The Miracle Worker
by William Gibson
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Themes and Colors
Communication Theme Icon
Learning and Teaching Theme Icon
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LitCharts assigns a color and icon to each theme in The Miracle Worker, which you can use to track the themes throughout the work.
Communication Theme Icon
Communication Theme Icon

The central theme of The Miracle Worker is communication. William Gibson’s play is based on the true story of Annie Sullivan, a young woman from Massachusetts who in the 1880s succeeded in teaching Helen Keller, a young deaf-blind girl from Alabama, how to communicate through sign language. Thanks to Sullivan, Keller went on to become the first deaf-blind person to earn a B.A. degree, and later became a prominent author and political activist. By dramatizing the relationship between the young Helen and Annie—and between Annie and the other members of the Keller family—Gibson explores the ways in which people communicate (and fail to communicate), and shows how people can experience a sudden, almost miraculous emotional connection through the “magic” of communication.

The Miracle Worker shows that the ability to communicate with others is foundational to nearly every aspect of a person’s life. Annie teaches Helen how to use sign language to express her feelings, ask questions, learn about the external world, and do all the things that most people take for granted. Until Helen learns to use the tools of communication that Annie is teaching her, she lives in near complete isolation due to her inability to see or hear. Annie, who was herself blind for much of her life but can now see, teaches Helen using the techniques she learned as a student at the Perkins Institute for the Blind. She spends hours showing Helen how to make letters with her fingers. Each finger-combination represents a different letter, and in this way Helen can combine different letters to make full words. However, Helen doesn’t know what a word is, so she doesn’t understand that things have names. She understands that the external world exists because she can feel, taste, and smell it, and she has no problem learning the different finger-combinations Annie shows her, but she doesn’t understand the connection between a word in sign language and the object it is mean to represent in the external world. She doesn’t understand that the finger-combinations for “D-O-G” are meant to correspond to an actual, living animal, much less an entire category of animals. For Helen, then, there is a “gap” between sign language and the external world—between “D-O-G” and a real, live dog. Because of this gap, Helen lacks the ability to communicate until the very end of the play.

Throughout the play, Gibson parallels Annie’s struggle to teach Helen how to communicate with another kind of “gap”: the emotional gap between Arthur Keller, the gruff patriarch of the Keller family, and James Keller, his adult son. Arthur and James have no trouble reading, writing, or speaking, and yet in many ways they’re as powerless to communicate with each other as Helen and Annie. James resents his father for remarrying a younger woman, Kate Keller, so soon after his mother’s death. As a result, James finds it hard to “be his own man” in the presence of his intimidating father, but he struggles to communicate this to his father directly. Even when James and Arthur do talk to each other, it’s as if they’re not really communicating at all. James uses language as a shield, hiding behind jokes and snide remarks, and Arthur remains oblivious to his son’s intense feelings of resentment. James remains unable to express his feelings to Arthur until the very end of the play.

The play offers two variations on the theme of communication. It deals with Helen’s struggle to learn to use language to name things in the external world, but it also explores the characters’ struggles to give expression to their inner worlds and experiences. In the play’s climactic scene, the two main narrative strands (Helen’s relationship with Annie and James’s relationship with Arthur) come together to make the same strong point about the power of communication. James summons the courage to stand up to his father by telling him to allow Annie to use unconventional teaching methods with Helen. In the process of expressing his own thoughts and opinions, James shows that he won’t allow himself to be bossed around any longer. Furthermore, James’s actions allow Annie to achieve a breakthrough with Helen, after which Helen finally grasps the connection between words and their meanings. In this way, “finding the right words” is shown to be as challenging a task for a deaf-blind child as it is for a grown man. And yet, with enough courage and determination, people can use words to bridge seemingly unbridgeable distances and connect with other people. In this way, communication is shown not just to be a practical means through which Helen learns how to function in the world—it is also shown to be the root of love and self-respect.

Related Themes from Other Texts
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Communication ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Communication appears in each act of The Miracle Worker. Click or tap on any chapter to read its Summary & Analysis.
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Communication Quotes in The Miracle Worker

Below you will find the important quotes in The Miracle Worker related to the theme of Communication.

Act 1 Quotes

ANAGNOS: Deaf blind, mute—who knows? She is like a little safe, locked, that no one can open. Perhaps there is a treasure inside.

