William Dean Howells’ The Rise of Silas Lapham is a realistic novel that both criticizes and parodies the conventions of contemporary Romantic novels, which placed more emphasis on sentiment or melodrama than realism. This criticism comes through most strongly in the character Penelope. She and many of the other characters in the novel have all read a popular book about a woman who forfeits her own happiness by letting someone else be with the man she loves. Rather than taking this as entertaining fiction, Penelope believes that she should emulate the heroine of the novel and give up her own love for Tom in order to allow her sister Irene (whom Tom doesn’t love) to be happy with him. But as the minister Sewell advises, acting as the voice of reason, letting Penelope do this would be silly: it is better for Tom and Penelope to be together, since that leaves just one unhappy person (Irene) instead of three. The fact that Tom and Penelope do end up together is not just realistic; it also seeks to point out how absurd and impractical Romantic conventions are.
The novel is also realistic in how it portrays Lapham’s life. It would be easy to frame Lapham’s life as a dramatic rags-to-riches story, as the journalist Bartley attempts to do at the beginning. But in fact, the title The Rise of Silas Lapham is somewhat misleading—the novel begins when Lapham is already a successful businessman and follows him through the process of losing most of his fortune through a series of bad financial decisions and bad luck. When Lapham ends the story as an employee of the paint company he once owned, this outcome is neither triumphant nor tragic—it realistically depicts how a person’s standing both rises and falls throughout life. Even Penelope’s marriage to Tom is not overly romanticized: Penelope finds happiness, but she never quite learns how to get along with her new in-laws. The Rise of Silas Lapham rejects the conventions of sentimental novels, allowing the characters to make rational but imperfect decisions, and these decisions have realistic outcomes that bring neither full happiness nor full tragedy.
Realism vs. Melodrama ThemeTracker
Realism vs. Melodrama Quotes in The Rise of Silas Lapham
Chapter 1 Quotes
“Parents poor, of course,” suggested the journalist. “Any barefoot business? Early deprivations of any kind, that would encourage the youthful reader to go and do likewise? Orphan myself, you know,” said Bartley, with a smile of cynical good camradery.
Lapham looked at him silently, and then with quiet self-respect, “I guess if you see these things as a joke, my life won’t interest you.”
“Oh, yes, it will,” returned Bartley, unabashed. “You’ll see; it’ll come out all right.” And in fact it did so, in the interview which Bartley printed.
“Mr. Lapham,” he wrote, “passed rapidly over the story of his early life, its poverty and its hardships, sweetened, however, by the recollections of a devoted mother [...]”
Chapter 14 Quotes
“I don’t want to see any more men killed in my time.”
Chapter 16 Quotes
“But it wasn’t self-sacrifice—or not self-sacrifice alone. She was sacrificing him too; and for some one who couldn’t appreciate him half as much as she could. I’m provoked with myself when I think how I cried over that book—for I did cry. It’s silly—it’s wicked for any one to do what that girl did. Why can’t they let people have a chance to behave reasonably in stories?”
Chapter 17 Quotes
“If I could give him to her, I would. But he isn’t mine to give.” She added in a burst of despair, “He isn’t mine to keep!”
“Well,” said Mrs. Lapham, “she has got to bear it. I don’t know what’s to come of it all. But she’s got to bear her share of it.”
Chapter 18 Quotes
“One suffer instead of three, if none is to blame?” suggested Sewell. “That’s sense, and that’s justice. It’s the economy of pain which naturally suggests itself, and which would insist upon itself, if we were not all perverted by traditions which are the figment of the shallowest sentimentality.”
Chapter 19 Quotes
“Oh! Never! Never for an instant! How could you think such a thing? It was impossible! I never thought of her. But I see—I see! I can explain—no, there’s nothing to explain! I have never knowingly done or said a thing from first to last to make you think that. I see how terrible it is!” he said; but he still smiled, as if he could not take it seriously. “I admired her beauty—who could help doing that?—and I thought her very good and sensible.”
Chapter 20 Quotes
“What’s he done? Well, now, I’ll tell you what he’s done, Persis, since you think Rogers is such a saint, and that I used him so badly in getting him out of the business. He’s been dabbling in every sort of fool thing you can lay your tongue to,—wild-cat stocks, patent-rights, land speculations, oil claims,—till he’s run through about everything.”
Chapter 21 Quotes
“Then I know he’ll move heaven and earth to bring it about. I know you won’t be allowed to suffer for doing him a kindness, Silas. He can’t be so ungrateful! Why, why should he pretend to have any such parties in view when he hasn’t? Don’t you be down-hearted, Si. You’ll see that he’ll be round with them to-morrow.”
Chapter 27 Quotes
“About what I done? Well, it don’t always seem as if I done it,” replied Lapham. “Seems sometimes as if it was a hole opened for me, and I crept out of it. I don’t know,” he added thoughtfully, biting the corner of his stiff moustache. “I don’t know as I should always say it paid; but if I done it, and the thing was to do over again, right in the same way, I guess I should have to do it.”



