Identity Theme Analysis

“‘You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?’ I nodded. He suddenly lifted his lion’s voice. ‘Why then, dress up as an anarchist, you fool!’ he roared so that the room shook. ‘Nobody will ever expect you to do anything dangerous then.’”

“Well,” said Syme slowly, “I don’t know how to tell you the truth more shortly than by saying that your expedient of dressing up as an aimless poet is not confined to you or your President. We have known the dodge for some time at Scotland Yard.”

Gregory tried to spring up straight, but he swayed thrice.

“What do you say?” he asked in an inhuman voice.

“Yes,” said Syme simply, “I am a police detective. But I think I hear your friends coming.”

“Don’t you see we’ve checkmated each other?” cried Syme. “I can’t tell the police you are an anarchist. You can’t tell the anarchists I’m a policeman. I can only watch you, knowing what you are; you can only watch me, knowing what I am. In short, it’s a lonely, intellectual duel, my head against yours. I’m a policeman deprived of the help of the police. You, my poor fellow, are an anarchist deprived of the help of that law and organization which is so essential to anarchy. The one solitary difference is in your favour. You are not surrounded by inquisitive policemen; I am surrounded by inquisitive anarchists. I cannot betray you, but I might betray myself. Come, come: wait and see me betray myself. I shall do it so nicely.”

“I do not go to the Council to rebut that slander that calls us murderers; I go to earn it (loud and prolonged cheering). To the priest who says these men are the enemies of religion, to the judge who says these men are the enemies of law, to the fat parliamentarian who says these men are the enemies of order and public decency, to all these I will reply, ‘You are false kings, but you are true prophets. I am come to destroy you, and to fulfil your prophecies.’”

Gabriel Syme was not merely a detective who pretended to be a poet; he was really a poet who had become a detective. Nor was his hatred of anarchy hypocritical. He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion.

[…]

Being surrounded with every conceivable kind of revolt from infancy Gabriel had to revolt into something so he revolted into the only thing left—sanity. But there was just enough in him of the blood of these fanatics to make even his protest for common sense a little too fierce to be sensible.

Syme had never thought of asking whether the monstrous man who almost filled and broke the balcony was the great President of whom the others stood in awe. He knew it was so, with an unaccountable but instantaneous certainty. Syme, indeed, was one of those men who are open to all the more nameless psychological influences in a degree a little dangerous to mental health. Utterly devoid of fear in physical dangers, he was a great deal too sensitive to the smell of spiritual evil. Twice already that night little unmeaning things had peeped out at him almost pruriently, and given him a sense of drawing nearer and nearer to the headquarters of hell. And this sense became overpowering as he drew nearer to the great President.

He had thought at first that they were all of common stature and costume, with the evident exception of the hairy Gogol. But as he looked at the others, he began to see in each of them exactly what he had seen in the man by the river, a demoniac detail somewhere. That lop-sided laugh, which would suddenly disfigure the fine face of his original guide, was typical of all these types. Each man had something about him, perceived perhaps at the tenth or twentieth glance, which was not normal, and which seemed hardly human. The only metaphor he could think of was this, that they all looked as men of fashion and presence would look, with the additional twist given in a false and curved mirror.

Every movement of the old man’s tottering figure and vague hands, every uncertain gesture and panic-stricken pause, seemed to put it beyond question that he was helpless, that he was in the last imbecility of the body. He moved by inches, he let himself down with little gasps of caution. And yet, unless the philosophical entities called time and space have no vestige even of a practical existence, it appeared quite unquestionable that he had run after the omnibus.

Syme had for a flash the sensation that the cosmos had turned exactly upside down, that all the trees were growing downwards and that all stars were under his feet. Then came slowly the opposite conviction. For the last twenty-four hours the cosmos had really been upside down, but now the capsized universe had come right side up again. The devil from whom he had been fleeing all day was only an elder brother of his own house, who on the other side of the table lay back and laughed at him.

Syme was increasingly conscious that his new adventure had somehow a quality of cold sanity worse than the wild adventures of the past. Last night, for instance, the tall tenements had seemed to him like a tower in a dream. As he now went up the weary and perpetual steps, he was daunted and bewildered by their almost infinite series. But it was not the hot horror of a dream or of anything that might be exaggeration or delusion. Their infinity was more like the empty infinity of arithmetic, something unthinkable, yet necessary to thought. Or it was like the stunning statements of astronomy about the distance of the fixed stars. He was ascending the house of reason, a thing more hideous than unreason itself.

