Definition of Metaphor
Key Examples in The Scarlet Letter
Metaphorical stains appear as a motif throughout the novel, suggesting that immorality leaves traces that can't be erased. Although the scarlet letter itself is the primary example of such a mark, the narrator introduces the idea of moral stains in the "Custom House" chapter:
His son, too, inherited the persecuting spirit, and made himself so conspicuous in the martyrdom of the witches, that their blood may fairly be said to have left a stain upon him. So deep a stain, indeed, that his old dry bones, in the Charter Street burial-ground, must still retain it, if they have not crumbled utterly to dust!
The scaffold is a metaphor at once for shame and truth-telling. In Chapter 3, when Dimmesdale tells Hester that she ought to reveal Pearl's father to the public, he uses a metaphor to call the scaffold a "pedestal of shame:"
Unlock with LitCharts A+["...B]elieve me, Hester, though he were to step down from a high place, and stand there beside thee, on thy pedestal of shame, yet better were it so than to hide a guilty heart through life.["]
Throughout the novel, the heart serves as a metaphor for the household. For example, in Chapter 4, Chillingworth tells Hester why he wanted to marry her in the first place:
Unlock with LitCharts A+"My heart was a habitation large enough for many guests, but lonely and chill, and without a household fire."
In Chapter 6, the narrator uses a great deal of figurative language to describe Pearl and how strange she is. In one metaphor, the narrator compares Pearl to a "lovely and immortal flower" that has emerged from the "rank luxuriance of a guilty passion":
Unlock with LitCharts A+We have as yet hardly spoken of the infant; that little creature, whose innocent life had sprung, by the inscrutable decree of Providence, a lovely and immortal flower, out of the rank luxuriance of a guilty passion.
Metaphorical stains appear as a motif throughout the novel, suggesting that immorality leaves traces that can't be erased. Although the scarlet letter itself is the primary example of such a mark, the narrator introduces the idea of moral stains in the "Custom House" chapter:
Unlock with LitCharts A+His son, too, inherited the persecuting spirit, and made himself so conspicuous in the martyrdom of the witches, that their blood may fairly be said to have left a stain upon him. So deep a stain, indeed, that his old dry bones, in the Charter Street burial-ground, must still retain it, if they have not crumbled utterly to dust!
Throughout the novel, the heart serves as a metaphor for the household. For example, in Chapter 4, Chillingworth tells Hester why he wanted to marry her in the first place:
Unlock with LitCharts A+"My heart was a habitation large enough for many guests, but lonely and chill, and without a household fire."
The scaffold is a metaphor at once for shame and truth-telling. In Chapter 3, when Dimmesdale tells Hester that she ought to reveal Pearl's father to the public, he uses a metaphor to call the scaffold a "pedestal of shame:"
Unlock with LitCharts A+["...B]elieve me, Hester, though he were to step down from a high place, and stand there beside thee, on thy pedestal of shame, yet better were it so than to hide a guilty heart through life.["]