Lucian Gregory Character Analysis

The suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset. It was built of a bright brick throughout; its skyline was fantastic, and even its ground plan was wild. […] It had to be considered not so much as a workshop for artists, but as a frail but finished work of art. A man who stepped into its social atmosphere felt as if he had stepped into a written comedy.

“An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything. He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist disregards all governments, abolishes all conventions. The poet delights in disorder only.”

[…]

“The rare, strange thing is to hit the mark; the gross, obvious thing is to miss it. We feel it is epical when man with one wild arrow strikes a distant bird. Is it not also epical when man with one wild engine strikes a distant station? Chaos is dull; because in chaos the train might indeed go anywhere, to Baker Street, or to Bagdad. But man is a magician, and his whole magic is in this, that he does say Victoria, and lo! it is Victoria.”

“What is it you object to? You want to abolish Government?”

“To abolish God!” said Gregory, opening the eyes of a fanatic. “We do not only want to upset a few despotisms and police regulations; that sort of anarchism does exist, but it is a mere branch of the Nonconformists. We dig deeper and we blow you higher. We wish to deny all those arbitrary distinctions of vice and virtue, honour and treachery upon which mere rebels base themselves. The silly sentimentalists of the French Revolution talked of the Rights of Man! We hate Rights and we hate Wrongs. We have abolished Right and Wrong.”

“‘You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?’ I nodded. He suddenly lifted his lion’s voice. ‘Why then, dress up as an anarchist, you fool!’ he roared so that the room shook. ‘Nobody will ever expect you to do anything dangerous then.’”

“Well,” said Syme slowly, “I don’t know how to tell you the truth more shortly than by saying that your expedient of dressing up as an aimless poet is not confined to you or your President. We have known the dodge for some time at Scotland Yard.”

Gregory tried to spring up straight, but he swayed thrice.

“What do you say?” he asked in an inhuman voice.

“Yes,” said Syme simply, “I am a police detective. But I think I hear your friends coming.”

“Don’t you see we’ve checkmated each other?” cried Syme. “I can’t tell the police you are an anarchist. You can’t tell the anarchists I’m a policeman. I can only watch you, knowing what you are; you can only watch me, knowing what I am. In short, it’s a lonely, intellectual duel, my head against yours. I’m a policeman deprived of the help of the police. You, my poor fellow, are an anarchist deprived of the help of that law and organization which is so essential to anarchy. The one solitary difference is in your favour. You are not surrounded by inquisitive policemen; I am surrounded by inquisitive anarchists. I cannot betray you, but I might betray myself. Come, come: wait and see me betray myself. I shall do it so nicely.”

“I do not go to the Council to rebut that slander that calls us murderers; I go to earn it (loud and prolonged cheering). To the priest who says these men are the enemies of religion, to the judge who says these men are the enemies of law, to the fat parliamentarian who says these men are the enemies of order and public decency, to all these I will reply, ‘You are false kings, but you are true prophets. I am come to destroy you, and to fulfil your prophecies.’”

“Talk sense,” said Syme shortly. “Into what sort of devils’ parliament have you entrapped me, if it comes to that? You made me swear before I made you. Perhaps we are both doing what we think right. But what we think right is so damned different that there can be nothing between us in the way of concession. There is nothing possible between us but honour and death,” and he pulled the great cloak about his shoulders and picked up the flask from the table.

Syme sprang to his feet, shaking from head to foot. “I see everything,” he cried, “everything that there is. Why does each thing on the earth war against each other thing? Why does each small thing in the world have to fight against the world itself? Why does a fly have to fight the whole universe? Why does a dandelion have to fight the whole universe? For the same reason that I had to be alone in the dreadful Council of the Days. So that each thing that obeys law may have the glory and isolation of the anarchist. So that each man fighting for order may be as brave and good a man as the dynamiter. So that the real lie of Satan may be flung back in the face of this blasphemer, so that by tears and torture we may earn the right to say to this man, ‘You lie!’ No agonies can be too great to buy the right to say to this accuser, ‘We also have suffered.’”

“Have you,” he cried in a dreadful voice, “have you ever suffered?”

As he gazed, the great face grew to an awful size, grew larger than the colossal mask of Memnon, which had made him scream as a child. It grew larger and larger, filling the whole sky; then everything went black. Only in the blackness before it entirely destroyed his brain he seemed to hear a distant voice saying a commonplace text that he had heard somewhere, “Can ye drink of the cup that I drink of?”

[Syme] could only remember that gradually and naturally he knew that he was and had been walking along a country lane with an easy and conversational companion. That companion had been a part of his recent drama; it was the red-haired poet Gregory. They were walking like old friends, and were in the middle of a conversation about some triviality. But Syme could only feel an unnatural buoyancy in his body and a crystal simplicity in his mind that seemed to be superior to everything that he said or did. He felt he was in possession of some impossible good news, which made every other thing a triviality, but an adorable triviality.

The suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset. It was built of a bright brick throughout; its skyline was fantastic, and even its ground plan was wild. […] It had to be considered not so much as a workshop for artists, but as a frail but finished work of art. A man who stepped into its social atmosphere felt as if he had stepped into a written comedy.

“An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything. He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist disregards all governments, abolishes all conventions. The poet delights in disorder only.”

[…]

“The rare, strange thing is to hit the mark; the gross, obvious thing is to miss it. We feel it is epical when man with one wild arrow strikes a distant bird. Is it not also epical when man with one wild engine strikes a distant station? Chaos is dull; because in chaos the train might indeed go anywhere, to Baker Street, or to Bagdad. But man is a magician, and his whole magic is in this, that he does say Victoria, and lo! it is Victoria.”

“What is it you object to? You want to abolish Government?”

“To abolish God!” said Gregory, opening the eyes of a fanatic. “We do not only want to upset a few despotisms and police regulations; that sort of anarchism does exist, but it is a mere branch of the Nonconformists. We dig deeper and we blow you higher. We wish to deny all those arbitrary distinctions of vice and virtue, honour and treachery upon which mere rebels base themselves. The silly sentimentalists of the French Revolution talked of the Rights of Man! We hate Rights and we hate Wrongs. We have abolished Right and Wrong.”

“‘You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?’ I nodded. He suddenly lifted his lion’s voice. ‘Why then, dress up as an anarchist, you fool!’ he roared so that the room shook. ‘Nobody will ever expect you to do anything dangerous then.’”

“Well,” said Syme slowly, “I don’t know how to tell you the truth more shortly than by saying that your expedient of dressing up as an aimless poet is not confined to you or your President. We have known the dodge for some time at Scotland Yard.”

Gregory tried to spring up straight, but he swayed thrice.

“What do you say?” he asked in an inhuman voice.

“Yes,” said Syme simply, “I am a police detective. But I think I hear your friends coming.”

“Don’t you see we’ve checkmated each other?” cried Syme. “I can’t tell the police you are an anarchist. You can’t tell the anarchists I’m a policeman. I can only watch you, knowing what you are; you can only watch me, knowing what I am. In short, it’s a lonely, intellectual duel, my head against yours. I’m a policeman deprived of the help of the police. You, my poor fellow, are an anarchist deprived of the help of that law and organization which is so essential to anarchy. The one solitary difference is in your favour. You are not surrounded by inquisitive policemen; I am surrounded by inquisitive anarchists. I cannot betray you, but I might betray myself. Come, come: wait and see me betray myself. I shall do it so nicely.”

“I do not go to the Council to rebut that slander that calls us murderers; I go to earn it (loud and prolonged cheering). To the priest who says these men are the enemies of religion, to the judge who says these men are the enemies of law, to the fat parliamentarian who says these men are the enemies of order and public decency, to all these I will reply, ‘You are false kings, but you are true prophets. I am come to destroy you, and to fulfil your prophecies.’”

“Talk sense,” said Syme shortly. “Into what sort of devils’ parliament have you entrapped me, if it comes to that? You made me swear before I made you. Perhaps we are both doing what we think right. But what we think right is so damned different that there can be nothing between us in the way of concession. There is nothing possible between us but honour and death,” and he pulled the great cloak about his shoulders and picked up the flask from the table.

Syme sprang to his feet, shaking from head to foot. “I see everything,” he cried, “everything that there is. Why does each thing on the earth war against each other thing? Why does each small thing in the world have to fight against the world itself? Why does a fly have to fight the whole universe? Why does a dandelion have to fight the whole universe? For the same reason that I had to be alone in the dreadful Council of the Days. So that each thing that obeys law may have the glory and isolation of the anarchist. So that each man fighting for order may be as brave and good a man as the dynamiter. So that the real lie of Satan may be flung back in the face of this blasphemer, so that by tears and torture we may earn the right to say to this man, ‘You lie!’ No agonies can be too great to buy the right to say to this accuser, ‘We also have suffered.’”

“Have you,” he cried in a dreadful voice, “have you ever suffered?”

As he gazed, the great face grew to an awful size, grew larger than the colossal mask of Memnon, which had made him scream as a child. It grew larger and larger, filling the whole sky; then everything went black. Only in the blackness before it entirely destroyed his brain he seemed to hear a distant voice saying a commonplace text that he had heard somewhere, “Can ye drink of the cup that I drink of?”

[Syme] could only remember that gradually and naturally he knew that he was and had been walking along a country lane with an easy and conversational companion. That companion had been a part of his recent drama; it was the red-haired poet Gregory. They were walking like old friends, and were in the middle of a conversation about some triviality. But Syme could only feel an unnatural buoyancy in his body and a crystal simplicity in his mind that seemed to be superior to everything that he said or did. He felt he was in possession of some impossible good news, which made every other thing a triviality, but an adorable triviality.