The Plot Against America

by

Philip Roth

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The Plot Against America: Chapter 2 Summary & Analysis

Summary
Analysis
In June of 1941—six months after Lindbergh’s inauguration—the Roths drive to Washington, D.C. for a sightseeing vacation. Bess and Herman booked the trip while Roosevelt was still in office. After Lindbergh was elected, the Roths discussed visiting Niagara Falls and Canada instead, in order to check out Ottawa in case moving to Canada became necessary—in February of 1941, Alvin runs away from home to join the Canadian armed forces.
This passage shows just how starkly life has changed for the Roths—and, ostensibly, for countless Jewish families like them—in just a few short months. Their family has been broken up, and the Roths no longer feel entirely safe in America. This positions their trip to Washington as an attempt to stand their ground and declare that they are still invested in their lives as Americans.
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Alvin, orphaned at 13, was the Roths’ ward for seven years—but after growing frustrated with his job as a driver for the obnoxious millionaire construction mogul Abe Steinheim, whom Herman had hoped would be a positive influence on the rebellious Alvin, Alvin rejected Steinheim’s offer to pay for Alvin’s college education at Rutgers. Philip recounts the explosive, lengthy, week-long argument Herman and Alvin had when Herman learned that Alvin planned to reject Steinheim’s offer—a fight which Herman himself referred to as a “little war” within their family, but which forever changed its fabric when Alvin called Steinheim a “disgrace to the Jews” and fled to Canada.
This passage is important because it introduces the idea of the family and the home as a site of both peace and war—often both at the same time. Herman believes that in spite of the “little war[s]” within their family, the Roths can remain united—Alvin, though, declares by leaving that he feels there is no room for the compromise of one’s values, even within the realm of the family home.
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Quotes
Philip looks back even further, to the November 1940 election—which Lindbergh won in a landslide, earning 57 percent of the popular vote and 46 states. Pundits claimed many reasons for Lindbergh’s victory, citing Americans’ reluctance to elect a president to a third term and Lindbergh’s anti-war stance. When Lindbergh, weeks after his inauguration, traveled to Iceland to meet with Hitler and draw up a document known as the “Iceland Understanding,” guaranteeing America’s isolationist stance—and then flew to Hawaii to sign a similar understanding with two emissaries of Japan’s Emperor Hirohito—the U.S. became an unofficial member of the Axis Powers. In the aftermath of these meetings, American Jews became more worried than ever. 
In this passage, Philip illustrates how the Lindbergh administration has swiftly capitulated to the Axis Powers, legitimizing the fascist regimes of both Nazi Germany and Japan. This is, of course, horrible news for American Jews, as Hitler’s entire Third Reich is predicated upon the creation of a white ethnostate free of any Jewish people. The “understandings” Lindbergh reaches with both Germany and Japan demonstrate something which Philip feels is unprecedented in American history.
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Philip is frightened by his parents’ increasing agitation as well as Walter Winchell’s frequent broadcasts about potential locations in which the Lindbergh administration could, if it wanted to, construct concentration camps for American Jews. In response, Philip becomes increasingly invested in his stamp-collecting hobby. Philip even asks to take his collection on the upcoming trip to Washington, determined not to let the album out of his sight for fear of the “transformation” he saw in his terrible nightmare.
As Philip’s life changes all around him, it stands to reason that he comes to believe the “transformation” he envisioned in his nightmare could very well come true. Jewish life in America is being threatened—and Philip, young as he is, is sensitive to what that means for his and his family’s daily lives.
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The Roths arrive in Washington. Almost immediately, they find themselves lost, surrounded by the very edifices of American history which they subconsciously hope will protect them from Lindbergh. A motorcycle police officer, seeing their out-of-state plates, offers to help get them to their destination. Herman happily offers the officer their hotel’s address, but Bess is nervous that the cop is leading them somewhere else and begins to cry. As they arrive at their destination safely, Bess apologizes to Sandy and Philip, claiming that she doesn’t feel she lives in a “normal country” anymore.
This passage shows how seriously threatened Bess feels as she undertakes even normal, everyday tasks and parts of life. Bess doesn’t trust any of the institutions that are there to protect her any longer—she is constantly waiting for the worst. Her feelings are a direct result of Lindbergh’s anti-Semitic, America First administration.
