The Return of the Soldier
by Rebecca West

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Social Class, Beauty, and Humanity Theme Analysis

Themes and Colors
Nostalgia, Escapism, and Reality Theme Icon
Social Class, Beauty, and Humanity Theme Icon
Women’s Roles Theme Icon
The Traumas of Modernity Theme Icon
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Social Class, Beauty, and Humanity Theme Icon
Social Class, Beauty, and Humanity Theme Icon

The Return of the Soldier pointedly contrasts wealthy, beautiful Kitty (the wife of Chris, a World War I soldier) and impoverished, ugly Margaret (Chris’s girlfriend from 15 years ago) through the eyes of Jenny, who is Chris’s cousin and the narrator. At first, Margaret’s appearance and mannerisms are described in almost dehumanizing terms, and her lower-class home environment is distasteful compared to Kitty’s gracious, cultivated Baldry Court. These details lead the reader to expect that Chris, whose amnesia means he can only remember a younger Margaret, will reject Margaret when he sees her ugliness compared to Kitty’s beauty. Yet he finds Margaret to be a healing presence, and by the end of the novella, Jenny concedes that Margaret possesses a spiritual beauty that the shallow Kitty can never have. Through this reversal of expectations, West argues that the poor are more sensitive to beauty and true humanity than the rich, whose wealth insulates them from deeper beauty (and hence from pain and love).

At first, Margaret’s poverty causes others to associate her with a dehumanized ugliness. When Margaret first appears at Baldry Court, she’s an unwelcome intrusion. Her very appearance offends Kitty and Jenny: “The bones of her cheap stays clicked as she moved […] there was something about her of the wholesome endearing heaviness of the draught-ox or the big trusted dog. Yet she was bad enough. She was repulsively furred with neglect and poverty[.]” Even Margaret’s better qualities are described in animalistic terms when they compare her to an ox or a dog. From Kitty and Jenny’s perspective, Margaret does not belong in the refined world of Baldry Court—rather, she belongs closer to nature and her presence in their home is therefore “repulsive.”

Although Jenny usually shows more sensitivity and compassion than Kitty does, she expresses “hatred” for Margaret’s poverty: “I pushed [her] purse away from me with my toe and hated her as the rich hate the poor, as insect things that will struggle out of the crannies which are their decent home, and introduce ugliness to the light of day.” Jenny identifies Margaret (and, presumably, other people like her) with “insect things,” implying that she’s lowly and repulsive. In Jenny’s mind, rich people shouldn’t even have to see Margaret’s “ugliness,” much less have it in their homes.

After Kitty shrilly dismisses Margaret as a fraud, Margaret tries to form a retort but she gives up, “simply because she realized that there were no harsh notes on her lyre and […] had fixed me with a certain wet, clear, patient gaze. It is the gift of animals and those of peasant stock. From the least regarded, from an old horse nosing over a gate […], it wrings the heart.” Margaret has a kind of gentle sincerity that wealthy people see as weak and inferior, yet it softens Jenny’s attitude into a sort of condescending sympathy.

Margaret’s and Kitty’s environments—of hardworking squalor and leisured wealth, respectively—reflect their characters, with Margaret’s emerging as the one more grounded in reality. When Jenny goes to fetch Margaret to visit Chris, she continues to find Margaret’s environment distasteful: “So in her parlour I sat […] And as I spoke of his longing I turned my eyes away from her, because she was sitting on a sofa, upholstered in velveteen of a sickish green, which was so low that her knees stuck up in front of her and she had to clasp them with her seamed floury hands; and I could see that the skin of her face was damp.” Jenny can’t reconcile Chris’s longing for Margaret with the ugliness of her lower-class surroundings—the unfashionable furniture, not to mention Margaret’s work-worn hands and sweaty face—that mark Margaret as someone who must do the physical labor of the household.

