Stevie Character Analysis

Winnie after the death of her father found considerable consolation in the feeling that she need no longer tremble for poor Stevie. She could not bear to see the boy hurt. It maddened her. As a little girl she had often faced with blazing eyes the irascible licensed victualler in defence of her brother. Nothing now in Mrs Verloc's appearance could lead one to suppose that she was capable of a passionate demonstration.

"I had to take the carving knife from the boy," Mrs Verloc continued, a little sleepily now. "He was shouting and stamping and sobbing. He can't stand the notion of any cruelty. He would have stuck that officer like a pig if he had seen him then. It's true, too! Some people don't deserve much mercy." Mrs Verloc's voice ceased, and the expression of her motionless eyes became more and more contemplative and veiled during the long pause. "Comfortable, dear?" she asked in a faint, faraway voice. "Shall I put out the light now?"

There is a peculiar stupidity and feebleness in the conduct of this affair which gives me excellent hopes of getting behind it and finding there something else than an individual freak of fanaticism. For it is a planned thing, undoubtedly. The actual perpetrator seems to have been led by the hand to the spot, and then abandoned hurriedly to his own devices. The inference is that he was imported from abroad for the purpose of committing this outrage. At the same time one is forced to the conclusion that he did not know enough English to ask his way, unless one were to accept the fantastic theory that he was a deaf mute. […] But an extraordinary little fact remains: the address on his clothing discovered by the merest accident, too.

On the box, Stevie shut his vacant mouth first, in order to ejaculate earnestly: "Don't."

The driver, holding high the reins twisted around the hook, took no notice. Perhaps he had not heard. Stevie's breast heaved. […]

"You mustn’t," stammered out Stevie violently. "It hurts."

"Mustn't whip," queried the other in a thoughtful whisper, and immediately whipped. He did this, not because his soul was cruel and his heart evil, but because he had to earn his fare. […] But on the bridge there was a commotion. Stevie suddenly proceeded to get down from the box.

The tears of that large female in a dark, dusty wig, and ancient silk dress festooned with dingy white cotton lace, were the tears of genuine distress. She had wept because she was heroic and unscrupulous and full of love for both her children. Girls frequently get sacrificed to the welfare of the boys. In this case she was sacrificing Winnie. By the suppression of truth she was slandering her. Of course, Winnie was independent, and need not care for the opinion of people that she would never see and who would never see her; whereas poor Stevie had nothing in the world he could call his own except his mother's heroism and unscrupulousness.

"Poor! Poor!" stammered out Stevie, pushing his hands deeper into his pockets with convulsive sympathy. He could say nothing; for the tenderness to all pain and all misery, the desire to make the horse happy and the cabman happy, had reached the point of a bizarre longing to take them to bed with him. And that, he knew, was impossible. For Stevie was not mad. It was, as it were, a symbolic longing; and at the same time it was very distinct, because springing from experience, the mother of wisdom. […] To be taken into a bed of compassion was the supreme remedy, with the only one disadvantage of being difficult of application on a large scale. And looking at the cabman, Stevie perceived this clearly, because he was reasonable.

Mrs Verloc, his only sister, guardian, and protector, could not pretend to such depths of insight. […] And she said placidly:

"Come along, Stevie. You can't help that."

The docile Stevie went along; but now he went along without pride, shamblingly, and muttering half words, and even words that would have been whole if they had not been made up of halves that did not belong to each other. It was as though he had been trying to fit all the words he could remember to his sentiments in order to get some sort of corresponding idea. And, as a matter of fact, he got it at last. He hung back to utter it at once. "Bad world for poor people."

"You know you can trust me," Mr Verloc remarked […] with hoarse feeling.

Mrs Verloc turned slowly towards the cupboard, saying with deliberation:

"Oh yes. I can trust you."

And she went on with her methodical proceedings. She laid two plates, got the bread, the butter, going to and fro quietly between the table and the cupboard in the peace and silence of her home. On the point of taking out the jam, she reflected practically: "He will be feeling hungry, having been away all day," and she returned to the cupboard once more to get the cold beef. […] It was only when coming back, carving knife and fork in hand, that she spoke again.

"If I hadn't trusted you I wouldn't have married you."

She glanced all round the parlour, from the corner cupboard to the good fire in the grate. Ensconced cosily behind the shop of doubtful wares, with the mysteriously dim window, and its door suspiciously ajar in the obscure and narrow street, it was in all essentials of domestic propriety and domestic comfort a respectable home. […]

This was the boy's home too—the roof, the cupboard, the stoked grate. On this thought Mrs Verloc rose, and walking to the other end of the table, said in the fulness of her heart:

"And you are not tired of me."

