The Rivals
by Richard Sheridan
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Preface Quotes

As some part of the attack on the piece was begun too early to pass for the sentence of judgment, which is ever tardy in condemning, it has been suggested to me, that much of the disapprobation must have arisen from virulence of malice, rather than severity of criticism: but as I was more apprehensive of there being just grounds to excite the latter than conscious of having deserved the former, I continue not to believe that probable, which I am sure must have been unprovoked. However, if it was so, and I could even mark the quarter from whence it came, it would be ungenerous to retort: for no passion suffers more than malice from disappointment.

Page Number and Citation: vi
Explanation and Analysis:
Sheridan’s preface to the play is more of a commentary on Sheridan’s reputation than it is an explanation of the play. Sheridan, who had written the play in a bid to make money and improve his social standing, was forced to revise the play after it was poorly received. Here, he is basking in the success of the revised play. He says that he has heard it suggested that the poor reception to the first version of the play may have been the result of enemies of his in the audience who booed and heckled the actors. He also says Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam off

Prologues Quotes

Can our light scenes add strength to holy laws!
Such puny patronage but hurts the cause:
Fair virtue scorns our feeble aid to ask;
And moral truth disdains the trickster's mask
For here their favourite stands, whose brow severe
And sad, claims youth's respect, and pity's tear;
Who, when oppress'd by foes her worth creates,
Can point a poniard at the guilt she hates.

Related Literary Devices:
Page Number and Citation: xi
Explanation and Analysis:
This prologue compares tragedy and comedy, the theatrical muses who were traditionally used to represent the forces of artistic and imagined as female. At the time that Sheridan wrote, plays were expected to impart a moral lesson to the audience. Sheridan is preparing the audience not to expect this light comedy to teach too grave a lesson. He suggests that in a tragedy, lessons are imparted when the characters die as a punishment for their sins, but that his play will not try to teach lessons in this way. Further he suggests that the forces of morality can find stronger Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omn

Act 1, Scene 1 Quotes

FAG
I had forgot.—But, Thomas, you must polish a little—indeed you
must.—Here now—this wig!—What the devil do you do with a wig,
Thomas?—None of the London whips of any degree of ton wear wigs now.
THOMAS
More's the pity! more's the pity! I say.—Odd's life! when I heard how the lawyers and doctors had took to their own hair, I thought how 'twould go next:—odd rabbit it! when the fashion had got foot on the bar, I guessed 'twould mount to the box!—but 'tis all out of character, believe me, Mr. Fag: and look'ee, I'll never gi' up mine—the lawyers and doctors may do as they will.

Related Characters: Fag (speaker), Thomas (speaker)
Related Symbols: Hairstyles, Foreign Words
Page Number and Citation: 3
Explanation and Analysis:
Bath was a thriving town full of people who hoped to move up in the world, becoming both more stylish and respectable. Here Fag, who represents an ambitious member of the servant class, shows all his pretentions to being fashionable and sophisticated. He urges Thomas to stop wearing a wig, saying that none of the carriage drivers in London – who were seen as fashionable members of the servant class - wear wigs these days. He also uses the French word for tone to convey his worldliness, even though he is speaking to a simple country servant. Thomas lacks Fag’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates.

Act 1, Scene 2 Quotes

LYDIA
Here, my dear Lucy, hide these books. Quick, quick!—Fling Peregrine Pickle under the toilet—throw Roderick Random into the closet—put The Innocent Adultery into The Whole Duty of Man—thrust Lord Aimworth under the sofa—cram Ovid behind the bolster—there—put The Man of Feeling into your pocket—so, so—now lay Mrs. Chapone in sight, and leave Fordyce's Sermons open on the table.
LUCY
O burn it, ma'am! the hair-dresser has torn away as far as Proper Pride.
LYDIA
Never mind—open at Sobriety.—Fling me Lord Chesterfield’s Letters.—Now for 'em.

