The Plague of Doves
by Louise Erdrich

or to save your progress

Themes and Colors
Ancestry, History, and Interconnection Theme Icon
Punishment vs. Justice Theme Icon
Land, Ownership, and Dispossession  Theme Icon
Passion vs. Love Theme Icon
Faith, Music, and Meaning Theme Icon
LitCharts assigns a color and icon to each theme in The Plague of Doves, which you can use to track the themes throughout the work.
Punishment vs. Justice Theme Icon
Punishment vs. Justice Theme Icon

Early in The Plague of Doves, an octogenarian named Mooshum tells his young granddaughter Evelina that “there is no justice here on eart[h].” Like many of his fellow residents in (fictional) Pluto, North Dakota, Mooshum is haunted by the town’s 1911 lynching, in which a group of white vigilantes hanged three young Indian men as punishment for a crime they did not actually commit. And while Mooshum and his community see this lynching as the cruelest form of inequity, some of the white residents of Pluto continue to justify this brutality—decades later, for example, the town doctor Cordelia Lochren will be raised to see the lynching as an example of “rough justice.” These disagreements about punishment and justice extend even to the novel’s structure, as Erdrich splits her narration between a group that includes both a trial judge (Judge Coutts) and a murderer (Marn Wolde).

On the one hand, The Plague of Doves thus demonstrates that clear-cut justice is impossible because no two people can agree on what is “just”; instead, everyone’s view of what is fair and righteous is informed by their own perspective and familial history. On the other hand, however, the novel suggests that righting past wrongs—and punishing those who committed them—might be less important than extending care in the present. Tellingly, The Plague of Doves ends when Cordelia, orphaned as a baby, unknowingly saves the life of the man who murdered her family. The murderer is never punished for his crimes, just as the white vigilantes of 1911 are never punished for theirs; instead, the descendants of the criminals find themselves making strange, unpredictable connections with the descendants of their victims. Ultimately, then, Erdrich suggests that justice is never as simple as condemning one person. Instead, arriving at peace is complicated and unsatisfying—or as Judge Coutts puts it, no matter how many laws and punishments are enacted, “justice is prey to unknown dreams.”

Related Themes from Other Texts
Compare and contrast themes from other texts to this theme…
Get the entire The Plague of Doves LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
The Plague of Doves PDF

Punishment vs. Justice Quotes in The Plague of Doves

Below you will find the important quotes in The Plague of Doves related to the theme of Punishment vs. Justice.

2. The Plague of Doves Quotes

The story could have been true, for, as I have said, there really was a Mustache Maude Black with a husband named Ott. Only sometimes Maude was the one to claim Mooshum as her son in the story and sometimes she went on to claim she’d had an affair with Chief Gall. And sometimes Ott Black plugged the man in the gut. But if there was embellishment, it only had to do with facts. Saint Joseph’s Church was named for the carpenter who believed his wife, reared a son not his own, and is revered as the patron saint of our bold and passionate people, the Metis. Those doves were surely the passenger pigeons of legend and truth, whose numbers were such that nobody thought they could possibly ever be wiped from the earth.

Related Characters: Evelina Harp (speaker), Mooshum (Seraph Milk) , Junesse Malaterre, “Mustache” Maude Black
Related Symbols: Doves
Page Number and Citation: 18
Explanation and Analysis:
When Mooshum tells Evelina about his youth, he often recalls when “Mustache” Maude Black saved him from White vigilantes, dwelling on her sheer bravery, innate sense of justice, and outlandish humor. But for both Evelina and for readers, Mooshum’s story blurs the line between memory and tall tale. On the one hand, Maude Black is a real historical figure (famous as one of the United States’s first prominent female ranchers), and the reality of racialized violence in this era and region is only too tangible. But on the other hand, Mooshum keeps changing key details and citing facts that stretch Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Qu

5. Holy Track Quotes

Asiginak and Cuthbert suddenly burst out singing. They began high—Cuthbert’s voice a wild falsetto that cut the air. Asiginak joined him and Holy Track felt almost good, hearing the strength and power of their voices. And the words in the old language.

These white men are nothing

What they do cannot harm me

I will see the face of mystery

[…] The boy was too light for death to give him an easy time of it. He slowly choked as he kicked air and spun. He heard it when Cuthbert, then his uncle, stopped singing and gurgling. Behind his shut eyes, he was seized by black fear, until he heard his mother say, Open your eyes, and he stared into the dusty blue. Then it was better. The little wisps of clouds, way up high, had resolved into wings and they swept across the sky now, faster and faster.

