The Pedestrian
by Ray Bradbury
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The Pedestrian Quotes

To enter out into that silence that was the city at eight o'clock of a misty evening in November, to put your feet upon that buckling concrete walk, to step over grassy seams and make your way, hands in pockets, through the silences, that was what Mr. Leonard Mead most dearly loved to do.

Related Characters: Leonard Mead
Related Symbols: The Natural World
Page Number and Citation: 600
Explanation and Analysis:
This is the opening sentence of the story, and it introduces several elements that will later prove important. The city’s nighttime silence is emphasized by repeating that description twice, and the evening is “misty,” giving it a somber, melancholy aura. The concrete is “buckling” as plants creep through “grassy seams,” suggesting that the city streets are not regularly maintained and that the natural world is slowly reclaiming the cityscape. The dormant power of nature lurking below the urban landscape is further represented by the story’s winter setting, the world barren but awaiting rebirth in spring. The main character Mead is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem ac

[O]n his way he would see the cottages and homes with their dark windows, and it was not unequal to walking through a graveyard where only the faintest glimmers of firefly light appeared in flickers behind the windows. Sudden gray phantoms seemed to manifest upon inner room walls… or there were whisperings and murmurs where a window in a tomb-like building was still open.

Related Characters: Leonard Mead, Other Citizens
Related Literary Devices:
Page Number and Citation: 600
Explanation and Analysis:
As Mead walks through the city streets, he passes the homes of the other citizens. In this passage, the story uses imagery to characterize these citizens as ghostly and dehumanized. Their homes are devoid of color, with their “dark windows” concealing and occasionally revealing “gray phantoms.” Mead hears them whisper and murmur, giving an ominous, creepy mood to them and their homes. In fact, their homes are described as places of death: “tomb-like” and arranged together like a “graveyard.” Though literally alive, the other citizens are living a ghostly, undead existence through their entombment in separate homes where they fixate Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Pos

If he closed his eyes and stood very still, frozen, he could imagine himself upon the center of a plain, a wintry, windless Arizona desert with no house in a thousand miles, and only dry river beds, the streets, for company.

Related Characters: Leonard Mead
Related Symbols: The Natural World
Page Number and Citation: 601
Explanation and Analysis:
During his walk through the silent, bleak city streets past the grave-like homes, Mead pauses in the middle of the street and retreats into his imagination. This passage heightens Mead’s characterization as a latter-day Romantic who seeks solitude in order to cultivate a rich imaginative world. Mead is marked as Romantic because he chooses to conjure an image of nature, and the specific landscape he pictures holds significance, as well. He chooses to place himself in a bleak, isolated landscape, “a thousand miles” from civilization. Mead’s alienation from his current city is revealed here. In his mind, he leaves behind Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam o

“What's up tonight on Channel 4, Channel 7, Channel 9? Where are the cowboys rushing, and do I see the United States Cavalry over the next hill to the rescue?...What is it now?” he asked the houses… “Eight-thirty P.M.? Time for a dozen assorted murders? A quiz? A revue? A comedian falling off the stage?”

Related Characters: Leonard Mead (speaker), Other Citizens
Page Number and Citation: 601
Explanation and Analysis:
Before and after his imaginative reverie of picturing himself in a desert, Mead talks to himself, addressing the other citizens and asking about their television viewing. The programs they watch include westerns, crime stories, game and comedy shows: sensationalist drama or mindless, light comedy. This section explains why the citizens are ghostly: they are being numbed night after night by intellectually and artistically limited programming. Television in the 1950s was in its early days and much programming fit into the categories described by Bradbury, and he predicts that if currently programming trends continue, eventually viewers will be deadened by them. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque p

“What are you doing out?”

“Walking,” said Leonard Mead. “Walking!”

“Just walking,” he said simply, but his face felt cold.

“Walking, just walking, walking?” “Yes, sir.”

“Walking where? For what?”

“Walking for air. Walking to see.”

“Your address!”

Related Characters: Robotic Police Car (speaker), Leonard Mead (speaker)
Related Symbols: The Natural World
Page Number and Citation: 602
Explanation and Analysis:
Mead suddenly encounters a car, the only police car still patrolling the streets. The car immediately begins interrogating Mead since it is highly unusual for anyone to be out walking alone at night. The car’s tone is abrupt and decisive, with exclamation points conveying anger. It demands to know why Mead is out walking: what he is “doing out,” “where” and “for what” purpose he walks. Mead’s reply that he is “Just walking” does not satisfy the car. It incredulously repeats his words: “Walking, just walking, walking?” as if trying to understand Mead’s nonconforming activity. Mead’s vague reply that he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa.

“Where are you taking me?”

The car hesitated, or rather gave a faint whirring click, as if information, somewhere, was dropping card by punch-slotted card under electric eyes. “To the Psychiatric Center for Research on Regressive Tendencies.”

Related Characters: Leonard Mead (speaker), Robotic Police Car (speaker)
Related Literary Devices:
Page Number and Citation: 603
Explanation and Analysis:
The climax of the story occurs when the car concludes its questioning and exerts its power by abruptly telling Mead to “get in” the back seat, taking him into custody. Mead protests and hesitates, demanding to know where he will be taken, and the car replies after a short hesitation that it will take him to an asylum to be studied for his “Regressive Tendencies.” In this passage, we learn that not only is the car operated remotely since no one is driving it, but also that it is actually operated by a distant computer. Computing technology in Bradbury’s time Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium

The car moved down the empty river-bed streets and off away, leaving the empty streets with the empty side-walks, and no sound and no motion all the rest of the chill November night.

Related Symbols: The Natural World
Page Number and Citation: 604
Explanation and Analysis:
The final sentence of the story concludes Mead’s tale on a bleak and hopeless note. There is a simple description of the setting, done in a matter-of-fact style, showing that Mead’s fate is sealed and irrevocable. The repetition of “empty” and the parallel repetitive structure of “no sound and no motion” reinforce the story’s portrayal of the bleak, vacant, lifeless urban environment. The natural world is referenced briefly in the description of the “empty river-bed streets,” suggesting that for a moment, as Mead walked them, they held life, but with his apprehension, they have reverted back to dormancy. As opposed Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commod
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