The Rape of the Lock

by

Alexander Pope

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Spleen Term Analysis

In Pope’s time, spleen was a fairly general term for various forms of bodily disfunction, all of which were believed to be primarily female characteristics. It was thought that the spleen sent up vapors to the brain which would result in migraines, hysteria, fainting and melancholy. Pope’s fantastical Cave of Spleen is thus a kind of hell of female bodily disfunction, where old and sick women are found alongside women turned into objects and men who have fallen pregnant. It is from here and the Queen of Spleen herself that Umbriel is able to collect the negative emotions, the “Sighs, sobs and passions” he dumps over Thalestris and Belinda, inciting the frenzy which drives them to confront the Baron.

Spleen Quotes in The Rape of the Lock

The The Rape of the Lock quotes below are all either spoken by Spleen or refer to Spleen. For each quote, you can also see the other terms and themes related to it (each theme is indicated by its own dot and icon, like this one:
The Triviality of Court Life Theme Icon
).
Canto IV Quotes

Here stood Ill Nature like an ancient maid,
Her wrinkled form in black and white arrayed;
With store of prayers, for mornings, nights, and noons,
Her hand is filled; her bosom with lampoons.

Related Characters: Belinda, Umbriel, The Queen of Spleen
Page Number: IV. 26-30
Explanation and Analysis:

There Affectation, with a sickly mien
Shows in her cheek the roses of eighteen,
Practiced to lisp, and hang the head aside,
Faints into airs, and languishes with pride;
On the rich quilt sinks with becoming woe,
Wrapped in a gown, for sickness, and for show.

Related Characters: Belinda, Umbriel, The Queen of Spleen
Page Number: IV.31-6
Explanation and Analysis:

Here living teapots stand, one arm held out,
One bent; the handle this, and that the spout:
A pipkin there like Homer’s tripod walks;
Here sighs a jar, and there a goose-pie talks;
Men prove with child, as powerful fancy works,
And maids turned bottles, call aloud for corks.
Safe passed the Gnome through this fantastic band,
A branch of healing spleenwort in his hand.
Then thus addressed the power: “Hail, wayward Queen!
Who rule the sex to fifty from fifteen,
Parent of vapors and of female wit,
Who give the hysteric, or poetic fit”

Related Characters: Umbriel (speaker), Belinda, The Queen of Spleen
Page Number: IV.47-60
Explanation and Analysis:

A wondrous bag with both her hands she binds,
Like that where once Ulysses held the winds;
There she collects the force of female lungs,
Sighs, sobs, and passions, and the war of tongues.
A vial next she fills with fainting fears,
Soft sorrows, melting griefs, and flowing tears.
The Gnome rejoicing bears her gifts away,
Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris’ arms the nymph he found,
Her eyes dejected and her hair unbound.
Full o’er their heads the swelling bag he rent,
And all the furies issued at the vent.
Belinda burns with more than mortal ire,
And fierce Thalestris fans the rising fire.

Related Characters: Belinda, Thalestris, Umbriel, The Queen of Spleen
Related Symbols: The Lock
Page Number: IV. 81-94
Explanation and Analysis:
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Spleen Term Timeline in The Rape of the Lock

The timeline below shows where the term Spleen appears in The Rape of the Lock. The colored dots and icons indicate which themes are associated with that appearance.
Canto IV
The Triviality of Court Life Theme Icon
Religion and Morality Theme Icon
Umbriel, the gnome, a “dusky melancholy sprite,” appears and descends to the subterranean Cave of Spleen. When he first enters, he encounters the personified East wind languishing on a bed, away... (full context)
Gender Theme Icon
...gold” and “angels in machines.” There are also various bodies warped by the powers of spleen on all sides, including “living teapots,” men who are pregnant, and women who have been... (full context)