Key Examples in The School for Scandal
Mrs. Candour’s first appearance in The School for Scandal is a hilarious example of situational irony, setting up one of the biggest themes of the play: the lines between rumor, wit, and cruelty. From the moment she enters Lady Sneerwell’s home, Mrs. Candour begins to gossip about the people in her life:
Mrs. Candour: And at the same time, Miss Tattle, who was by, affirmed, that Lord Buffalo had discovered his lady at a house of no extraordinary fame; and that Sir H. Boquet and Tom Saunter were to measure swords on a similar provocation.—But, Lord, do you think I would report these things?—No, no! tale-bearers, as I said before, are just as bad as the tale-makers.
Joseph: Ah! Mrs. Candour, if everybody had your forbearance and good-nature!
Mrs. Candour: I confess, Mr. Surface, I cannot bear to hear people attacked behind their backs; and when ugly circumstances come out against our acquaintance, I own I always love to think the best.—By the by, I hope ’tis not true that your brother is absolutely ruined?
Joseph Surface’s attempts to get close to Lady Teazle in order to facilitate his relationship with her husband Sir Peter (and therefore his ward, Maria) backfires when he discovers she is considering taking him on as a lover, in a wonderful example of situational irony:
Unlock with LitCharts A+A curious dilemma my politics have run me into! I wanted, at first, only to ingratiate myself with Lady Teazle, that she might not be my enemy with Maria; and I have, I don’t know how, become her serious lover. Sincerely I begin to wish I had never made such a point of gaining so very good a character, for it has led me into so many cursed rogueries that I doubt I shall be exposed at last.
In an example of situational irony, when Lady Teazle complains to Joseph that she is being suspected of adultery in Act 4, Scene 3, Joseph reveals his lack of morality by suggesting that the only way to alleviate her guilty conscience is to actually commit the sin of which she is accused:
Unlock with LitCharts A+Ah! my dear madam, there is the great mistake: ’tis this very conscious innocence that is of the greatest prejudice to you. What is it makes you negligent of forms, and careless of the world’s opinion?—why, the consciousness of your own innocence. What makes you thoughtless in your conduct, and apt to run into a thousand little imprudences?—why, the consciousness of your own innocence. What makes you impatient of Sir Peter’s temper, and outrageous at his suspicions?—why, the consciousness of your innocence.