Related Characters: Mooshum (Seraph Milk) (speaker), Asiginak (speaker), Cuthbert Peace (speaker), Holy Track, Evelina Harp, Joseph Harp , Emil Buckendorf, Eugene Wildstrand
Related Symbols: Doves
Page Number and Citation: 79
Explanation and Analysis:
A group of White vigilantes (led by Emil Buckendorf and Eugene Wildstrand), desperate to get revenge after a mysterious murder is committed, decides to hang three Indian men: Cuthbert Peace, Asiginak, and Asiginak’s 12-year-old nephew Holy Track. Faced with this brutal racial violence, Cuthbert and Asiginak begin to sing a version of their “death songs,” an indigenous custom in which warriors would display their stoicism and prepare to transition to the afterlife (using, as the men do here, “the old,” indigenous language rather than English). It is especially important to note the contrast between the horribly graphic, embodied death—especially Holy Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremqu

6. Bitter Tea Quotes

Neve Harp said that she was going back to the beginning of things and wanted to talk about how the town of Pluto came to be and why it was inside the original reservation boundaries, even though hardly any Indians lived in Pluto, well, both of the old men’s faces became like Mama’s—quiet, with an elaborate reserve, and something else that has stuck in my heart ever since. I saw that the loss of their land was lodged inside of them forever. This loss would enter me, too. […]

“What you are asking,” said Mooshum that afternoon, opening his hands and his mouth into a muddy, gaping grin, “is how was it stolen? How has this great thievery become acceptable? How do we live right here beside you, knowing what we lost and how you took it?”

Neve Harp thought she might like some tea.

Related Characters: Evelina Harp (speaker), Mooshum (Seraph Milk) (speaker), Neve Harp, Clemence Harp, Shamengwa Milk
Page Number and Citation: 83
Explanation and Analysis:
Though Mooshum loves flirting with Neve Harp, Evelina’s aunt on her father’s side, his attraction to Neve in the present moment is also tempered by their families’ painful history. Mooshum and his family live on government-owned (BIA) land, while the White Harp family—like other prominent White families in Pluto—own their own large plots, many of them “inside the original reservation boundaries.” And while this imbalance represents a mere historical curiosity to Neve, to Mooshum, Shamengwa, Clemence, and (eventually) Evelina, this evidence of settler-colonial dispossession is personal and immediate, “lodged inside of them forever. The pain and inequity built into Pluto’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi sol

As I came to the end of my small leopard-print diary (its key useless as my brother had broken the clasp), I wrote down as much of Mooshum’s story as I could remember, and then the relatives of everyone I knew—parents, grandparents, way on back in time. I traced the blood history of the murders through my classmates and friends until I could draw out elaborate spider webs of lines and intersecting circles. I drew in pencil. There were a few people, one of them being Corwin Peace, whose chart was so complicated that I erased parts of it until I wore right through the paper. Still, I could not erase the questions underneath.

Related Characters: Evelina Harp (speaker), Mooshum (Seraph Milk) , Corwin Peace, Junesse Malaterre, Eugene Wildstrand
Page Number and Citation: 85
Explanation and Analysis:
In a painful twist, Evelina learns that Mooshum was spared in the hangings of 1911 because his wife Junesse Malaterre (Evelina’s grandmother) was the daughter of Eugene Wildstrand, the leader of the White mob. And while Evelina has already begun to internalize the historical “loss” that her indigenous ancestors feel, she must also now accept a more complicated “blood history,” one in which guilt and victimhood are not straightforward but elaborate and “intersecting.” No wonder that despite all her erase marks, Evelina does not feel that she can answer the “questions” her knowledge of the past has opened up about Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo.

7. The Way Things Are Quotes

In the winter of our great starvation, […] citizens of Argus sold their grain and raffled off a grand piano. More recently, when we traveled to Washington to fight a policy that would have terminated our relationship with the United States Government guaranteed by treaty, only one lawyer, from Pluto, stood up for us. That was my father. And in 1911, when a family was murdered […], a posse mob tore after a wandering bunch of our people.

[…] I told [Geraldine] that later on the vigilantes admitted that they probably were mistaken. She hadn’t known that. “But it happened in the heat of things, one of them said, I think Wildstrand. In the heat of things!”