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Quotes
After setting their bags down, the Roths head back down to their car. Outside the hotel, a man who introduces himself as Mr. Taylor is waiting near their vehicle. He explains that he is a professional tour guide for hire and offers to drive them around the city, help them find places to eat, and offer detailed information about all the major monuments. In spite of Herman’s reservations about the cost of the daily tours (and Bess’s suspicions about the man's motivations), the Roths agree to hire Mr. Taylor. Together, they all set off for lunch and the Washington monument. When Mr. Taylor declares that Washington is regarded by many as the greatest president alongside Lincoln, Herman adds that FDR should be included as one of the greats—and that it’s a shame he was “turned […] out of office” by Lindbergh. Mr. Taylor does not respond.
As the Roths set out into Washington, Bess’s fear and distrust continues to inform their family’s experience of the city just as much as Herman’s bullheaded insistence upon enjoying the trip as if nothing is wrong. Herman is not afraid to state his opinions and be who he is, no matter their company—Bess, however, fears that being too loud, too opinionated, or too outwardly Jewish could land them all in hot water. In Bess’s mind, their seemingly apolitical tour guide, Mr. Taylor, is a ticking time bomb who represents the unknowability of what’s going on in the mind of the average Gentile these days.
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As the Roths continue their tour of the Washington Monument, Herman continues extolling FDR and denigrating Lindbergh. Bess warns him to keep his voice down—and not to express such strong opinions to Mr. Taylor, who is essentially a stranger—but Herman insists that he won’t be silenced. As the group moves on across the National Mall to the Lincoln Memorial, Herman continues lamenting how the U.S. treats its greatest leaders. As they approach the monument, an elderly woman who overhears Herman’s remarks loudly states that she is grateful for President Lindbergh. When Herman expresses anger at the woman comparing Lindbergh to Lincoln, a man from the woman’s tour group calls Herman a “loudmouth Jew.”
In this passage, Herman’s belief that he is safe and protected under the American edicts of free speech and the right to liberty are placed under attack for the first time. Herman is verbally assaulted on the basis of his being a Jew—and as Philip witnesses the anti-Semitic cruelty lobbed at his father, he is forced to consider, for perhaps the first times in his life, his and his family’s own otherness in the eyes of Gentiles.
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Quotes
Mr. Taylor quickly leads the Roths away from the other tour group into a small hall off the main chamber, where the Gettysburg Address is inscribed upon the wall. Herman laments hearing such words “in a shrine to a man like [Lincoln.]” Mr. Taylor starts trying to tell the Roths some facts about the monument, but Herman is depressed and irate. Herman suggests they return to the hotel for a nap before taking a nighttime drive to see the city all lit up at night. He assures Bess that they’ll all feel better after a rest. Before leaving the memorial, Herman urges Philip and Sandy to take a long look at the huge statue of Lincoln and enjoy the sight “every American should see”—but the boys cannot feel “the raptures of patriotism.”
In this passage, as the Roths must contend publicly with the trauma, pain, and embarrassment the elderly lady’s words have caused them all, they find themselves divided. Herman still believes in the promises of America, suggesting that the treatment he’s just received is uncharacteristic of the norm—but Bess, Philip, and Sandy all feel profoundly let down by America. For the three of them, a curtain has been peeled back, and the truth of America has been revealed.
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Back at the hotel, the Roths enter the lobby to find their suitcases at the front desk. A manager informs them that he has packed their room up for them—the man who checked them in made a mistake. The room, he says, was being held for another family. He returns the Roths’ deposit and tells them there are no vacancies—they won’t be charged for the room or the bar of soap “missing” from their room. Herman is irate and demands to know what’s happening. The manager calls the police as Herman rails against the “fascists” who run America now. Mr. Taylor urges Herman to leave before the police come, but Herman insists on staying to tell the police what has happened—he wants them to remind the manager behind the desk of the words in the Gettysburg Address.
This passage represents yet another painful incident of anti-Semitism the Roths face during their rapidly-deteriorating trip to Washington. The Roths hoped that in venturing to their nation’s capital in spite of all the unrest in America, they’d be comforted by its monuments and rich history—instead, the Roths are realizing just how quickly and rampantly anti-Semitism has increased across the country. Herman still believes there is relief and guidance to be found in American history—but for the rest of the family, their faith in America is collapsing.