Related Characters: Anagnos (speaker), Helen Keller, Annie Sullivan
Related Symbols: Sight and blindness
Page Number and Citation: 13
Explanation and Analysis:
In this passage, Mr. Anagnos, the director of the Perkins Institute for the Blind (a real-life school for blind students), comments on Helen Keller’s situation. Anagnos is preparing his former student, Annie Sullivan, for her upcoming position as Helen Keller’s teacher. He describes Helen’s mind as being trapped in “a little safe.” Helen has a working mind, but she lacks any of the usual ways of expressing her thoughts and feelings: she doesn’t yet know how to speak, or write, or use sign language. It is Annie’s job, in short, to teach Helen how to “open” her mind, finding a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus temp

ANNIE: I have three big advantages over Dr. Howe that money couldn't buy for you. One is his work behind me, I've read every word he wrote about it and he wasn't exactly what you'd call a man of few words. Another is to be young, why, I've got energy to do anything. The third is, I've been blind.

Related Characters: Annie Sullivan (speaker), Helen Keller, Dr. Howe
Related Symbols: Sight and blindness
Page Number and Citation: 24
Explanation and Analysis:
Annie Sullivan arrives in Alabama and meets the Keller family. The Kellers—particularly James and Arthur—are somewhat doubtful about Annie’s abilities (especially because of her youth, and because of the family’s anti-“Yankee” bias). Sensing all this, Annie lists some of her qualifications. In spite of her youth, Annie is an educated woman, who understands techniques for educating people with disabilities. She also has the energy necessary to spend long hours working with Helen—unlike some of the more eminent doctors who have worked with Helen, Annie won’t burn out easily. The third reason Annie gives is probably the most important. Annie has Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum

ANNIE: All right, Miss O'Sullivan. Let's begin with doll.

Related Characters: Annie Sullivan (speaker), Helen Keller
Related Symbols: Dolls
Page Number and Citation: 29
Explanation and Analysis:
In this passage, Annie begins her lessons with Helen. Annie has brought with her several items, including a large doll, which she intends to use to educate her new student. The doll clearly has special significance for Annie, since Annie began her education at the Perkins Institute for the Blind by studying a doll and, presumably, learning the words to describe it. It’s for this reason that Annie seems to be addressing herself in this passage—by educating Helen, Annie is in a sense revisiting her own early education, except this time she’s the teacher. Annie is an effective teacher for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Ac

JAMES: Spell, she doesn't know the thing has a name, even.

Related Characters: James Sullivan / “Jimmie” (speaker), Helen Keller, Annie Sullivan
Page Number and Citation: 31
Explanation and Analysis:
In this passage, James Keller—the sullen, cynical son of Arthur Keller—watches Annie teaching Helen Keller how to spell. James makes an annoying but nevertheless valuable point: there doesn’t seem to be any reason to teach Helen how to spell, considering that she doesn’t know what spelling, names, or meaning are. Annie has a good answer prepared for James’s question—you have to teach a child words before the child understands meaning, not the other way around—but the question is an important one. On the surface, it may seem counterintuitive that Annie would begin with words themselves rather than the concept of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Vo

Act 2 Quotes

ANNIE: Any baby. Gibberish, grown-up gibberish, baby-talk gibberish, do they understand one word of it to start? Somehow they begin to. If they hear it, I'm letting Helen hear it.

Related Characters: Annie Sullivan (speaker), Helen Keller, Kate Keller
Page Number and Citation: 44
Explanation and Analysis:
At the beginning of Act Two, Annie continues to work one-on-one with Helen, showing her the hand signals for various basic English words. Kate Keller watches Annie working with Helen, and poses a question James Keller asked already: what’s the point of teaching Helen how to spell if Helen doesn’t even know what a word is? This time, Annie gives Kate a proper answer to the question. Helen will only be able to understand the concept of meaning if she understands sign language (or at least a couple words in sign language) already—in other words, the horse has to go Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. C

JAMES [in pain] Don't—
KATE: Captain.
KELLER: He's afraid.
(He throws JAMES away from him, with contempt.)
What does he want out of me?
JAMES [AN OUTCRY]: My God, don't you know?
(He gazes from KELLER to KATE.)
Everything you forgot, when you forgot my mother.

Related Characters: James Keller (speaker), Kate Keller (speaker), Captain Arthur Keller (speaker)
Page Number and Citation: 75-76
Explanation and Analysis:
In this scene, James’s impudence becomes too much for Captain Arthur Keller to bear. James mocks his father, obliquely, and Arthur responds by twisting James’s arm until James cries out in pain. This violent confrontation is enough to make James say, explicitly, what he has always been too intimidated to say: he resents his father for remarrying a younger woman, and in doing so, forgetting about James’s mother. James’s relationship with his father clearly isn’t good—but this is one of the only times in the play when Gibson gives some indication of why their relationship is so strained. James clearly Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostr

Act 3 Quotes

JAMES: What does he want from me?
KATE: That's not the question. Stand up to the world, Jimmie, that comes first.
JAMES [A PAUSE, WRYLY]: But the world is him.
KATE: Yes. And no one can do it for you.
JAMES: Kate.
(His voice is humble.)
At least we—Could you—be my friend?
KATE: I am.

