The Assistant Commissioner Character Analysis

The Chief Inspector lost himself suddenly in a discreet reflective mood; and the Assistant Commissioner repressed a smile at the fleeting thought that the reputation of Chief Inspector Heat might possibly have been made in a great part by the Secret Agent Verloc.

"In a more general way of being of use, all our men of the Special Crimes section on duty […] have orders to take careful notice of anybody they may see with him. He meets the new arrivals frequently, and afterwards keeps track of them. […] When I want an address in a hurry, I can always get it from him. Of course, I know how to manage our relations. I haven't seen him to speak to three times in the last two years. I drop him a line, unsigned, and he answers me in the same way at my private address."

There is a peculiar stupidity and feebleness in the conduct of this affair which gives me excellent hopes of getting behind it and finding there something else than an individual freak of fanaticism. For it is a planned thing, undoubtedly. The actual perpetrator seems to have been led by the hand to the spot, and then abandoned hurriedly to his own devices. The inference is that he was imported from abroad for the purpose of committing this outrage. At the same time one is forced to the conclusion that he did not know enough English to ask his way, unless one were to accept the fantastic theory that he was a deaf mute. […] But an extraordinary little fact remains: the address on his clothing discovered by the merest accident, too.

His descent into the street was like the descent into a slimy aquarium from which the water had been run off. A murky, gloomy dampness enveloped him. The walls of the houses were wet, the mud of the roadway glistened with an effect of phosphorescence, and when he emerged into the Strand out of a narrow street by the side of Charing Cross Station the genius of the locality assimilated him. He might have been but one more of the queer foreign fish that can be seen of an evening about there flitting round the dark corners.

And he himself had become unplaced. It would have been impossible for anybody to guess his occupation. […] A pleasurable feeling of independence possessed him when he heard the glass doors swing to behind his back with a sort of imperfect baffled thud. He advanced at once into an immensity of greasy slime and damp plaster interspersed with lamps, and enveloped, oppressed, penetrated, choked, and suffocated by the blackness of a wet London night[.]

"A genuine wife and a genuinely, respectably, marital relation. He told me that after his interview at the Embassy he would have thrown everything up, would have tried to sell his shop, and leave the country, only he felt certain that his wife would not even hear of going abroad. Nothing could be more characteristic of the respectable bond than that," went on, with a touch of grimness, the Assistant Commissioner […] "Yes, a genuine wife. And the victim was a genuine brother-in-law. From a certain point of view we are here in the presence of a domestic drama."

The Chief Inspector lost himself suddenly in a discreet reflective mood; and the Assistant Commissioner repressed a smile at the fleeting thought that the reputation of Chief Inspector Heat might possibly have been made in a great part by the Secret Agent Verloc.

"In a more general way of being of use, all our men of the Special Crimes section on duty […] have orders to take careful notice of anybody they may see with him. He meets the new arrivals frequently, and afterwards keeps track of them. […] When I want an address in a hurry, I can always get it from him. Of course, I know how to manage our relations. I haven't seen him to speak to three times in the last two years. I drop him a line, unsigned, and he answers me in the same way at my private address."

There is a peculiar stupidity and feebleness in the conduct of this affair which gives me excellent hopes of getting behind it and finding there something else than an individual freak of fanaticism. For it is a planned thing, undoubtedly. The actual perpetrator seems to have been led by the hand to the spot, and then abandoned hurriedly to his own devices. The inference is that he was imported from abroad for the purpose of committing this outrage. At the same time one is forced to the conclusion that he did not know enough English to ask his way, unless one were to accept the fantastic theory that he was a deaf mute. […] But an extraordinary little fact remains: the address on his clothing discovered by the merest accident, too.

His descent into the street was like the descent into a slimy aquarium from which the water had been run off. A murky, gloomy dampness enveloped him. The walls of the houses were wet, the mud of the roadway glistened with an effect of phosphorescence, and when he emerged into the Strand out of a narrow street by the side of Charing Cross Station the genius of the locality assimilated him. He might have been but one more of the queer foreign fish that can be seen of an evening about there flitting round the dark corners.

And he himself had become unplaced. It would have been impossible for anybody to guess his occupation. […] A pleasurable feeling of independence possessed him when he heard the glass doors swing to behind his back with a sort of imperfect baffled thud. He advanced at once into an immensity of greasy slime and damp plaster interspersed with lamps, and enveloped, oppressed, penetrated, choked, and suffocated by the blackness of a wet London night[.]

"A genuine wife and a genuinely, respectably, marital relation. He told me that after his interview at the Embassy he would have thrown everything up, would have tried to sell his shop, and leave the country, only he felt certain that his wife would not even hear of going abroad. Nothing could be more characteristic of the respectable bond than that," went on, with a touch of grimness, the Assistant Commissioner […] "Yes, a genuine wife. And the victim was a genuine brother-in-law. From a certain point of view we are here in the presence of a domestic drama."