Geraldine said, “What doesn’t happen in the heat of things? Someone has seized the moment to act on their own biases. That’s it. Or history. Sometimes it is history.”

Related Characters: Judge Antone Bazil Coutts (speaker), Geraldine Milk (speaker), Emil Buckendorf, Eugene Wildstrand
Page Number and Citation: 92
Explanation and Analysis:
Judge Coutts and Geraldine, on a tentative date with each other, discuss the fact that many of the White citizens in Pluto have fallen into economic decline. But rather than feeling pity for their neighbors, both Coutts and Geraldine see this downturn as a kind of justice, the arc of history bending back around to punish Pluto’s White citizens for their continued cruelty to the region’s indigenous population. First, then, this conversation between Coutts and Geraldine depicts justice as iterative and multi-generational, more something cosmic than something that can be settled in a court of law (a fact especially notable Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam cons

8. Town Fever Quotes

As he entered the cabin, he saw a watery slur of movement. In the light from the open door an otter popped his head up and regarded him with the curious and trusting gaze of a young child. Slowly, not taking his eyes off the creature, Joseph aimed and shot. The otter died in a bloody swirl and Joseph found, when he fished it out, that his eyes had filled with tears. In a moment he was weeping helplessly over the gleaming and sinuous body of the creature.

[…] For he’d had the instant horror that he had committed a murder. And that conviction still filled him. The creature was an emissary of some sort. He’d known as they held that human stare. Joseph himself was part of all that was sustained and destroyed by a mysterious power. He had killed its messenger. And the otter wasn’t even edible.

Related Characters: Judge Antone Bazil Coutts (speaker), Johann Vogeli, Doctor Cordelia Lochren (“C.”), Mooshum (Seraph Milk) , Evelina Harp, Joseph Coutts
Page Number and Citation: 107
Explanation and Analysis:
After their town-site expedition goes woefully awry, Joseph Coutts and his fellow surveyors are in the brink of starvation, desperate for any food they can get their hands on. But when Joseph finally does get a chance to kill this otter, he finds himself overcome with guilt, feeling that he has done something brutal and unjust. And even more poignantly, Joseph suddenly identifies with this creature, sharing a “human stare” with the otter and reflecting that they are part of a shared cosmology, both “sustained and destroyed” by the same “mysterious power.” Joseph’s intense empathy with the animal he “murders” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesen

9. The Wolf Quotes

Burton’s contemporary, Francis Bacon, believed it was only due to Justice that man can be a God to man and not a wolf. But what is the difference between the influence of instinct upon a wolf and history upon a man? In both cases, justice is prey to unknown dreams. And besides, there was a woman.

Related Characters: Judge Antone Bazil Coutts (speaker), John Wildstrand, Geraldine Milk, Evelina Harp
Page Number and Citation: 117
Explanation and Analysis:
As Pluto’s main judge and lawyer, Judge Coutts is steeped in the Anglo-American legal traditions that define United States legal codes; in quoting famous English thinkers like Robert Burton and Francis Bacon, Coutts subtly demonstrates that he is fluent in the colonial thinking he sometimes despises. But even as he considers these abstract philosophies of “Justice,” Coutts also stands firm that nothing is ever as cut-and-dry as legal theorists might make it seem. Instead, every situation is complicated by “instinct” (the passion of Evelina’s “deathless romantic encounters” or the “heat of the moment” bias that Geraldine identifies) and by “history,” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis.

12. The Daniels Quotes

But there is no need. Billy says it all. Every night, back in Dad’s office, Billy helps him straighten out the mess, helps file, and helps decide which bills to pay on and which to string along. Dad has agreed, with surprising disinterest, to let the retired people camp near an old burnt farmstead where a hand-pump well is still in operation. The end of our land bumps smack up to the reservation boundary. This was reservation, Billy says, and should be again. This was my family’s land, Indian land. Will be again. He says it flat out with a lack of emotion that disturbs me. Something’s there. Something’s different underneath.

