminded of the shapeless protoplasm, and the Inspector of the carelessness of virgin forests. The Professor says he is like a changing landscape. This is queer, but it is queerer still that I also have had my odd notion about the President, and I also find that I think of Sunday as I think of the whole world.”

“Listen to me,” cried Syme with extraordinary emphasis. “Shall I tell you the secret of the whole world? It is that we have only known the back of the world. We see everything from behind, and it looks brutal. That is not a tree, but the back of a tree. That is not a cloud, but the back of a cloud. Cannot you see that everything is stooping and hiding a face? If we could only get round in front—”

But though he affected to despise the mummery, he felt a curious freedom and naturalness in his movements as the blue and gold garment fell about him; and when he found that he had to wear a sword, it stirred a boyish dream. As he passed out of the room he flung the folds across his shoulder with a gesture, his sword stood out at an angle, and he had all the swagger of a troubadour. For these disguises did not disguise, but reveal.

Syme sprang to his feet, shaking from head to foot. “I see everything,” he cried, “everything that there is. Why does each thing on the earth war against each other thing? Why does each small thing in the world have to fight against the world itself? Why does a fly have to fight the whole universe? Why does a dandelion have to fight the whole universe? For the same reason that I had to be alone in the dreadful Council of the Days. So that each thing that obeys law may have the glory and isolation of the anarchist. So that each man fighting for order may be as brave and good a man as the dynamiter. So that the real lie of Satan may be flung back in the face of this blasphemer, so that by tears and torture we may earn the right to say to this man, ‘You lie!’ No agonies can be too great to buy the right to say to this accuser, ‘We also have suffered.’”

[Syme] could only remember that gradually and naturally he knew that he was and had been walking along a country lane with an easy and conversational companion. That companion had been a part of his recent drama; it was the red-haired poet Gregory. They were walking like old friends, and were in the middle of a conversation about some triviality. But Syme could only feel an unnatural buoyancy in his body and a crystal simplicity in his mind that seemed to be superior to everything that he said or did. He felt he was in possession of some impossible good news, which made every other thing a triviality, but an adorable triviality.