Related Characters: James Keller (speaker), Kate Keller (speaker), Captain Arthur Keller
Page Number and Citation: 86
Explanation and Analysis:
Early in Act Three, James and Kate have a heart-to-heart. James admits that he’s frustrated with his father. In part, James dislikes his father (because, as we learned in Act Two, he resents that his father remarried). But in part, James is mystified by his gruff, intimidating father, and is unsure what Arthur wants from him. Kate’s advice is simple but useful: she tells James that he’ll never learn what Arthur wants from him until he stands up to him. He has to take a leap of faith—assert his own values and opinions—if he’s ever to have a decent, respectful Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi ne

ANNIE: Yes, what's it to me? They're satisfied. Give them back their child and dog, both housebroken, everyone's satisfied. But me, and you.

Related Characters: Annie Sullivan (speaker), Kate Keller, Captain Arthur Keller, Helen Keller
Page Number and Citation: 94
Explanation and Analysis:
After two weeks of trying to teach Helen Keller how to understand language, Annie Sullivan has almost given up. Arthur Keller is prepared to take Helen back into the house, where—Annie knows full well—Helen will be spoiled and regress, unlearning all the valuable lessons in politeness and manners that Annie has taught her. But Annie refuses to let this happen. Helen’s father, Annie understands, doesn't really seem to care whether Helen can communicate or not. He just wants an obedient, easy-to-manage daughter—one who can be quiet and behave herself and not cause a fuss. Annie finds this simply disgraceful: from Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occa

JAMES [LIGHTLY]: And Jacob was left alone, and wrestled with an angel until the breaking of the day and the hollow of Jacob's thigh was out of joint, as he wrestled with him; and the angel said, Let me go, for the day breaketh. And Jacob said, I will not let thee go, except thou bless me. Amen.

Related Characters: James Keller (speaker)
Page Number and Citation: 101
Explanation and Analysis:
The Keller family, including Helen, as well as Annie Sullivan, back from the garden house, returns to the main house and sits down to eat. At supper,  James says grace. He chooses an unusual verse from the Bible—the story of Jacob, who wrestled with an angel. In this story, Jacob’s struggle with the divine messenger wounds him, but also brings him closer to God—and, just as James says here, he is blessed as a reward. The Bible passage that James reads could be seen as a metaphor for Annie’s struggle with Helen. For most of the play, Annie has disagreed Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignis

HELEN: Wah. Wah.

Related Characters: Helen Keller (speaker)
Related Symbols: Water
Page Number and Citation: 108
Explanation and Analysis:
This is the most famous moment in The Miracle Worker. Annie Sullivan, desperate to teach her pupil, Helen Keller, the concept of meaning, spells out the symbol for “water” on Helen’s hand, and then runs her hand over water from a water pump. By alternating between the symbol and the real thing, Annie finally succeeds in teaching Helen the key lesson of language: that things have names. She utters her first word—the same word she spoke when she was six months old, shortly before catching the fever that made her deaf-blind. The passage is the culmination of Annie’s countless hours Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligend

ANNIE: I, love, Helen.
(She clutches the child to her, tight this time, not spelling, whispering into her hair.)
Forever, and—
(She stops. The lights over the pump are taking on the color of the past, and it brings ANNIE’s head up, her eyes opening in fear; and as slowly as though drawn she rises, to listen, with her hand on HELEN’s shoulders. She waits, waits, listening with ears and eyes both, slowly here, slowly there: and hears only silence. There are no voices. The color passes on, and when her eyes come back to HELEN she can breathe the end of her phrase without fear:)
—ever.

Related Characters: Annie Sullivan (speaker), Helen Keller
Page Number and Citation: 112
Explanation and Analysis:
The play ends by bringing Annie’s “character arc” to a close. Throughout the play, Annie has suggested that she is motivated to help Helen in part because of her guilt over the death of her beloved brother, Jimmie Sullivan. She experiences vivid, traumatic flashbacks, signaled by the dimming of the lights. Here, at the end of the play, the lights dim, but no echoing voices are heard—Jimmie’s vanished spirit doesn’t seem to haunt her any longer. The message, perhaps, is that by educating Helen, Annie has redeemed herself in her own eyes. She feels horrible for abandoning Jimmie to go Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic