Le Guin’s writing style in “The Ones Who Walk Away from Omelas” is full of intricate syntax, which sometimes seems at odds with the story’s accelerated narrative pace. Her writing, here and elsewhere, is known for the way it juxtaposes lush descriptions with startling, violent revelations. Her sentences are often elaborate and regularly unfold slowly, revealing important details bit by bit. The structure of her sentences mirrors the story’s gradual revelations about the horrible secret behind the prosperity of Omelas. These convoluted, ornate sentences themselves mirror the attitudes of the residents of Omelas, who cover up and overlook the suffering upon which their happiness depends because it seems worth it in exchange for peace and wealth. This work with syntax draws the reader into the world of Omelas. It convinces them of its beauty and perfection while simultaneously foreshadowing and teasing the darker undercurrents of the plot.
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