Styopa Likhodeev Quotes in The Master and Margarita
Chapter 7 Quotes
And then the bedroom started spinning around Styopa, he hit his head
against the doorpost, and, losing consciousness, thought: ‘I’m dying...’
But he did not die. Opening his eyes slightly, he saw himself sitting on something made of stone. Around him something was making noise. When he opened his eyes properly, he realized that the noise was being made by the sea and, what’s more, that the waves were rocking just at his feet, that he was, in short, sitting at the very end of a jetty, that over him was a brilliant blue sky and behind him a white city on the mountains.
Not knowing how to behave in such a case, Styopa got up on his trembling legs and walked along the jetty towards the shore.
Some man was standing on the jetty, smoking and spitting into the sea. He looked at Styopa with wild eyes and stopped spitting.
Then Styopa pulled the following stunt: he knelt down before the unknown smoker and said:
‘I implore you, tell me what city is this?’
‘Really!’ said the heartless smoker.
‘I’m not drunk,’ Styopa replied hoarsely, ‘something’s happened to
me... I’m ill... Where am I? What city is this?’
‘Well, it’s Yalta...’
Styopa quietly gasped and sank down on his side, his head striking the
warm stone of the jetty. Consciousness left him.
Styopa Likhodeev is the director of the Variety theater and lives in the same place as Berlioz (who by this point has been decapitated by a tram). In this chapter, he wakes to find Woland sitting in his room, or informs Styopa that he agreed the previous day to host Woland’s show and give up his apartment for the strange foreigner. This comes at the end of the chapter and is a clear demonstration of Woland and his gang’s supernatural capabilities. Done with toying with Styopa, they transport him instantly to Yalta—which is thousands of miles away from Moscow. Because it’s impossible for him to have travelled so far in so short a time, his colleagues at the theater think they are being pranked when Styopa tries to contact them. The passage also has a darkly comic purpose: by making Styopa disappear, Bulgakov gestures towards the way dissenters in the Soviet Union could be made to disappear too, here one day and gone the next.