When Jenny and Margaret first arrive at Baldry Court, Jenny can’t help comparing Margaret unfavorably to these wealthy surroundings. Her description of the landscaping is a metaphorical commentary on Margaret’s and Kitty’s appearances: “There is no aesthetic reason for that border; the common outside looks lovelier where it fringes the road […] Its use is purely philosophic; it proclaims that here we estimate only controlled beauty, that the wild will not have its way within our gates, that it must be made delicate and decorated into felicity.” The “controlled,” artificial beauty within the gates reflects the leisure of Kitty’s life and the superficiality of her personality. At the same time, the wilder, lovelier growth beyond the gates reflects Margaret’s beauty, which Jenny now concedes is more grounded in reality, yet she still feels that it does not belong within the borders of Kitty’s carefully sculpted realm.

By the end of the story, Jenny has moved from disgust to ambivalence to admiration of Margaret, associating her poverty with spiritual beauty. Jenny attributes to Margaret’s poverty a certain nobility, even spirituality: “Perhaps even her dinginess was part of her generosity […] And so I could believe of Margaret that her determined dwelling in places where there was not enough of anything, her continued exposure of herself to the grime of squalid living, was unconsciously deliberate. […] [so that] there should be not one intimation of the beauty of suave flesh to distract [Chris] from the message of her soul.” In other words, Margaret’s beauty is the beauty of the soul. This is something that the externally beautiful Kitty (who Jenny implies has beautiful “suave flesh” in contrast with the “spiritual” Margaret) altogether lacks. It seems that Kitty’s wealth will not allow her to develop such beauty—in fact, it even stands in the way, since the luxuries it brings only “distract” from the kind of spiritual beauty that Margaret possesses.

West’s romanticized view of Margaret’s beauty expresses her belief—reflected in her later writings and political stances—that the poor and working-class are more grounded in reality than the wealthy can be. Yet the fact that Chris ultimately returns to the present-day “reality” of his marriage to Kitty, forcing him and Margaret to separate, suggests that West is pessimistic about society’s willingness to recognize the poor in this way. Overall, the novella’s exploration of beauty reflects the unease of a society in which longstanding class structures are beginning to shift.

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Social Class, Beauty, and Humanity Quotes in The Return of the Soldier

Below you will find the important quotes in The Return of the Soldier related to the theme of Social Class, Beauty, and Humanity.

Chapter 1  Quotes

You probably know the beauty of that view; for when Chris rebuilt Baldry Court after his marriage, he handed it over to architects who had not so much the wild eye of the artist as the knowing wink of the manicurist, and between them they massaged the dear old place into matter for innumerable photographs in the illustrated papers.

Related Characters: Jenny Baldry (speaker), Kitty Ellis Baldry, Christopher (Chris) Baldry
Related Symbols: Landscape and Nature
Page Number and Citation: 4
Explanation and Analysis:
This quote comes at the beginning of the novella, as the narrator, Jenny, overlooks Baldry Court, the estate belonging to her cousin, Chris, and also Jenny’s home. Baldry Court is the setting for almost the entire story, and its appearance is symbolic. West associates “wild” or natural beauty with authenticity and artificial beauty with its opposite, so the fact that Baldry Court was renovated with a “knowing wink” instead of a “wild eye” suggests that its beauty is only superficial—it’s a beauty suitable for public consumption in society newspapers, but not a durable beauty. It’s also significant that this beauty Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde

Here we had made happiness inevitable for him. I could shut my eyes and think of innumerable proofs of how well we had succeeded, for there never was so visibly contented a man: the way he lingered with us in the mornings while the car throbbed at the door, delighting just in whatever way the weather looked in the familiar frame of things, how our rooms burned with many-coloured brightness on the darkest winter day, how not the fieriest summertime could consume the cool wet leafy places of our garden; the way that in the midst of entertaining a great company he would smile secretly to us, as though he knew we would not cease in our task of refreshing him; and all that he did on the morning just a year ago, when he went to the front. . . .