Like a peripatetic philosopher, Mr Verloc, strolling along the streets of London, had modified Stevie's view of the police by conversations full of subtle reasonings. Never had a sage a more attentive and admiring disciple. The submission and worship were so apparent that Mr Verloc had come to feel something like a liking for the boy. In any case, he had not foreseen the swift bringing home of his connection. That his wife should hit upon the precaution of sewing the boy's address inside his overcoat was the last thing Mr Verloc would have thought of. […] That was what she meant when she said that he need not worry if he lost Stevie during their walks. She had assured him that the boy would turn up all right. Well, he had turned up with a vengeance!

It was obviously unreasonable, the mere cry of exaggerated grief. He threw over it the mantle of his marital indulgence. The mind of Mr Verloc lacked profundity. Under the mistaken impression that the value of individuals consists in what they are in themselves, he could not possibly comprehend the value of Stevie in the eyes of Mrs Verloc. She was taking it confoundedly hard, he thought to himself. It was all the fault of that damned Heat. What did he want to upset the woman for? But she mustn't be allowed, for her own good, to carry on so till she got quite beside herself.

The lodger was Mr Verloc, indolent, and keeping late hours, sleepily jocular of a morning from under his bedclothes, but with gleams of infatuation in his heavy lidded eyes, and always with some money in his pockets. There was no sparkle of any kind on the lazy stream of his life. […] But his barque seemed a roomy craft, and his taciturn magnanimity accepted as a matter of course the presence of passengers.

Mrs Verloc pursued the visions of seven years' security for Stevie, loyally paid for on her part; of security growing into confidence, into a domestic feeling, stagnant and deep like a placid pool[.]

She started forward at once, as if she were still a loyal woman bound to that man by an unbroken contract. Her right hand skimmed slightly the end of the table, and when she had passed on towards the sofa the carving knife had vanished without the slightest sound from the side of the dish. […] But Mr Verloc did not see that. He was lying on his back and staring upwards. He saw partly on the ceiling and partly on the wall the moving shadow of an arm with a clenched hand holding a carving knife. It flickered up and down. Its movements were leisurely. They were leisurely enough for Mr Verloc to recognise the limb and the weapon.

Winnie after the death of her father found considerable consolation in the feeling that she need no longer tremble for poor Stevie. She could not bear to see the boy hurt. It maddened her. As a little girl she had often faced with blazing eyes the irascible licensed victualler in defence of her brother. Nothing now in Mrs Verloc's appearance could lead one to suppose that she was capable of a passionate demonstration.

"I had to take the carving knife from the boy," Mrs Verloc continued, a little sleepily now. "He was shouting and stamping and sobbing. He can't stand the notion of any cruelty. He would have stuck that officer like a pig if he had seen him then. It's true, too! Some people don't deserve much mercy." Mrs Verloc's voice ceased, and the expression of her motionless eyes became more and more contemplative and veiled during the long pause. "Comfortable, dear?" she asked in a faint, faraway voice. "Shall I put out the light now?"

There is a peculiar stupidity and feebleness in the conduct of this affair which gives me excellent hopes of getting behind it and finding there something else than an individual freak of fanaticism. For it is a planned thing, undoubtedly. The actual perpetrator seems to have been led by the hand to the spot, and then abandoned hurriedly to his own devices. The inference is that he was imported from abroad for the purpose of committing this outrage. At the same time one is forced to the conclusion that he did not know enough English to ask his way, unless one were to accept the fantastic theory that he was a deaf mute. […] But an extraordinary little fact remains: the address on his clothing discovered by the merest accident, too.

On the box, Stevie shut his vacant mouth first, in order to ejaculate earnestly: "Don't."

The driver, holding high the reins twisted around the hook, took no notice. Perhaps he had not heard. Stevie's breast heaved. […]

"You mustn’t," stammered out Stevie violently. "It hurts."

"Mustn't whip," queried the other in a thoughtful whisper, and immediately whipped. He did this, not because his soul was cruel and his heart evil, but because he had to earn his fare. […] But on the bridge there was a commotion. Stevie suddenly proceeded to get down from the box.

The tears of that large female in a dark, dusty wig, and ancient silk dress festooned with dingy white cotton lace, were the tears of genuine distress. She had wept because she was heroic and unscrupulous and full of love for both her children. Girls frequently get sacrificed to the welfare of the boys. In this case she was sacrificing Winnie. By the suppression of truth she was slandering her. Of course, Winnie was independent, and need not care for the opinion of people that she would never see and who would never see her; whereas poor Stevie had nothing in the world he could call his own except his mother's heroism and unscrupulousness.