Related Characters: Lydia Languish (speaker), Lucy (speaker)
Related Literary Devices:
Page Number and Citation: 7
Explanation and Analysis:
Sir Anthony has come to call and Lydia and Lucy expect him and Mrs. Malaprop to come up to the room. Knowing that these two older people will disapprove of the sentimental literature that Lydia reads, she and Lucy hide the books she likes to read inside decoy books, which are all dull works about proper morality. Lydia is actually interested in books about love, sex, and adventure. Roderick Random, for instance, is a novel about a young man who is not treated like a gentleman because he is the son of a gentleman and lower-class woman. He eventually inherits Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Volupt

What business have you, miss, with preference and aversion? They don't become a young woman; and you ought to know, that as both always wear off, 'tis safest in matrimony to begin with a little aversion. I am sure I hated your poor dear uncle before marriage as if he'd been a blackamoor—and yet, miss, you are sensible what a wife I made!—and when it pleased Heaven to release me from him, 'tis unknown what tears I shed!—

Related Characters: Mrs. Malaprop / Delia (speaker), Lydia Languish (speaker)
Page Number and Citation: 8
Explanation and Analysis:
Mrs. Malaprop, ever unable to read her audience, attempts to convince Lydia to obey her elders and marry a man that they choose for her by telling Lydia that she herself hated Lydia’s uncle (while using a racist slur to emphasize her point) before she married him. One would expect her to say that their marriage turned out well, but because of the way she garbles her speech, she communicates the opposite. She says “Heaven released me from him” instead of “Heaven released him from me,” which was a poetic way to describe someone’s death. Instead of saying that she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolo

Mrs. MALAPROP
I would have her instructed in geometry, that she might know something of the contagious countries;—but above all, Sir Anthony, she should be mistress of orthodoxy, that she might not mis-spell, and mis-pronounce words so shamefully as girls usually do; and likewise that she might reprehend the true meaning of what she is saying. This, Sir Anthony, is what I would have a woman know;—and I don't think there is a superstitious article in it.
Sir ANTHONY
Well, well, Mrs. Malaprop, I will dispute the point no further with you; though I must confess, that you are a truly moderate and polite arguer, for almost every third word you say is on my side of the question.

Related Characters: Mrs. Malaprop / Delia (speaker), Sir Anthony Absolute (speaker)
Related Literary Devices:
Page Number and Citation: 9
Explanation and Analysis:
Sir Anthony has said that women should not be taught to read, because reading exposes them to harmful ideas. Mrs. Malaprop objects and Sir Anthony asks her to give an account of the proper course of education for a woman. The assumption at the time was that women needed to be educated only for their role in society, and any further knowledge would ruin or pervert their feminine virtues. No one is a less fit advocate for the importance of education for women than Mrs. Malaprop, who fancies herself to be eloquent and well-educated, but mixes up the large words Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa.

Act 2, Scene 1 Quotes

ACRES
Ha! ha! you've taken notice of it—'tis genteel, isn't it!—I didn't invent it myself though; but a commander in our militia, a great scholar, I assure you, says that there is no meaning in the common oaths, and that nothing but their antiquity makes them respectable;—because, he says, the ancients would never stick to an oath or two, but would say, by Jove! or by Bacchus! or by Mars! or by Venus! or by Pallas, according to the sentiment: so that to swear with propriety, says my little major, the oath should be an echo to the sense; and this we call the oath referential, or sentimental swearing—ha! ha! 'tis genteel, isn't it?
ABSOLUTE
Very genteel, and very new, indeed!—and I dare say will supplant all other figures of imprecation.

Related Characters: Squire Bob Acres (speaker), Captain Jack Absolute / Ensign Beverley (speaker)
Related Literary Devices:
Page Number and Citation: 17-18
Explanation and Analysis:
When gentlemen swore in the late 18th century, they generally minced their oaths, which meant they changed the pronunciation of a word so that they would not be breaking the religious taboo against using the Lord’s name in vain. “God’s sake” became “odds,” just as today the word “darn” is a politer version of “damn.” Acres, though, wishes to fit in among fashionable people and seeks to change how he speaks to gain acceptance. He is not observant and intelligent enough to discern the way fashionable city people speak, but instead takes on an odd new way of cursing that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim ne

ABSOLUTE
What, sir, promise to link myself to some mass of ugliness! to——
Sir ANTHONY
Zounds! sirrah! the lady shall be as ugly as I choose: she shall have a hump on each shoulder; she shall be as crooked as the crescent; her one eye shall roll like the bull's in Cox's Museum; she shall have a skin like a mummy, and the beard of a Jew—she shall be all this, sirrah!—yet I will make you ogle her all day, and sit up all night to write sonnets on her beauty.
ABSOLUTE
This is reason and moderation indeed!

