Definition of Motif
Key Examples in The Pilgrim’s Progress
Bunyan uses clothing as a motif to mark different stages of pilgrimage, especially changes in status (from sinner to pilgrim, from pilgrim to heaven-dweller) and how pilgrims' status sets them apart from others. At the Cross, one of the Shining Ones (angels) takes away the rags Christian is wearing and gives him new clothes that reflect his status as a newly redeemed sinner. Christian's outward change of clothes reflects the inner change that's taken place—he is no longer characterized by his past sin (his bedraggled clothes), but by his present redemption (his shiny new clothes). Throughout Christian's journey to the Celestial City, he often takes a quick glance at his garments to remind himself of the fact of his redemption and of his ultimate destination.
Hospitality is a motif throughout Pilgrim's Progress. Especially during the women's pilgrimage in Part 2, Bunyan uses this motif to show the importance of hospitality for spiritual, not just bodily, rest and nourishment. Over the course of the book, Bunyan emphasizes hospitality's role in deepening relationships among pilgrims.
Throughout Pilgrim's Progress, Bunyan uses the motif of shepherds to model how Christian leaders should care for those in their charge. While ordained clergy aren't the only leaders Bunyan may have had in mind, they're probably the main ones.