Related Characters: Jenny Baldry (speaker), Christopher (Chris) Baldry, Kitty Ellis Baldry
Related Symbols: Landscape and Nature
Page Number and Citation: 6
Explanation and Analysis:
Here Jenny describes the effort that she and Kitty have put into making Baldry Court a beautiful haven for Chris. Chris assumed the burdens of the struggling family business while still a young man, and a few years after marrying Kitty, his baby son died. Jenny, always sensitive to her cousin’s feelings, knows he isn’t happy, but she believes that if she and Kitty maintain an ideal environment for him, he can’t help but be content. Much later, it emerges that Jenny is a somewhat unreliable narrator, and that the so-called “innumerable proofs” she lists are more likely her own Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia e

Well, she was not so bad. Her body was long and round and shapely and with a noble squareness of the shoulders; her fair hair curled diffidently about a good brow; her grey eyes, though they were remote, as if anything worth looking at in her life had kept a long way off, were full of tenderness; and though she was slender there was something about her of the wholesome endearing heaviness of the draught-ox or the big trusted dog. Yet she was bad enough. She was repulsively furred with neglect and poverty, as even a good glove that has dropped down behind a bed in a hotel and has lain undisturbed for a day or two is repulsive when the chambermaid retrieves it from the dust and fluff.

Related Characters: Jenny Baldry (speaker), Margaret Allington Grey, Kitty Ellis Baldry
Related Literary Devices:
Page Number and Citation: 10
Explanation and Analysis:
This quote describes Jenny and Kitty’s first encounter with Margaret Grey, who has come to Baldry Court with news of Chris. Even before Margaret speaks, the other two women have formed an impression of her based on her suburban address and her lower-class appearance. It is a decidedly negative impression. Even when Jenny tries to acknowledge what she sees as Margaret’s better points, she describes these in dehumanizing terms—Margaret is “wholesome” and “endearing” in the way a barnyard animal would be. Even worse, her evident poverty reminds Jenny of a discarded, filthy glove. As far as Jenny is concerned, neither Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem a

Chapter 3 Quotes

Well, one sounded the bell that hung on a post, and presently Margaret in a white dress would come out of the porch and would walk to the stone steps down to the river. Invariably, as she passed the walnut tree that overhung the path, she would pick a leaf and crush it and sniff the sweet scent; and as she came near the steps she would shade her eyes and peer across the water. “She is a little near-sighted; you can’t imagine how sweet it makes her look.” (I did not say that I had seen her, for indeed this Margaret I had never seen.)

Related Characters: Jenny Baldry (speaker), Christopher (Chris) Baldry (speaker), Margaret Allington Grey
Page Number and Citation: 36
Explanation and Analysis:
In this quote Chris describes to Jenny his romantic summer with Margaret 15 years ago. Chris became acquainted with Margaret while exploring the Thames Valley countryside surrounding his uncle’s house, and her environment and personality present a stark contrast to everything about his eventual bride. Unlike Kitty, who transforms her environment to reflect her wealthy status, Margaret responds to her environment with wonder and delight, even picking a leaf just to enjoy its scent. Not only is the shy, sensitive innkeeper’s daughter a contrast to the shallow, demanding Kitty, but she’s also a contrast to the Margaret whom Jenny first Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi nec

She was then just a girl in white who lifted a white face or drooped a dull gold head. And as that she was nearer to him than at any other time. That he loved her, in this twilight which obscured all the physical details which he adored, seemed to him a guarantee that theirs was a changeless love which would persist if she were old or maimed or disfigured. He […] watched the white figure take the punt over the black waters, mount the grey steps and assume their greyness, become a green shade in the green darkness of the foliage-darkened lawn, and he exulted in that guarantee.

