Belinda Character Analysis

What dire offense from amorous causes springs,
What mighty contests arise from trivial things,
I sing—This verse to Caryl, Muse! is due;
[…] Say what strange motive, Goddess! could compel
A well-bred Lord to assault a gentle Belle?

For when the fair in all their pride expire,
To their first elements their souls retire:
The sprites of fiery termagants in flame
Mount up, and take a Salamander's name.
Soft yielding minds to water glide away,
And sip with Nymphs, their elemental tea.
The graver prude sinks downward to a Gnome,
In search of mischief still on earth to roam.
The light coquettes in Sylphs aloft repair,
And sport and flutter in the fields of air.

With varying vanities, from every part,
They shift the moving toyshop of their heart;
Where wigs with wigs, with sword-knots sword-knots strive,
Beaux banish beaux, and coaches coaches drive.
This erring mortals levity may call,
Oh blind to truth! the Sylphs contrive it all.

Late, as I ranged the crystal wilds of air,
In the clear mirror of thy ruling star
I saw, alas! some dread event impend,
Ere to the main this morning sun descend.
But heaven reveals not what, or how, or where:
Warned by the Sylph, oh pious maid, beware!
This to disclose is all thy guardian can:
Beware of all, but most beware of man!

A heavenly image in the glass appears,
To that she bends, to that her eyes she rears;
The inferior priestess, at her altar’s side,
Trembling, begins the sacred rites of pride.

Here files of pins extend their shining rows,
Puffs, powders, patches, bibles, billet-doux.

On her white breast a sparkling cross she wore,
Which Jews might kiss, and infidels adore.

If to her share some female errors fall,
Look on her face, and you’ll forget ’em all.

Love in these labyrinths his slaves detains,
And mighty hearts are held in slender chains.

Whether the nymph shall break Diana’s law,
Or some frail China jar receive a flaw,
Or stain her honor, or her new brocade,
Forget her prayers, or miss a masquerade,
Or lose her heart, or necklace, at a ball;
Or whether Heaven has doomed that Shock must fall.

Behold, four Kings in majesty revered,
With hoary whiskers and a forky beard;
And four fair Queens whose hands sustain a flower,
The expressive emblem of their softer power;
Four Knaves in garbs succinct, a trusty band,
Caps on their heads, and halberts in their hand;
And particolored troops, a shining train,
Draw forth to combat on the velvet plain.

Just in that instant, anxious Ariel sought
The close recesses of the virgin’s thought;
As, on the nosegay in her breast reclined,
He watched the ideas rising in her mind,
Sudden he viewed, in spite of all her art,
An earthly lover lurking at her heart.
Amazed, confused, he found his power expired,
Resigned to fate, and with a sigh retired.

The peer now spreads the glittering forfex wide,
To enclose the lock; now joins it, to divide.
Even then, before the fatal engine closed,
A wretched Sylph too fondly interposed;
Fate urged the shears, and cut the Sylph in twain
(But airy substance soon unites again),
The meeting points the sacred hair dissever
From the fair head, for ever and for ever!

Here stood Ill Nature like an ancient maid,
Her wrinkled form in black and white arrayed;
With store of prayers, for mornings, nights, and noons,
Her hand is filled; her bosom with lampoons.

There Affectation, with a sickly mien
Shows in her cheek the roses of eighteen,
Practiced to lisp, and hang the head aside,
Faints into airs, and languishes with pride;
On the rich quilt sinks with becoming woe,
Wrapped in a gown, for sickness, and for show.

Here living teapots stand, one arm held out,
One bent; the handle this, and that the spout:
A pipkin there like Homer’s tripod walks;
Here sighs a jar, and there a goose-pie talks;
Men prove with child, as powerful fancy works,
And maids turned bottles, call aloud for corks.
Safe passed the Gnome through this fantastic band,
A branch of healing spleenwort in his hand.
Then thus addressed the power: “Hail, wayward Queen!
Who rule the sex to fifty from fifteen,
Parent of vapors and of female wit,
Who give the hysteric, or poetic fit”

A wondrous bag with both her hands she binds,
Like that where once Ulysses held the winds;
There she collects the force of female lungs,
Sighs, sobs, and passions, and the war of tongues.
A vial next she fills with fainting fears,
Soft sorrows, melting griefs, and flowing tears.
The Gnome rejoicing bears her gifts away,
Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris’ arms the nymph he found,
Her eyes dejected and her hair unbound.
Full o’er their heads the swelling bag he rent,
And all the furies issued at the vent.
Belinda burns with more than mortal ire,
And fierce Thalestris fans the rising fire.

But fate and Jove had stopped the Baron’s ears.
In vain Thalestris with reproach assails,
For who can move when fair Belinda fails?
Not half so fixed the Trojan could remain,
While Anna begged and Dido raged in vain.

“Beauties in vain their pretty eyes may roll;
Charms strike the sight, but merit wins the soul.”
So spoke the dame, but no applause ensued;
Belinda frowned, Thalestris called her prude.

All side in parties, and begin the attack;
Fans clap, silks rustle, and tough whalebones crack;
Heroes’ and heroines’ shouts confusedly rise,
And bass and treble voices strike the skies.
No common weapons in their hands are found,
Like gods they fight, nor dread a mortal wound.
So when bold Homer makes the gods engage,
And heavenly breasts with human passions rage;
’Gainst Pallas, Mars; Latona, Hermes arms;
And all Olympus rings with loud alarms.

When those fair suns shall set, as set they must,
And all those tresses shall be laid in dust;
This lock, the Muse shall consecrate to fame,
And midst the stars inscribe Belinda’s name!