Related Characters: Captain Jack Absolute / Ensign Beverley (speaker), Sir Anthony Absolute (speaker)
Page Number and Citation: 20
Explanation and Analysis:
Sir Anthony is extreme in his demand of obedience in his son. He wants Absolute to agree unconditionally to marry the woman he chooses even if the match he intended was ugly and humpbacked. This extreme position is meant to be parodied as is signaled by the vivid description Sir Anthony gives of his son’s hypothetical ugly bride-to-be. The play is mocking the view that young people owe it to their parents and guardians to cede control over the direction they choose for their lives. Sheridan had personal reasons to want to mock this position, as his own father had Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaeca

Act 2, Scene 2 Quotes

Sir LUCIUS
[Reads.] Sir—there is often a sudden incentive impulse in love, that has a greater induction than years of domestic combination: such was the commotion I felt at the first superfluous view of Sir Lucius O'Trigger.—Very pretty, upon my word.—Female punctuation forbids me to say more, yet let me add, that it will give me joy infallible to find Sir Lucius worthy the last criterion of my affections. Delia. Upon my conscience! Lucy, your lady is a great mistress of language. Faith, she's quite the queen of the dictionary!—for the devil a word dare refuse coming at her call—though one would think it was quite out of hearing.

Related Characters: Sir Lucius O’Trigger (speaker), Lucy, Mrs. Malaprop / Delia
Page Number and Citation: 22
Explanation and Analysis:
Lucy has just delivered a letter from “Delia” to Sir Lucius, whom she has deceived to believe that Delia is Lydia’s pseudonym, when it is actually Mrs. Malaprop’s. The situation provides a perfect study of the ease with which a practiced deceiver like Lucy can manipulate two people who are not perceptive about the world around them. Mrs. Malaprop, besides being unaware that she makes a fool of herself through her scrambled use of language, does not realize that the pseudonym “Delia” is actually a scrambled version of the name “Lydia,” which will lead Sir Lucius to assume he is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. M

LUCY
Nay, Sir Lucius, I thought you wa'n't rich enough to be so nice!
Sir LUCIUS
Upon my word, young woman, you have hit it:—I am so poor, that I can't afford to do a dirty action.—If I did not want money, I'd steal your mistress and her fortune with a great deal of pleasure.—However, my pretty girl, [Gives her money] here's a little something to buy you a ribbon; and meet me in the evening, and I'll give you an answer to this. So, hussy, take a kiss beforehand to put you in mind. [Kisses her.]

Related Characters: Sir Lucius O’Trigger (speaker), Lucy (speaker), Lydia Languish
Page Number and Citation: 23
Explanation and Analysis:
Lucy is pretending to be naïve to gain Sir Lucius’s trust and get information from him that might prove useful to her in the future. She understands that he wants to think of her as a simple girl who trusts and likes him enough to flirt with him. She also pretends to be surprised that he is such a gentleman and will not run off with Lydia without getting Mrs. Malaprop’s permission first. Of course, she understands that Lydia loses part of her fortune if she marries without her aunt’s permission, but she pretends that such matters are over her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaeca

Act 3, Scene 1 Quotes

Sir, I repeat it—if I please you in this affair, 'tis all I desire. Not that I think a woman the worse for being handsome; but, sir, if you please to recollect, you before hinted something about a hump or two, one eye, and a few more graces of that kind—now, without being very nice, I own I should rather choose a wife of mine to have the usual number of limbs, and a limited quantity of back: and though one eye may be very agreeable, yet as the prejudice has always run in favour of two, I would not wish to affect a singularity in that article.

Related Characters: Captain Jack Absolute / Ensign Beverley (speaker), Lydia Languish, Sir Anthony Absolute
Page Number and Citation: 27
Explanation and Analysis:
Absolute has told his father that he will marry any girl his father chooses for him, as Sir Anthony had previously demanded. He does not reveal that he knows that his father wants to arrange for him to marry Lydia, the girl he is already courting, because he is determined to make his father feel how ridiculous was his demand that Absolute show him perfect obedience and surrender any control over his own future. This conflict between the generations has an easy solution, but Absolute is still determined to win a point against his father as a comeuppance for the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Providen

Act 3, Scene 2 Quotes

I do not mean to distress you. If I loved you less I should never give you an uneasy moment. But hear me. All my fretful doubts arise from this. Women are not used to weigh and separate the motives of their affections: the cold dictates of prudence, gratitude, or filial duty, may sometimes be mistaken for the pleadings of the heart. I would not boast—yet let me say, that I have neither age, person, nor character, to found dislike on; my fortune such as few ladies could be charged with indiscretion in the match. O Julia! when love receives such countenance from prudence, nice minds will be suspicious of its birth.