Related Characters: Billy Peace (speaker), Marn Wolde (speaker), Warren Wolde
Page Number and Citation: 151
Explanation and Analysis:
After Marn and Billy return to Marn’s family farm, Billy quickly takes over, managing the family’s finances and resettling his congregants across the property. On the one hand, Billy’s behavior mimics a common trajectory for cult leaders, who use their outsized charisma to wrest resources from their followers (and their followers’ families). But on the other hand, there is something “underneath” Billy’s behavior—a desire to rewrite the region’s property “boundaries,” to go back in time and turn the Wolde family farm into “Indian land” once “again.” Billy’s approach to Marn’s family’s land is thus intentionally colonial, as he tries to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consec

13. The Kindred Quotes

I started up in a moment of fear, and as I did, my copperhead struck me full on, in the shadow of my wing, too close to my heart not to kill me. […] I lay down. I let the poison bloom into me. Let the sickness boil up, and the questions, and the fruit of the tree of power. I let the knowing take hold of me. The understanding of serpents. My heart went black and rock hard. It stopped once, then started again. When the life flooded back in I knew that I was stronger. I knew that I’d absorbed the poison. As it worked in me, I knew that I was the poison and I was the power.

Get away from him and take the children, the serpent said to me from her glass box, as she curled back to sleep in her nest of grass.

Related Characters: Marn Wolde (speaker), Billy Peace, Lilith Peace, Judah Peace, Father Cassidy
Related Symbols: Reptiles and Amphibians
Page Number and Citation: 161
Explanation and Analysis:
As Billy’s power over his followers grows, Marn becomes increasingly isolated, taking solace only in the two snakes she has started using to pray. Like salamanders, which Father Cassidy once hinted “represent the devil,” snakes are often symbols of sin and wickedness in Christian doctrine. In particular, the Old Testament dictates that Eve is convinced to eat forbidden fruit from the Garden of Eden (the “original sin”) by a snake (actually the devil in disguise). In the biblical story, Eve’s contact with the snake does bring her new knowledge, but it also brings her shame and tragedy. Yet here, Marn’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto volu

And as he bucked and sank away I got the picture. I’d tie a loud necktie around his throat, winch him up into the rafters. Got Bliss cutting him down. Got the sight of him lying still in the eyes of others, got the power of it and the sorrow. I got my children’s old gaze, got them holding me with quiet hands, and got them not weeping but staring out calmly over the hills. I got Bliss running mad, foaming, blowing her guts, laughing and then retrieving Billy’s spirit from its path crawling slowly toward heaven, got the understanding she would organize the others and take over from Billy, but that before they could pin me down in the Manual of Discipline we’d have scooped up the money already and run.

Oh yes, I got us eating those eggs at the 4-B’s, me and my children, and the land deed in my name.

Related Characters: Marn Wolde (speaker), Billy Peace, Lilith Peace, Judah Peace
Related Symbols: Reptiles and Amphibians
Page Number and Citation: 180
Explanation and Analysis:
While having sex with Billy, Marn finally works up the nerve to murder him, using venom from her beloved prayer snakes. As Billy dies, Marn at last gets a flood of her “pictures,” her visions of the future and past that Billy had tried so hard to stamp out. First, as later chapters will bear out, Marn’s pictures are accurate: Marn’s children really are quiet as they run; Bliss really does take charge of Billy’s followers (known as “the kindred”) and come at Marn “running mad”; and most importantly, Marn really does return to the 4-B’s diner, where she eats Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic t

15. Shamengwa Quotes

In spite of my conviction that he was probably incorrigible, I was intrigued by Corwin’s unusual treatment of the instrument. I could not help thinking of his ancestors, the Peace brothers, Henri and Lafayette. Perhaps there was a dormant talent. And perhaps as they had saved my grandfather, I was meant to rescue their descendant. These sorts of complications are simply part of tribal justice. I decided to take advantage of my prerogative to use tribally based traditions in sentencing and to set precedent. First, I cleared my decision with Shamengwa. Then I sentenced Corwin to apprentice himself […] He would either learn to play the violin, or he would do time. In truth, I didn’t know who was being punished, the boy or the old man. But now at least, from the house we began to hear the violin.

Related Characters: Judge Antone Bazil Coutts (speaker), Henri Peace, Corwin Peace, Shamengwa Milk, Sister Mary Anita Buckendorf, Billy Peace, Lafayette Peace
Related Symbols: Violins/Fiddles
Page Number and Citation: 208
Explanation and Analysis:
When Corwin is caught and charged with the theft of Shamengwa’s fiddle, his sentencing falls to the town judge, Antone Bazil Coutts himself. First, then, this passage is interesting for what it reveals about how interchangeable and specific legal “justice” is in Pluto; as both a tribal judge and a lawyer in the U.S. court system, Coutts has the unique “prerogative” to draw from two strands of “precedent” as he makes his decisions. And whereas English legal scholars like Robert Burton and Francis Bacon advocate for an emotionless, one-size-fits-all form of jurisprudence, Coutts acknowledges that even formal “justice” must always Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adi

That fiddle had searched long for Corwin. I had no doubt. For what stuck in my mind, what woke me in the middle of the night, after the fact of reading it, was the date on the letter. 1888 was the year. But the violin spoke to Shamengwa and called him out onto the lake in a dream almost twenty years later.