“Can you think of anything more like Sunday than this, that he should put all his powerful enemies on the Supreme Council, and then take care that it was not supreme? I tell you he has bought every trust, he has captured every cable, he has control of every railway line—especially of that railway line!” and he pointed a shaking finger towards the small wayside station. “The whole movement was controlled by him; half the world was ready to rise for him. But there were just five people, perhaps, who would have resisted him … and the old devil put them on the Supreme Council, to waste their time in watching each other. Idiots that we are, he planned the whole of our idiocies!”

Was he wearing a mask? Was anyone wearing a mask? Was anyone anything? This wood of witchery in which men’s faces turned black and white by turns, in which their figures first swelled into sunlight and then faded into formless night, this mere chaos of chiaroscuro (after the clear daylight outside) seemed to Syme a perfect symbol of the world in which he had been moving for three days. […] Was not everything, after all, like this bewildering woodland, this dance of dark and light? Everything only a glimpse, the glimpse always unforeseen, and always forgotten. For Gabriel Syme had found in the heart of that sun-splashed wood what many modern painters had found there. He had found the thing which the modern people call Impressionism, which is another name for that final scepticism which can find no floor to the universe.

The next instant the automobile had come with a catastrophic jar against an iron object. The instant after that four men had crawled out from under a chaos of metal, and a tall lean lamp-post that had stood up straight on the edge of the marine parade stood out, bent and twisted, like the branch of a broken tree.

“Well, we smashed something,” said the Professor, with a faint smile. “That’s some comfort.”

“You’re becoming an anarchist,” said Syme, dusting his clothes with his instinct of daintiness.

“Everyone is,” said Ratcliffe.

“Oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet.”

“In what or whom is your hope?” asked Syme with curiosity.

“In a man I never saw,” said the other, looking at the leaden sea.

“I know whom you mean,” said Syme in a low voice, “the man in the dark room.”

“I confess that I should feel a bit afraid of asking Sunday who he really is.”

“Why?” asked the Secretary; “for fear of bombs?”

“No,” said the Professor, “for fear he might tell me.”

“I tell you this, that you will have found out the truth of the last tree and the topmost cloud before the truth about me. You will understand the sea, and I shall be still a riddle; you shall know what the stars are, and not know what I am. Since the beginning of the world all men have hunted me like a wolf—kings and sages, and poets and law-givers, all the churches, and all the philosophers. But I have never been caught yet, and the skies will fall in the time I turn to bay. I have given them a good run for their money, and I will now.”

“Have you noticed an odd thing,” he said, “about all your descriptions? Each man of you finds Sunday quite different, yet each man of you can only find one thing to compare him to—the universe itself. Bull finds him like the earth in spring, Gogol like the sun at noonday. The Secretary is reminded of the shapeless protoplasm, and the Inspector of the carelessness of virgin forests. The Professor says he is like a changing landscape. This is queer, but it is queerer still that I also have had my odd notion about the President, and I also find that I think of Sunday as I think of the whole world.”

“Listen to me,” cried Syme with extraordinary emphasis. “Shall I tell you the secret of the whole world? It is that we have only known the back of the world. We see everything from behind, and it looks brutal. That is not a tree, but the back of a tree. That is not a cloud, but the back of a cloud. Cannot you see that everything is stooping and hiding a face? If we could only get round in front—”

But though he affected to despise the mummery, he felt a curious freedom and naturalness in his movements as the blue and gold garment fell about him; and when he found that he had to wear a sword, it stirred a boyish dream. As he passed out of the room he flung the folds across his shoulder with a gesture, his sword stood out at an angle, and he had all the swagger of a troubadour. For these disguises did not disguise, but reveal.

“Who and what are you?”

“I am the Sabbath,” said the other without moving. “I am the peace of God.”

The Secretary started up, and stood crushing his costly robe in his hand.

“I know what you mean,” he cried, “and it is exactly that that I cannot forgive you. I know you are contentment, optimism, what do they call the thing, an ultimate reconciliation. Well, I am not reconciled. If you were the man in the dark room, why were you also Sunday, an offence to the sunlight? If you were from the first our father and our friend, why were you also our greatest enemy? We wept, we fled in terror; the iron entered into our souls—and you are the peace of God! Oh, I can forgive God His anger, though it destroyed nations; but I cannot forgive Him His peace.”