Related Characters: Jenny Baldry (speaker), Christopher (Chris) Baldry, Margaret Allington Grey
Related Literary Devices:
Page Number and Citation: 38
Explanation and Analysis:
This quote describes the ecstatic, magical quality of Chris and Margaret’s summer romance. Yet there’s an ambivalent quality about it, too. Chris’s memories of Margaret’s features are curiously indistinct. She blends into her surroundings (“girl in white,” “assume their greyness,” “become a green shade”), suggesting that in Chris’s eyes, Margaret takes on the qualities that he’s already inclined to see. At the time, this featureless sort of beauty convinces Chris that he will always love her, despite time, age, and change. These vague, rather mystical memories add to the complexity surrounding Chris and Margaret’s relationship. On one hand, Margaret has Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Acc

Chapter 4 Quotes

Wealdstone is not, in its way, a bad place; it lies in the lap of open country and at the end of every street rise the green hill of Harrow and the spires of Harrow School. But all the streets are long and red and freely articulated with railway arches, and factories spoil the skyline with red angular chimneys, and in front of the shops stand little women with backs ridged by cheap stays, who tapped their upper lips with their forefingers and made other feeble, doubtful gestures as though they wanted to buy something and knew that if they did they would have to starve some other appetite. When we asked them the way they turned to us faces sour with thrift. It was a town of people who could not do as they liked.

Related Characters: Jenny Baldry (speaker), Margaret Allington Grey
Related Symbols: Landscape and Nature
Page Number and Citation: 44
Explanation and Analysis:
When Jenny goes to fetch Margaret from the neighboring town of Wealdstone, she finds the place appalling. This quote describes some of those things which Jenny finds objectionable about the modern world. For example, in contrast to its pleasantly green surroundings, Wealdstone itself is marred by the markers of industrialism, like railroads and factory chimneys. For Jenny, these signs of industrialism are somehow connected to the pinched, unsatisfying lives of Wealdstone’s residents, who must wear cheap clothing and “starve” their appetites in order to make ends meet. This life of endless constraint has a “souring” effect on people. Jenny’s opinions Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus

When she came back into the parlour again she was wearing that yellowish raincoat, that hat whose hearse plumes nodded over its sticky straw, that grey alpaca skirt. I first defensively clutched my hands. It would have been such agony to the finger tips to touch any part of her apparel. And then I thought of Chris, to whom a second before I had hoped to bring a serene comforter. I perceived clearly that that ecstatic woman lifting her eyes and her hands to the benediction of love was Margaret as she existed in eternity; but this was Margaret as she existed in time, as the fifteen years between Monkey Island and this damp day in Ladysmith Road had irreparably made her. Well, I had promised to bring her to him.

Related Characters: Jenny Baldry (speaker), Margaret Allington Grey, Christopher (Chris) Baldry
Page Number and Citation: 48
Explanation and Analysis:
This quote sums up Jenny’s conflicted and shifting attitude toward Margaret. When she goes to Wealdstone to fetch Margaret to visit Chris, Jenny struggles to hide her distaste for Margaret’s modest, restrained lifestyle and her cheap, unfashionable clothing. The very idea of touching Margaret’s clothes repulses Jenny. Yet, at the same time, she gets a glimpse of Margaret’s inner beauty—her generosity, her appreciation of the world around her, and her protective love. This is the contrast between the so-called Margaret of eternity and the Margaret of time—the former appeals to Chris in a way that the latter never could, Jenny Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error

Then, one April afternoon, Chris landed at the island, and by the first clean quick movement of tying up his boat made her his slave. I could imagine that it would be so. He was so wonderful when he was young; he possessed in great measure the loveliness of young men, which is like the loveliness of the spry foal or the sapling, but in him it was vexed into a serious and moving beauty by the inhabiting soul. […] [F]rom his eyes, which though grey were somehow dark with speculation, one perceived that he was distracted by participation in some spiritual drama. To see him was to desire intimacy with him so that one might intervene between this body which was formed for happiness, and this soul which cherished so deep a faith in tragedy.

