M. Loisel Quotes in The Necklace
Whenever she sat down for supper at the circular table covered with the same tablecloth for three days, she faced her husband, who, removing the lid from the tureen, ecstatically declared: “Ah! A good stew! I don’t know of anything better!”
But she fantasized about elegant dinners, about shiny silverware, about tapestries filling the walls with ancient figures and exotic birds in the midst of a magic forest; she fantasized about exquisite courses served in wondrous vessels, about gallantries whispered and listened to with sphinxlike smiles, while the diners consumed the rosy flesh of a trout or the wings of a grouse.
The night of the ball was approaching, and Madame Loisel appeared sad, worried, anxious. Still, her gown was ready.
One evening, her husband said to her: “Listen, what’s wrong? You’ve been acting funny for three days now.”
And she replied: “I’m annoyed that I don’t have any jewelry—not a single gem, nothing to put on. I’ll look downright poverty-stricken. I’d almost rather not go to the ball.”
Monsieur Loisel, bringing the wraps for their exit, tossed them over her shoulders: they were the modest garments of ordinary life, their poverty clashing with the elegance of the ball gown. She sensed the discord and wanted to flee, to avoid being noticed by the other women, who were bundling up in expensive furs.
[The carriage] brought them to their front door on Rue des Martyrs, and they sadly trudged up to their apartment. It was all over for her. And as for him, he knew he had to be at the Ministry by ten a.m.
M. Loisel Quotes in The Necklace
Whenever she sat down for supper at the circular table covered with the same tablecloth for three days, she faced her husband, who, removing the lid from the tureen, ecstatically declared: “Ah! A good stew! I don’t know of anything better!”
But she fantasized about elegant dinners, about shiny silverware, about tapestries filling the walls with ancient figures and exotic birds in the midst of a magic forest; she fantasized about exquisite courses served in wondrous vessels, about gallantries whispered and listened to with sphinxlike smiles, while the diners consumed the rosy flesh of a trout or the wings of a grouse.
The night of the ball was approaching, and Madame Loisel appeared sad, worried, anxious. Still, her gown was ready.
One evening, her husband said to her: “Listen, what’s wrong? You’ve been acting funny for three days now.”
And she replied: “I’m annoyed that I don’t have any jewelry—not a single gem, nothing to put on. I’ll look downright poverty-stricken. I’d almost rather not go to the ball.”
Monsieur Loisel, bringing the wraps for their exit, tossed them over her shoulders: they were the modest garments of ordinary life, their poverty clashing with the elegance of the ball gown. She sensed the discord and wanted to flee, to avoid being noticed by the other women, who were bundling up in expensive furs.
[The carriage] brought them to their front door on Rue des Martyrs, and they sadly trudged up to their apartment. It was all over for her. And as for him, he knew he had to be at the Ministry by ten a.m.