“How about that?” I said to Geraldine. “Can you explain such a thing?”

She looked at me steadily.

“We know nothing” is what she said.

I was to marry her. […] I do my work. I do my best to make the small decisions well, and I try not to hunger for the great things, for the deeper explanations. For I am sentenced to keep watch over this small patch of earth, to judge its miseries and tell its stories. That’s who I am. Mii’sago iw.

Related Characters: Judge Antone Bazil Coutts (speaker), Geraldine Milk, Asiginak, Cuthbert Peace, Henri Peace, Shamengwa Milk, Corwin Peace
Related Symbols: Violins/Fiddles
Page Number and Citation: 208
Explanation and Analysis:
In awe, Coutts recounts the almost magical turn of events by which first Shamengwa and then Corwin wound up in possession of the very same fiddle that Henri and Lafayette used to share. But when Coutts seeks some kind of tangible explanation for this twist, Geraldine is firm: “we know nothing.” Fascinatingly, her verbiage almost word-for-word reflects the death song that Asiginak and Cuthbert Peace sang in the hanging of 1911, when they insisted that “these white men know nothing / I will see the face of mystery.” And this repeated emphasis on “mystery” is then further underlined in the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia sol

16. The Reptile Garden Quotes

I do think of how I have grown up in the certainty of my parents’ love, and how that is a rare thing and how, given that they love me, my breakdown is my own fault and shameful. I think of how history works itself out in the living. The Buckendorfs, the other Wildstrands, the Peace family, all of these people whose backgrounds tangled in the hanging.

I think of all the men who hanged Corwin’s great-uncle Cuthbert, Asiginak, and Holy Track. I see Wildstrand’s strained whipsaw body, and Gostlin walk off slapping his hat on his thigh. Now that some of us have mixed in the spring of our existence both guilt and victim, there is no unraveling the rope.

[…] Sometimes doves seem to hover in this room. At night, when I can’t sleep, I hear the flutter of their wings.

Related Characters: Evelina Harp (speaker), Cuthbert Peace, Asiginak, Corwin Peace, Mooshum (Seraph Milk) , Holy Track, Emil Buckendorf, Eugene Wildstrand, Clemence Harp, Evelina’s Father, Nonette
Related Symbols: Doves
Page Number and Citation: 242
Explanation and Analysis:
After Evelina’s short-lived relationship with a young woman named Nonette falls apart, she ends up institutionalized in the very same psychiatric hospital where she set out to work as an intern. In this crucial passage at the height of her “breakdown,” Evelina gives explicit voice to the novel’s central thematic idea: that even if “history works itself out in the living,” it never does so in a straightforward way. Instead, each moment from the past is “tangled” with the moments that have come before and after (from that very first town-site trip before Pluto had a name to the acid Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est

“To live my life atoning for another person’s sin?” She said at last, her voice scratchy and faint. “I wouldn’t have had the strength. But then again, the hanging undoubtedly had something to do with my decision, growing up and finding out. Knowing one could be capable.”

“One could be?”

“Anyone, perhaps. My father said that his grandfather was very kind, the kindest one of all. And yet he always knew he’d been one of the lynching party. My father was never able to put him there, in his thoughts. A couple of times he said he spoke of it. He spoke of your grandfather.”

“Mooshum?”

I leaned forward and waited […]

“I believe your grandfather used to drink in those days. Your Mooshum told Eugene Wildstrand that he and the others were at the farmhouse. Mooshum told how they had found that poor family.”

Related Characters: Evelina Harp (speaker), Sister Mary Anita Buckendorf (speaker), Emil Buckendorf, Eugene Wildstrand, Mooshum (Seraph Milk)
Page Number and Citation: 250
Explanation and Analysis:
In the weeks after leaving the psychiatric ward, Evelina visits with Sister Mary Anita Buckendorf, hoping her beloved former teacher—whose grandfather Emil Buckendorf was one of the perpetrators of the brutal 1911 hangings—can help her make sense of their shared history. First, this exchange is vital because of how it recontextualizes the novel’s central event. Evelina previously understood her grandfather as only a victim in the hangings, but now, Mary Anita makes it clear that Mooshum was to some extent complicit (even as he himself was blamed). After all, Eugene Wildstrand (Mooshum’s father-in-law) would never have known to suspect Mooshum Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dic

Mooshum knotted the laces, handed the boots to me. I threw them up. It took three times to catch them on a branch.

“This is sentiment instead of justice,” I said to Mooshum.

The truth is, all the way there I’d thought about saying just this thing.

Mooshum nodded, peering into the film of green on the black twigs, blinking, “Awee, my girl. The doves are still up there.”

I stared up and didn’t have anything to say about the doves, but I hated the gentle swaying of those boots.

Related Characters: Evelina Harp (speaker), Mooshum (Seraph Milk) (speaker), Sister Mary Anita Buckendorf, Holy Track
Related Symbols: Doves
Page Number and Citation: 254
Explanation and Analysis:
After Evelina learns the true scope of her grandfather’s role in the 1911 hangings (and after Mary Anita gives Evelina’s Holy Track’s old pair of boots), Evelina decides that she and Mooshum need to do something to honor the murdered young boy. In throwing Holy Track’s boots into the tree where he was hanged—a tree that still thrives on the Wolde’s family farm—Evelina and Mooshum are literally remaking the region’s map, insisting on giving Holy Track’s memory physical form. Yet even as Evelina tries to balance the scales of historical memory, she is aware that doing so has no impact Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque pla

20. Demolition Quotes

The house was so real around me that I could smell the musty linen in the cedar closet, the gas from the leaky burner on the stove, the sharp tang of geraniums that I had planted in clay pots. I lay down on the exact place where the living room couch had been pushed tight under the leaded-glass windows. I closed my eyes and it was all around me again. The stuffed bookshelves, the paneling, the soft slap of my mother’s cards on the table. […]

I turned over and made myself comfortable in the crush of wild burdock. A bee or two hummed in the drowsy air. The swarm had left the rubble and built their houses beneath the earth. They were busy in the graveyard right now, filling the skulls with white combs and the coffins with sweet black honey.

Related Characters: Judge Antone Bazil Coutts (speaker), Ted Bursap, Doctor Cordelia Lochren (“C.”)
Page Number and Citation: 290
Explanation and Analysis:
Earlier in this chapter, imagining his future gravestone, Coutts has decreed that he wants his epitaph to be “the universe is transformation.” Now, after losing his both beloved childhood home and his beloved mistress Cordelia to the hapless contractor Ted Bursap, Coutts internalizes his own favorite quotation. Though the physical structure of his house is gone (having been bulldozed by Ted), Coutts can access the memories of his home through the land itself, lying down in the flowers and recalling the “musty linen” and “the exact place” where the living room couch sat. In other words, the property has been Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non invent

21. Disaster Stamps of Pluto Quotes

We declare our society defunct. We shall, however, keep walking the perimeter of Pluto until our footsteps wear our orbit into the earth. My last act as the president of Pluto’s historical society is this: I would like to declare a town holiday to commemorate the year I saved the life of my family’s murderer.

[…] All who celebrate shall be ghosts. And there will be nothing but eternal dancing, dust on dust, everywhere you look.

Oh my, too apocalyptic, I think as I leave my house to walk over to Neve’s to help her cope with her sleepless night. Dust on dust! There are very few towns where old women can go out at night and enjoy the breeze, so there is that about Pluto. I take my cane to feel the way, for the air is so black I think already we are invisible.

Related Characters: Doctor Cordelia Lochren (“C.”) (speaker), Warren Wolde, Neve Harp, Joseph Coutts
Page Number and Citation: 310
Explanation and Analysis:
In this passage, the very final one of the entire novel, Cordelia reflects on the strangest plot twist in The Plague of Doves: in saving Warren Wolde’s life, Cordelia “saved the life of [her] family’s murderer,” meaning that the baby from the novel’s prologue unwittingly nursed her family’s shooter back to life. This ironic coincidence reveals that any straightforward, tit-for-tat idea of justice is impossible, as Cordelia gives life to the same person that surrounded her with death. Yet when Cordelia tries to capture the magnitude of this imbalance (“there will be nothing but eternal dancing, dust on dust”), she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore cor