Related Characters: Faulkland (speaker), Julia Melville
Page Number and Citation: 29-30
Explanation and Analysis:
Faulkland has been questioning whether Julia’s love for him is true. He bases the reason for his doubt on his understanding of how a woman like Julia may be limited in her capacity to feel because of her attempts to fit into the role that society expects her to play. Faulkland claims that he cannot be sure if Julia really loves him, because he knows she is so invested in doing the right thing. Because her father arranged for Julia and Faulkland’s engagement before his death, Faulkland worries that it is merely obedience to her father, not love, that makes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo

Act 3, Scene 3 Quotes

Well, but Mrs. Malaprop, as the girl seems so infatuated by this fellow, suppose you were to wink at her corresponding with him for a little time—let her even plot an elopement with him—then do you connive at her escape—while I, just in the nick, will have the fellow laid by the heels, and fairly contrive to carry her off in his stead.

Related Characters: Captain Jack Absolute / Ensign Beverley (speaker), Mrs. Malaprop / Delia, Lydia Languish
Page Number and Citation: 32
Explanation and Analysis:
Absolute has just met and utterly charmed Mrs. Malaprop. He has led her to believe that he knows about Lydia and Beverley, but sees himself as Mrs. Malaprop’s ally in trying to break that couple up. Of course, he is tricking Mrs. Malaprop, because he is Beverley, but he also wins Mrs. Malaprop’s trust completely by suggesting they should be co-conspirators in a plan to deceive Lydia. Thus Absolute further entangles himself in deception and trickery here, and Mrs. Malaprop further allows herself to be taken in by any who wish to manipulate her. In his own life, Sheridan himself Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequun

ABSOLUTE
Ah! my soul, what a life will we then live! Love shall be our idol and support! we will worship him with a monastic strictness; abjuring all worldly toys, to centre every thought and action there. Proud of calamity, we will enjoy the wreck of wealth; while the surrounding gloom of adversity shall make the flame of our pure love show doubly bright. By Heavens! I would fling all goods of fortune from me with a prodigal hand, to enjoy the scene where I might clasp my Lydia to my bosom, and say, the world affords no smile to me but here—[Embracing her.] [Aside.] If she holds out now, the devil is in it!
LYDIA
[Aside.] Now could I fly with him to the antipodes! but my persecution is not yet come to a crisis.

Related Characters: Lydia Languish (speaker), Captain Jack Absolute / Ensign Beverley (speaker)
Page Number and Citation: 34
Explanation and Analysis:
In this scene, Absolute puts his skill as an eloquent speaker who knows exactly what people want to hear to good use. He speaks with the lyrical language used by lovers in the sentimental novels that Lydia loves to read and pledges to make love the most important aspect of his life, and to prioritize it over comfort and money, as those romantic characters generally did. Although his speech does move Lydia, she is determined to draw out their situation and enjoy the drama of being kept cooped up in the house and separated from her lover. True to her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis

Act 3, Scene 4 Quotes

ACRES
But he has given me no provocation.
Sir LUCIUS
Now, I think he has given you the greatest provocation in the world. Can a man commit a more heinous offence against another than to fall in love with the same woman? Oh, by my soul! it is the most unpardonable breach of friendship.
ACRES
Breach of friendship! ay, ay; but I have no acquaintance with this man.
I never saw him in my life.
Sir LUCIUS
That's no argument at all—he has the less right then to take such a liberty.
ACRES
Gad, that's true—I grow full of anger, Sir Lucius!—I fire apace! Odds hilts and blades! I find a man may have a deal of valour in him, and not know it!

Related Characters: Sir Lucius O’Trigger (speaker), Squire Bob Acres (speaker), Captain Jack Absolute / Ensign Beverley
Page Number and Citation: 37
Explanation and Analysis:
Acres has told Sir Lucius that the woman he was courting is now being pursued by another man, and Sir Lucius encourages him to challenge his rival for her affection to a duel. Both men have a flawed approach to the institution of dueling. Sir Lucius sees no reason why contradictory arguments should not do equally well to serve as the pretext for fighting a duel. Meanwhile, Acres is shocked at the idea of dueling a rival, which shows that he does not understand the institution of dueling that was expected of a gentleman. Yet because Acres wishes to seem Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt

Act 4, Scene 1 Quotes

I say then, it would be but civil in honour never to risk the loss of a gentleman.—Look'ee, master, this honour seems to me to be a marvellous false friend: ay, truly, a very courtier-like servant.—Put the case, I was a gentleman (which, thank God, no one can say of me;) well—my honour makes me quarrel with another gentleman of my acquaintance.—So—we fight. (Pleasant enough that!) Boh!—I kill him—(the more's my luck!) now, pray who gets the profit of it?—Why, my honour. But put the case that he kills me!—by the mass! I go to the worms, and my honour whips over to my enemy.