Related Characters: Jenny Baldry (speaker), Margaret Allington Grey, Christopher (Chris) Baldry
Related Literary Devices:
Page Number and Citation: 50
Explanation and Analysis:
This quote describes Margaret’s initial falling in love with Chris, and also Jenny’s idealized perception of that love (and thus, perhaps, a reflection of her own stubborn love for Chris). To Jenny’s eyes, Chris is an ideal blend of the physical and the spiritual. He has a fresh, youthful physical vitality, yet his soul displays a deeper, more beautiful gravity. Chris’s internal tumult is irresistible, eliciting a protective response from women like Margaret and Jenny, who long to somehow mediate between the outward and inward beauty. In fact, Jenny later describes this mediating function as being essentially women’s work—providing a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. E

As the car swung through the gates of Baldry Court she sat up and dried her eyes. She looked out at the strip of turf, so bright that one would think it wet, and lit here and there with snowdrops and scillas and crocuses, that runs between the drive and the tangle of silver birch and bramble and fern. There is no aesthetic reason for that border; the common outside looks lovelier where it fringes the road with dark gorse and rough amber grasses. Its use is purely philosophic; it proclaims that here we estimate only controlled beauty, that the wild will not have its way within our gates, that it must be made delicate and decorated into felicity. Surely she must see that this was no place for beauty that has been not mellowed but lacerated by time, that no one accustomed to live here could help wincing at such external dinginess as hers.

Related Characters: Jenny Baldry (speaker), Margaret Allington Grey
Related Symbols: Landscape and Nature
Page Number and Citation: 55
Explanation and Analysis:
When Margaret and Jenny arrive at Baldry Court together for the first time, Jenny notices the contrast between the beauty within the gates and the beauty outside them. The flowers on the border of the property have no natural or even aesthetic reason to be there. They are there just to be noticed and remarked upon, and to send a message of refinement to visitors, even if they don’t fit into the natural environment. By contrast, the flowers and grasses along the road are wilder and rougher-looking, but they belong there, and their loveliness befits the place. Jenny sees this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Pos

But instead she said, “It’s a big place. How poor Chris must have worked to keep it up.” […] No one had ever before pitied Chris for the magnificence of Baldry Court. It had been our pretence that by wearing costly clothes and organizing a costly life we had been the servants of his desire. But she revealed the truth that although he did indeed desire a magnificent house, it was a house not built with hands.

Related Characters: Jenny Baldry (speaker), Margaret Allington Grey (speaker), Christopher (Chris) Baldry
Page Number and Citation: 56
Explanation and Analysis:
When Margaret and Jenny arrive at Baldry Court, Jenny is shocked by Margaret’s response to the magnificence before her. Rather than being awed by its ostentation and beauty, Margaret pities Chris for having to work so hard to afford and maintain such a place. Margaret’s response conflicts with the social script to which Jenny is accustomed. In other words, the role of a guest—especially a lower-class guest—is to admire and praise Baldry Court’s beauty, thereby acknowledging the Baldrys’ socially superior status. Margaret is indifferent to this script, however, in part because of her own social status; she knows what manual Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas

[Jenny] constantly contrasted [Margaret’s] appearance with the new acquisition of Kitty’s decorative genius which stood so close behind her on the table […] This was a shallow black bowl in the centre of which crouched on hands and knees a white naked nymph, […] Beside the pure black of the bowl her rusty plumes looked horrible; beside that white nymph, eternally innocent of all but the contemplation of beauty, her opaque skin and her suffering were offensive; beside its air of being the coolly conceived and leisurely executed production of a hand and brain lifted by their rare quality to the service of the not absolutely necessary, her appearance of having but for the moment ceased to cope with a vexed and needy environment struck one as a cancerous blot on the fair world.

