Pansy Osmond Quotes in The Portrait of a Lady
The object of Mr. Rosier’s well-regulated affection dwelt in a high house in the very heart of Rome; a dark and massive structure overlooking a sunny piazzetta in the neighbourhood of the Farnese Palace. In a palace, too, little Pansy lived—a palace by Roman measure, but a dungeon to poor Rosier’s apprehensive mind. It seemed to him of evil omen that the young lady he wished to marry, and whose fastidious father he doubted of his ability to conciliate, should be immured in a kind of domestic fortress […] he could see that the proportions of the windows and even the details of the cornice had quite the grand air.
“If she should marry Lord Warburton I should be very glad,” Isabel went on frankly. “He’s an excellent man. You say, however, that she only to sit perfectly still. Perhaps she won’t sit perfectly still. If she loses Mr. Rosier she may jump up!”
Osmond appeared to give no heed to this; he sat gazing at the fire. “Pansy would like to be a great lady,” he remarked in a moment with a certain tenderness of tone. “She wishes above all to please,” he added.
The real offence, as she ultimately perceived, was her having a mind of her own at all. Her mind was to be his—attached to his own like a small garden-plot to a deer-park. He would take the soil gently and water the flowers; he would weed the best and gather an occasional nosegay. It would be a pretty piece of property for a proprietor already far-reaching.
“One’s daughter should be fresh and fair; she should be innocent and gentle. With the manners of the present time she is liable to become so dusty and crumpled. Pansy’s a little dusty, a little dishevelled; she has knocked about too much. This bustling, pushing rabble that calls itself society—one should take her out of it occasionally. Convents are very quiet, very convenient, very salutary. I like to think of her there, in the old garden, under the arcade, among those tranquil virtuous women. Many of them are gentlewomen born; several of them are noble. She will have her books and her drawing, she will have her piano. I’ve made the most liberal arrangements.”
Isabel saw it all as distinctly as if it had been reflected in a large clear glass. It might have been a great moment for her, for it might have been a moment of triumph. That Madame Merle has lost her pluck and saw before her the phantom of exposure—this in itself was a revenge, this in itself was almost the promise of a brighter day.