Related Characters: David (speaker), Squire Bob Acres, Sir Lucius O’Trigger
Page Number and Citation: 39
Explanation and Analysis:
Acres has written a challenge to Beverley with the encouragement of Sir Lucius, but has not yet sent it. His servant David is trying to convince him not to send the letter at all. As members of the lower classes did not settle difference through dueling, David brings his folksy common sense ideas to bear on the (rather ridiculous) upper-class tradition of dueling. Although David talks like someone from the country, he has sound logic on his side as he gives his speech exposing the futility of dying for an immaterial value like honor. In fact, his position seems even Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam

Act 4, Scene 2 Quotes

Then he's so well bred;—so full of alacrity, and adulation!—and has so much to say for himself:—in such good language, too! His physiognomy so grammatical! Then his presence is so noble! I protest, when I saw him, I thought of what Hamlet says in the play:— "Hesperian curls—the front of Job himself!— An eye, like March, to threaten at command!— A station, like Harry Mercury, new——" Something about kissing—on a hill—however, the similitude struck me directly.

Related Characters: Mrs. Malaprop / Delia (speaker), Lydia Languish, Captain Jack Absolute / Ensign Beverley
Related Symbols: Foreign Words
Page Number and Citation: 42
Explanation and Analysis:
Mrs. Malaprop is praising Absolute to Lydia, in the hopes of convincing Lydia to fall in love with him over Beverley. Absolute’s eloquence and flattery of her have prompted Mrs. Malaprop to reach for the most elevated language she can think of: the language of Shakespeare’s plays. But, of course, she misquotes the lines from Hamlet horribly. These lines are: “Hyperion’s curls, the front of Jove himself, / An eye like Mars to threaten and command, / A station like the herald Mercury / New-lighted on a heaven-kissing hill.” Mrs. Malaprop’s mispronunciation of the names of ancient Roman Gods is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occa

So, while I fondly imagined we were deceiving my relations, and flattered myself that I should outwit and incense them all—behold my hopes are to be crushed at once, by my aunt's consent and approbation—and I am myself the only dupe at last!—[Walking about in a heat.]

Related Characters: Lydia Languish (speaker), Captain Jack Absolute / Ensign Beverley, Mrs. Malaprop / Delia
Page Number and Citation: 47
Explanation and Analysis:
Absolute’s deception has been uncovered, and Lydia is furious to learn that Beverley was a fictional persona that he made up. She is explicitly angry that her hopes to deceive her relatives will come to naught, and instead she finds that she has been deceived herself. This moment shows that the play has just as satirical a view on the position taken by the young as the old in the conflict surrounding courtship between the older and younger generation. Just as Sir Anthony hopes to control his son Absolute’s future absolutely, Lydia puts an undue emphasis on her desire to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas.

Act 4, Scene 3 Quotes

FAULKLAND
What can you mean?—Has Lydia changed her mind?—I should have thought her duty and inclination would now have pointed to the same object.
ABSOLUTE
Ay, just as the eyes do of a person who squints: when her love-eye was fixed on me, t'other, her eye of duty, was finely obliqued: but when duty bid her point that the same way, off t'other turned on a swivel, and secured its retreat with a frown!

Related Characters: Faulkland (speaker), Captain Jack Absolute / Ensign Beverley (speaker), Lydia Languish
Page Number and Citation: 50
Explanation and Analysis:
Absolute has run into Faulkland and tells him that he has been rejected by Lydia after she found out his true identity. Despite his disappointment, Absolute can still speak with eloquence and wit about his predicament, coming up with a fine and detailed analogy for Lydia’s behavior in the condition of a person with a “lazy eye.” Often, if the two eyes do not work together properly, a person with a lazy eye will close one eye to block out the visual inputs from the eye which is not pointing in the correct direction. Lydia, Absolute contends, similarly cannot simultaneously Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. V

Act 5, Scene 1 Quotes

You see before you a wretch, whose life is forfeited. Nay, start not!—the infirmity of my temper has drawn all this misery on me. I left you fretful and passionate—an untoward accident drew me into a quarrel—the event is, that I must fly this kingdom instantly. O Julia, had I been so fortunate as to have called you mine entirely, before this mischance had fallen on me, I should not so deeply dread my banishment!