Related Characters: Jenny Baldry (speaker), Margaret Allington Grey, Christopher (Chris) Baldry, Kitty Ellis Baldry
Page Number and Citation: 57
Explanation and Analysis:
Jenny and Margaret have tea together before Margaret meets Chris, and Jenny has another opportunity to compare Margaret’s external ugliness with Baldry Court’s fashionable beauty. The expensive decorative bowl symbolizes Kitty’s own beauty as well. Kitty lives a leisurely existence in which external decoration is one of her chief occupations, and contemplation of (particularly her own) beauty is one of her few concerns. By contrast, Margaret has the worn and tired look of someone who has spent her life occupied with the pressing needs of others, and her unfashionable hat represents the taste of someone who can’t aspire to finer Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam offic

I covered my eyes and said aloud, “In a minute he will see her face, her hands.” But although it was a long time before I looked again they were still clinging breast to breast. It was as though her embrace fed him, he looked so strong as he broke away. They stood with clasped hands, looking at one another (they looked straight, they looked delightedly!), and then as if resuming a conversation tiresomely interrupted by some social obligation, drew together again and passed under the tossing branches of the cedar to the wood beyond. I reflected, while Kitty wept, how entirely right Chris had been in his assertion that to lovers innumerable things do not matter.

Related Characters: Jenny Baldry (speaker), Margaret Allington Grey, Christopher (Chris) Baldry, Kitty Ellis Baldry
Related Symbols: Landscape and Nature
Page Number and Citation: 59
Explanation and Analysis:
Kitty and Jenny have anxiously awaited Margaret’s reunion with Chris, sure that Chris will reject her in horror once he sees her aged face and work-worn hands. Contrary to this expectation, the two embrace, and Chris seems restored by their reunion instead of repelled by it. They apparently pick up where they left off 15 years ago, despite the intervening demands of their differing social classes. Just as Chris had told Jenny earlier, his love for Margaret is apparently eternal, unaffected by time and change. When they disappear into the woods together, they symbolically reenter the realm where they fell Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nos

Chapter 5 Quotes

I felt, indeed, a cold intellectual pride in his refusal to remember his prosperous maturity and his determined dwelling in the time of his first love, for it showed him so much saner than the rest of us, who take life as it comes, loaded with the inessential and the irritating. I was even willing to admit that this choice of what was to him reality out of all the appearances so copiously presented by the world, this adroit recovery of the dropped pearl of beauty, was the act of genius I had always expected from him. But that did not make less agonizing this exclusion from his life.

Related Characters: Jenny Baldry (speaker), Margaret Allington Grey, Kitty Ellis Baldry, Christopher (Chris) Baldry
Page Number and Citation: 65
Explanation and Analysis:
Jenny closely observes Chris’s blossoming happiness with Margaret, as they begin spending time together in the woods every day—a kind of reenactment of their youthful romance on Monkey Island. This observation is deeply painful to Jenny, since Chris’s newfound happiness unavoidably repudiates all that she and Kitty have striven for over the years. Yet, at the same time, Jenny takes pride in Chris’s rejection of the social norms that have outwardly governed his life thus far. While most people, like Jenny herself, accept what life hands them and do not resist what societal convention demands of them, Chris’s rejection of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore.

Perhaps even her dinginess was part of her generosity […] I could believe of Margaret that her determined dwelling in places where there was not enough of anything, her continued exposure of herself to the grime of squalid living, was unconsciously deliberate. The deep internal thing that had guided Chris to forgetfulness had guided her to poverty so that when the time came for her meeting with her lover there should be not one intimation of the beauty of suave flesh to distract him from the message of her soul.

Related Characters: Jenny Baldry (speaker), Christopher (Chris) Baldry, Margaret Allington Grey
Page Number and Citation: 71
Explanation and Analysis:
This quote sums up Jenny’s change of attitude about Margaret. At the beginning of the story, Jenny was completely disgusted by Margaret’s lower-class appearance and lifestyle, but then she gradually warmed to Margaret’s inner beauty as she got to know Margaret personally and saw her restorative influence on Chris. Now, as she witnesses Chris and Margaret’s tenderness firsthand, Jenny begins to see Margaret’s external shabbiness itself as an expression of her spiritual beauty, without which she could not help Chris (and, by extension, Jenny and Kitty) as effectively as she does. She speculates that Margaret’s years of poverty, deprivation, and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliqua