The Marquis de St. Eustache/Inspector Ratcliffe/Wednesday Quotes in The Man Who Was Thursday
He felt a strange and vivid value in all the earth around him, in the grass under his feet; he felt the love of life in all living things. He could almost fancy that he heard the grass growing; he could almost fancy that even as he stood fresh flowers were springing up and breaking into blossom in the meadow—flowers blood-red and burning gold and blue, fulfilling the whole pageant of the spring. And whenever his eyes strayed for a flash from the calm, staring, hypnotic eyes of the Marquis, they saw the little tuft of almond tree against the skyline. He had the feeling that if by some miracle he escaped he would be ready to sit for ever before that almond tree, desiring nothing else in the world.
“Can you think of anything more like Sunday than this, that he should put all his powerful enemies on the Supreme Council, and then take care that it was not supreme? I tell you he has bought every trust, he has captured every cable, he has control of every railway line—especially of that railway line!” and he pointed a shaking finger towards the small wayside station. “The whole movement was controlled by him; half the world was ready to rise for him. But there were just five people, perhaps, who would have resisted him … and the old devil put them on the Supreme Council, to waste their time in watching each other. Idiots that we are, he planned the whole of our idiocies!”
Was he wearing a mask? Was anyone wearing a mask? Was anyone anything? This wood of witchery in which men’s faces turned black and white by turns, in which their figures first swelled into sunlight and then faded into formless night, this mere chaos of chiaroscuro (after the clear daylight outside) seemed to Syme a perfect symbol of the world in which he had been moving for three days. […] Was not everything, after all, like this bewildering woodland, this dance of dark and light? Everything only a glimpse, the glimpse always unforeseen, and always forgotten. For Gabriel Syme had found in the heart of that sun-splashed wood what many modern painters had found there. He had found the thing which the modern people call Impressionism, which is another name for that final scepticism which can find no floor to the universe.
“You’ve got that eternal idiotic idea that if anarchy came it would come from the poor. Why should it? The poor have been rebels, but they have never been anarchists: they have more interest than anyone else in there being some decent government. The poor man really has a stake in the country. The rich man hasn’t; he can go away to New Guinea in a yacht. The poor have sometimes objected to being governed badly; the rich have always objected to being governed at all. Aristocrats were always anarchists, as you can see from the barons’ wars.”
“Oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet.”
“In what or whom is your hope?” asked Syme with curiosity.
“In a man I never saw,” said the other, looking at the leaden sea.
“I know whom you mean,” said Syme in a low voice, “the man in the dark room.”
“Have you noticed an odd thing,” he said, “about all your descriptions? Each man of you finds Sunday quite different, yet each man of you can only find one thing to compare him to—the universe itself. Bull finds him like the earth in spring, Gogol like the sun at noonday. The Secretary is reminded of the shapeless protoplasm, and the Inspector of the carelessness of virgin forests. The Professor says he is like a changing landscape. This is queer, but it is queerer still that I also have had my odd notion about the President, and I also find that I think of Sunday as I think of the whole world.”
The Marquis de St. Eustache/Inspector Ratcliffe/Wednesday Quotes in The Man Who Was Thursday
He felt a strange and vivid value in all the earth around him, in the grass under his feet; he felt the love of life in all living things. He could almost fancy that he heard the grass growing; he could almost fancy that even as he stood fresh flowers were springing up and breaking into blossom in the meadow—flowers blood-red and burning gold and blue, fulfilling the whole pageant of the spring. And whenever his eyes strayed for a flash from the calm, staring, hypnotic eyes of the Marquis, they saw the little tuft of almond tree against the skyline. He had the feeling that if by some miracle he escaped he would be ready to sit for ever before that almond tree, desiring nothing else in the world.
“Can you think of anything more like Sunday than this, that he should put all his powerful enemies on the Supreme Council, and then take care that it was not supreme? I tell you he has bought every trust, he has captured every cable, he has control of every railway line—especially of that railway line!” and he pointed a shaking finger towards the small wayside station. “The whole movement was controlled by him; half the world was ready to rise for him. But there were just five people, perhaps, who would have resisted him … and the old devil put them on the Supreme Council, to waste their time in watching each other. Idiots that we are, he planned the whole of our idiocies!”
Was he wearing a mask? Was anyone wearing a mask? Was anyone anything? This wood of witchery in which men’s faces turned black and white by turns, in which their figures first swelled into sunlight and then faded into formless night, this mere chaos of chiaroscuro (after the clear daylight outside) seemed to Syme a perfect symbol of the world in which he had been moving for three days. […] Was not everything, after all, like this bewildering woodland, this dance of dark and light? Everything only a glimpse, the glimpse always unforeseen, and always forgotten. For Gabriel Syme had found in the heart of that sun-splashed wood what many modern painters had found there. He had found the thing which the modern people call Impressionism, which is another name for that final scepticism which can find no floor to the universe.
“You’ve got that eternal idiotic idea that if anarchy came it would come from the poor. Why should it? The poor have been rebels, but they have never been anarchists: they have more interest than anyone else in there being some decent government. The poor man really has a stake in the country. The rich man hasn’t; he can go away to New Guinea in a yacht. The poor have sometimes objected to being governed badly; the rich have always objected to being governed at all. Aristocrats were always anarchists, as you can see from the barons’ wars.”
“Oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet.”
“In what or whom is your hope?” asked Syme with curiosity.
“In a man I never saw,” said the other, looking at the leaden sea.
“I know whom you mean,” said Syme in a low voice, “the man in the dark room.”
“Have you noticed an odd thing,” he said, “about all your descriptions? Each man of you finds Sunday quite different, yet each man of you can only find one thing to compare him to—the universe itself. Bull finds him like the earth in spring, Gogol like the sun at noonday. The Secretary is reminded of the shapeless protoplasm, and the Inspector of the carelessness of virgin forests. The Professor says he is like a changing landscape. This is queer, but it is queerer still that I also have had my odd notion about the President, and I also find that I think of Sunday as I think of the whole world.”
