Pontius Pilate Quotes in The Master and Margarita
‘And now tell me, why is it that you use me words “good people” all
the time? Do you call everyone that, or what?’
‘Everyone,’ the prisoner replied. There are no evil people in the world.’
‘The first I hear of it,’ Pilate said, grinning. ‘But perhaps I know too little of life! ...
Yeshua tore himself away from the sponge, and trying to make his voice sound gentle and persuasive, but not succeeding, he begged the executioner hoarsely:
‘Give him a drink.’
It was growing ever darker. The storm cloud had already poured across half the sky, aiming towards Yershalaim, boiling white clouds raced ahead of the storm cloud suffused with black moisture and fire. There was a flash and a thunderclap right over the hill. The executioner removed the sponge from the spear.
‘Praise the magnanimous hegemon!’ he whispered solemnly, and gently pricked Yeshua in the heart. He twitched and whispered:
‘But tell me, why does Margarita call you a master?’ asked Woland. The man smiled and said:
‘That is an excusable weakness. She has too high an opinion of a novel
‘What is this novel about?’
‘It is a novel about Pontius Pilate.’ Here again the tongues of the candles swayed and leaped, the dishes on the table clattered, Woland burst into thunderous laughter, but neither frightened nor surprised anyone. Behemoth applauded for some reason.
‘About what? About what? About whom?’ said Woland, ceasing to laugh.
‘And that - now? It’s stupendous! Couldn’t you have found some other subject? Let me see it.’ Woland held out his hand, palm up.
‘Unfortunately, I cannot do that,’ replied the master, ‘because I burned it in the stove.’
‘Forgive me, but I don’t believe you,’ Woland replied, ‘that cannot be: manuscripts don’t burn.’ He turned to Behemoth and said, ‘Come on. Behemoth, let’s have the novel.’
The cat instantly jumped off the chair, and everyone saw that he had been sitting on a thick stack of manuscripts. With a bow, the cat gave the top copy to Woland. Margarita trembled and cried out, again shaken to the point of tears:
‘It’s here, the manuscript! It’s here!’ She dashed to Woland and added in admiration:
He walked in the company of Banga, and beside him walked the wandering philosopher. They were arguing about something very complex and important, and neither of them could refute the other. They did not agree with each other in anything, and that made their argument especially interesting and endless. It went without saying that today’s execution proved to be a sheer misunderstanding: here this philosopher, who had thought up such an incredibly absurd thing as that all men are good, was walking beside him, therefore he was alive. And, of course, it would be terrible even to think that one could execute such a man. There had been no execution! No execution! That was the loveliness of this journey up the stairway of the moon.
There was as much free time as they needed, and the storm would come only towards evening, and cowardice was undoubtedly one of the most terrible vices. Thus spoke Yeshua Ha-Nozri. No, philosopher, I disagree with you: it is the most terrible vice!
Here Woland turned to the master and said:
‘Well, now you can finish your novel with one phrase!’
The master seemed to have been expecting this, as he stood motionless and looked at the seated procurator. He cupped his hands to his mouth and cried out so that the echo leaped over the unpeopled and unforested mountains:
‘You’re free! You’re free! He is waiting for you!’
The mountains turned the master’s voice to thunder, and by this same thunder they were destroyed. The accursed rocky walls collapsed. Only the platform with the stone armchair remained. Over the black abyss into which the walls had gone, a boundless city lit up, dominated by gleaming idols above a garden grown luxuriously over many thousands of moons. The path of moonlight so long awaited by the procurator stretched right to this garden, and the first to rush down it was the sharp-eared dog. The man in the white cloak with blood-red lining rose from the armchair and shouted something in a hoarse, cracked voice. It was impossible to tell whether he was weeping or laughing, or what he shouted. It could only be seen that, following his faithful guardian, he, too, rushed headlong down the path of moonlight.
‘Listen to the stillness,’ Margarita said to the master, and the sand rustled under her bare feet, ‘listen and enjoy what you were not given in life — peace. Look, there ahead is your eternal home, which you have been given as a reward. I can already see the Venetian window and the twisting vine, it climbs right up to the roof. Here is your home, your eternal home. I know that in the evenings you will be visited by those you love, those who interest you and who will never trouble you. They will play for you, they will sing for you, you will see what light is in the room when the candles are burning. You will fall asleep, having put on your greasy and eternal nightcap, you will fall asleep with a smile on your lips. Sleep will strengthen you, you will reason wisely. And you will no longer be able to drive me away. I will watch over your sleep.’
Thus spoke Margarita, walking with the master to their eternal home, and it seemed to the master that Margarita’s words flowed in the same way as the stream they had left behind flowed and whispered, and the master’s memory, the master’s anxious, needled memory began to fade. Someone was setting the master free, as he himself had just set free the hero he had created. This hero had gone into the abyss, gone irrevocably, the son of the astrologer-king, forgiven on the eve of Sunday, the cruel fifth procurator of Judea, the equestrian Pontius Pilate.