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The police arrive and hear both sides of the story—but ultimately side with the hotel manager and urge Herman to take his family and leave. Defeated, Herman joins the rest of his family and Mr. Taylor outside. Mr. Taylor assures Herman that he’ll get them a room at a nearby hotel that’s just as nice. Just at that moment, Sandy points up at the sky: a low-flying plane is roaring over Washington. Mr. Taylor explains that President Lindbergh himself flies along the Potomac River every afternoon.
As Lindbergh’s plane flies overhead, it serves as an overtly symbolic reminder of the omnipresent, crushing, looming forces of anti-Semitism, and how they now drone endlessly over the Roths’ everyday lives.
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The Roths receive a warm welcome at the shabby new hotel where Mr. Taylor has arranged a room for them. Though their room resembles a tomb, and though the family must double up in twin beds, they all get a much-needed night’s sleep. In the morning, Mr. Taylor shows the Roths around the Capitol and Congress as well as the Supreme Court and the Library of Congress—he knows every detail about every place, and Herman admires the man’s smarts. Philip takes his stamp collection with him to each stop. After lunch, Mr. Taylor takes the Roths to Virginia to tour Mount Vernon. As Mr. Taylor talks about George and Martha Washington, Philip shows him a stamp he has of Martha—he is so proud of Mr. Taylor’s excited reaction that all his negative feelings about being Jewish in “Lindbergh’s Washington” vanish for the moment.
The following day, the Roths—Philip included—find themselves bolstered once again by their nation’s monuments and great history. For just a moment, the terrors of the previous day are forgotten, and Philip especially once again feels connected to his reverence for Americana.
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After a happy and restful day at Mount Vernon, the Roths head to a nearby cafeteria for a snack when another low-flying plane roars overhead. As men, women, and children stream into the streets, gossip spreads that it is not Lindbergh flying today, but instead his wife, Anne Morrow Lindbergh. The event, Philip feels, ruins their good time at Mount Vernon, because of the excitement it inspires in everyone but the Roths themselves.
The Roths’ second encounter in as many days with a Lindbergh flying overhead serves as yet another symbolic reminder that even in moments in which they feel accepted and supported, the Roths must not allow themselves to drop their guards.
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That night, Herman invites Mr. Taylor to join their family for dinner at a nearby cafeteria. Over the meal, Herman talks to Mr. Taylor unreservedly about their family’s Jewishness and resultant dislike of Lindbergh, who is a “friend” of Hitler. Bess urges Herman, as she has been doing the entire vacation, to keep his voice down, especially when Herman begins extolling the things Walter Winchell says about Lindbergh’s nefarious plans for America’s Jewish population. Herman does not listen to Bees—and soon, a large, heavyset man approaches their table and announces that Winchell is a “loudmouth Jew” who is beholden to the British government.
As another random stranger refers to a “loudmouth Jew,” it becomes clear that there is a standardized language and conception of Jewish people among anti-Semites—a stereotype of a loud, unrepentant, irksome Jew who needs to be put in his place. At this point, the Roths are too exhausted to be terrified. This instance doesn’t hit them as acutely as the first two—it simply reinforces what their new normal is.
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Herman stands up to fight with the cruel stranger, but Mr. Taylor intervenes. The owner of the diner also  comes over to urge the heavy man to leave the Roths alone. The owner tells the Roths to eat and drink as much as coffee and dessert as they like on the house. Bess begs Herman to pay the bill so they can leave, but Herman insists on finishing their meal. Herman continues making small talk with Mr. Taylor, ignoring the provocations of the heavyset man who returns to his seat and continues saying cruel things about Jews. When Mr. Taylor tells Herman about working at Wabash College in Indiana, Herman sings a rousing song, “On the Banks of the Wabash, Far Away,” loudly enough for everyone in the diner to hear. Mr. Taylor applauds Herman. Bess, crying, tells Herman what a lovely singing voice he has.  
In this passage, the Roths, having been thoroughly and relentlessly confronted by anti-Semitism at every stop on their trip, make a symbolic commitment to standing their ground as Americans. Herman’s rousing song suggests that he is leaning into being a “loudmouth Jew” and choosing to wear the term as a badge of honor rather than accepting it as a tool of ostracism. Herman is loud—but he’s loud about what matters. Bess, too, at last accepts that while life may not be easy for a while, she and Herman must remain true to who they are and who they have always been, and stand in solidarity with one another through what’s to come.
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