Related Characters: Faulkland (speaker), Julia Melville
Page Number and Citation: 52
Explanation and Analysis:
Faulkland has come to test Julia’s love by suggesting to her that he has killed someone in a duel and must flee the country to escape prosecution. Here, he pretends to believe that she will let him go off alone and end their engagement because of this unfortunate turn his life has taken, because they are not yet married. This way, if she offers to elope with him she proves that her love for him is stronger than her sense of the proper behavior for a young, unmarried woman, which would forbid her to travel alone with a man to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut

LYDIA
Why, is it not provoking? when I thought we were coming to the prettiest distress imaginable, to find myself made a mere Smithfield bargain of at last! There, had I projected one of the most sentimental elopements!—so becoming a disguise!—so amiable a ladder of ropes!—Conscious moon—four horses—Scotch parson—with such surprise to Mrs. Malaprop—and such paragraphs in the newspapers!—Oh, I shall die with disappointment!
JULIA
I don't wonder at it!
LYDIA
Now—sad reverse!—what have I to expect, but, after a deal of flimsy preparation with a bishop's license, and my aunt's blessing, to go simpering up to the altar; or perhaps be cried three times in a country church, and have an unmannerly fat clerk ask the consent of every butcher in the parish to join John Absolute and Lydia Languish, spinster! Oh that I should live to hear myself called spinster!

Related Characters: Lydia Languish (speaker), Julia Melville (speaker), Mrs. Malaprop / Delia, Captain Jack Absolute / Ensign Beverley
Page Number and Citation: 55
Explanation and Analysis:
Lydia complains to Julia about her disappointment at finding out that Beverley was a false identity of Absolute’s. The picturesque elements of the elopement that she dreamed of are drawn from the sentimental literature Lydia reads, but also would have been familiar to Sheridan from his own experiencing wooing and eloping with Elizabeth Linley. Lydia also disparages the trappings of a conventional wedding. She is especially bothered by the idea that her marriage will be approved of by society, which seems to her vulgar and unexciting, and she hates the unromantic idea that there will be a financial component to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occae

Act 5, Scene 3 Quotes

Sir LUCIUS
Upon my conscience, Mr. Acres, your valour has oozed away with a vengeance!
ACRES
Not in the least! Odds backs and abettors! I'll be your second with all my heart—and if you should get a quietus, you may command me entirely. I'll get you snug lying in the Abbey here; or pickle you, and send you over to Blunderbuss-hall, or anything of the kind, with the greatest pleasure.
Sir LUCIUS
Pho! pho! you are little better than a coward.
ACRES
Mind, gentlemen, he calls me a coward; coward was the word, by my valour!
Sir LUCIUS
Well, sir?
ACRES
Look'ee, Sir Lucius, 'tisn't that I mind the word coward—coward may be said in joke—But if you had called me a poltroon, odds daggers and balls——
Sir LUCIUS
Well, sir?
ACRES
I should have thought you a very ill-bred man.
Sir LUCIUS
Pho! you are beneath my notice.

Related Characters: Sir Lucius O’Trigger (speaker), Squire Bob Acres (speaker)
Page Number and Citation: 63
Explanation and Analysis:
Here, Acres and Sir Lucius, the play’s two ungentlemanly combatants, show the distinct ways each lacks honor. Acres, who truly had been losing his nerve as the time to begin the duel approached, now says that it is not cowardice that keeps him from fighting, but rather the fact that Beverley has not shown up to the duel. In fact, he is perfectly in the right. Sir Lucius wishes for Acres to fight Faulkland without any cause, and it is not cowardice, but sound logic, that makes Acres refuse to do this. At the same time, Acres is a coward. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a.

Then let us study to preserve it so: and while Hope pictures to us a flattering scene of future bliss, let us deny its pencil those colours which are too bright to be lasting.—When hearts deserving happiness would unite their fortunes, Virtue would crown them with an unfading garland of modest hurtless flowers; but ill-judging Passion will force the gaudier rose into the wreath, whose thorn offends them when its leaves are dropped!

Related Characters: Julia Melville (speaker)
Page Number and Citation: 66
Explanation and Analysis:
Sheridan presents the moral of The Rivals in this speech of Julia’s, but it seems more likely to fit with Sheridan’s own agenda for his reputation than to truly sum up the message delivered by the play. The play is a light comedy, yet the moral given to it in this final speech of Julia’s is that couples need to appreciate one another not just for their superficial qualities but for their virtues. She suggests that the beauty of youth will disappear with time and a marriage cannot be a happy one unless the partners are both moral and thoughtful—but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recu
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