"Poor! Poor!" stammered out Stevie, pushing his hands deeper into his pockets with convulsive sympathy. He could say nothing; for the tenderness to all pain and all misery, the desire to make the horse happy and the cabman happy, had reached the point of a bizarre longing to take them to bed with him. And that, he knew, was impossible. For Stevie was not mad. It was, as it were, a symbolic longing; and at the same time it was very distinct, because springing from experience, the mother of wisdom. […] To be taken into a bed of compassion was the supreme remedy, with the only one disadvantage of being difficult of application on a large scale. And looking at the cabman, Stevie perceived this clearly, because he was reasonable.

Mrs Verloc, his only sister, guardian, and protector, could not pretend to such depths of insight. […] And she said placidly:

"Come along, Stevie. You can't help that."

The docile Stevie went along; but now he went along without pride, shamblingly, and muttering half words, and even words that would have been whole if they had not been made up of halves that did not belong to each other. It was as though he had been trying to fit all the words he could remember to his sentiments in order to get some sort of corresponding idea. And, as a matter of fact, he got it at last. He hung back to utter it at once. "Bad world for poor people."

"You know you can trust me," Mr Verloc remarked […] with hoarse feeling.

Mrs Verloc turned slowly towards the cupboard, saying with deliberation:

"Oh yes. I can trust you."

And she went on with her methodical proceedings. She laid two plates, got the bread, the butter, going to and fro quietly between the table and the cupboard in the peace and silence of her home. On the point of taking out the jam, she reflected practically: "He will be feeling hungry, having been away all day," and she returned to the cupboard once more to get the cold beef. […] It was only when coming back, carving knife and fork in hand, that she spoke again.

"If I hadn't trusted you I wouldn't have married you."

She glanced all round the parlour, from the corner cupboard to the good fire in the grate. Ensconced cosily behind the shop of doubtful wares, with the mysteriously dim window, and its door suspiciously ajar in the obscure and narrow street, it was in all essentials of domestic propriety and domestic comfort a respectable home. […]

This was the boy's home too—the roof, the cupboard, the stoked grate. On this thought Mrs Verloc rose, and walking to the other end of the table, said in the fulness of her heart:

"And you are not tired of me."

Like a peripatetic philosopher, Mr Verloc, strolling along the streets of London, had modified Stevie's view of the police by conversations full of subtle reasonings. Never had a sage a more attentive and admiring disciple. The submission and worship were so apparent that Mr Verloc had come to feel something like a liking for the boy. In any case, he had not foreseen the swift bringing home of his connection. That his wife should hit upon the precaution of sewing the boy's address inside his overcoat was the last thing Mr Verloc would have thought of. […] That was what she meant when she said that he need not worry if he lost Stevie during their walks. She had assured him that the boy would turn up all right. Well, he had turned up with a vengeance!

It was obviously unreasonable, the mere cry of exaggerated grief. He threw over it the mantle of his marital indulgence. The mind of Mr Verloc lacked profundity. Under the mistaken impression that the value of individuals consists in what they are in themselves, he could not possibly comprehend the value of Stevie in the eyes of Mrs Verloc. She was taking it confoundedly hard, he thought to himself. It was all the fault of that damned Heat. What did he want to upset the woman for? But she mustn't be allowed, for her own good, to carry on so till she got quite beside herself.

The lodger was Mr Verloc, indolent, and keeping late hours, sleepily jocular of a morning from under his bedclothes, but with gleams of infatuation in his heavy lidded eyes, and always with some money in his pockets. There was no sparkle of any kind on the lazy stream of his life. […] But his barque seemed a roomy craft, and his taciturn magnanimity accepted as a matter of course the presence of passengers.

Mrs Verloc pursued the visions of seven years' security for Stevie, loyally paid for on her part; of security growing into confidence, into a domestic feeling, stagnant and deep like a placid pool[.]

She started forward at once, as if she were still a loyal woman bound to that man by an unbroken contract. Her right hand skimmed slightly the end of the table, and when she had passed on towards the sofa the carving knife had vanished without the slightest sound from the side of the dish. […] But Mr Verloc did not see that. He was lying on his back and staring upwards. He saw partly on the ceiling and partly on the wall the moving shadow of an arm with a clenched hand holding a carving knife. It flickered up and down. Its movements were leisurely. They were leisurely enough for Mr Verloc to recognise the limb and the weapon.