The Secret Agent

by

Joseph Conrad

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The Secret Agent: Motifs 1 key example

Definition of Motif
A motif is an element or idea that recurs throughout a work of literature. Motifs, which are often collections of related symbols, help develop the central themes of a book... read full definition
A motif is an element or idea that recurs throughout a work of literature. Motifs, which are often collections of related symbols, help develop the... read full definition
A motif is an element or idea that recurs throughout a work of literature. Motifs, which are often collections of... read full definition
Chapter 4
Explanation and Analysis—Newspapers:

Newspapers appear as a motif throughout The Secret Agent, often acting as the lens through which characters and the reader gain insights into unfolding events. Typically, a reader might think of a newspaper as being a reliable way to access the events of the present moment. However, rather than impartially reporting facts, Conrad’s newspapers often present a distorted, partial, or sensationalized view of reality. The novel spends a lot of time shedding light on the discrepancies between the broad strokes of what’s reported by the press, and the more nuanced truth. For instance, in an early passage in Chapter 4, Comrade Ossipon shares a newspaper clipping with the Professor about the bombing in Greenwich Park:

‘Ah! Here it is. Bomb in Greenwich Park. There isn’t much so far. Half past eleven. Foggy morning. Effects of explosion felt as far as Romney Road and Park Place. Enormous hole in the ground under a tree filled with smashed roots and broken branches. All round fragments of a man’s body blown to pieces. That’s all. The rest’s mere newspaper gup. No doubt a wicked attempt to blow up the Observatory, they say. H’m. That’s hardly credible.’

On a superficial level, the paper's account appears factual. However, it leaves out the nuances and the implications of the event. The article focuses on the external spectacle the bomb causes: destruction of property, for example. It doesn't venture into the more profound implications of the bombing, and the writers of the newspaper are notably unaware of the Professor's own role in the event.

In a different vein, newspapers often convey information that seems impersonal and seemingly uninteresting to their general readership. However, that same information—in the many-layered world of The Secret Agent— might have profound emotional implications for specific characters. For example, in Chapter 13, when Ossipon encounters a report of Winnie Verloc's demise, he's shocked and appalled:

‘Suicide of Lady Passenger from a cross-Channel Boat.’ Comrade Ossipon was familiar with the beauties of its journalistic style. ‘An impenetrable mystery seems destined to hang for ever…’ He knew every word by heart. ‘An impenetrable mystery…’ And the robust anarchist, hanging his head on his breast, fell into a long reverie.

The impersonal nature of the news deeply affects Ossipon when he reads about Winnie's tragic end. The newspaper's vague description of it as an "impenetrable mystery" starkly contrasts with Ossipon's personal understanding of her recent struggles. This difference is part of Conrad's critique of the media in this novel. Even in a story full of layered perspectives, seemingly objective news can hide the complexities and motivations of an event. The constant, disruptive appearances of newspapers in The Secret Agent illustrate the challenge of finding the objective truth amidst the chaos of politically motivated narratives and personal agendas.

Chapter 13
Explanation and Analysis—Newspapers:

Newspapers appear as a motif throughout The Secret Agent, often acting as the lens through which characters and the reader gain insights into unfolding events. Typically, a reader might think of a newspaper as being a reliable way to access the events of the present moment. However, rather than impartially reporting facts, Conrad’s newspapers often present a distorted, partial, or sensationalized view of reality. The novel spends a lot of time shedding light on the discrepancies between the broad strokes of what’s reported by the press, and the more nuanced truth. For instance, in an early passage in Chapter 4, Comrade Ossipon shares a newspaper clipping with the Professor about the bombing in Greenwich Park:

‘Ah! Here it is. Bomb in Greenwich Park. There isn’t much so far. Half past eleven. Foggy morning. Effects of explosion felt as far as Romney Road and Park Place. Enormous hole in the ground under a tree filled with smashed roots and broken branches. All round fragments of a man’s body blown to pieces. That’s all. The rest’s mere newspaper gup. No doubt a wicked attempt to blow up the Observatory, they say. H’m. That’s hardly credible.’

On a superficial level, the paper's account appears factual. However, it leaves out the nuances and the implications of the event. The article focuses on the external spectacle the bomb causes: destruction of property, for example. It doesn't venture into the more profound implications of the bombing, and the writers of the newspaper are notably unaware of the Professor's own role in the event.

In a different vein, newspapers often convey information that seems impersonal and seemingly uninteresting to their general readership. However, that same information—in the many-layered world of The Secret Agent— might have profound emotional implications for specific characters. For example, in Chapter 13, when Ossipon encounters a report of Winnie Verloc's demise, he's shocked and appalled:

‘Suicide of Lady Passenger from a cross-Channel Boat.’ Comrade Ossipon was familiar with the beauties of its journalistic style. ‘An impenetrable mystery seems destined to hang for ever…’ He knew every word by heart. ‘An impenetrable mystery…’ And the robust anarchist, hanging his head on his breast, fell into a long reverie.

The impersonal nature of the news deeply affects Ossipon when he reads about Winnie's tragic end. The newspaper's vague description of it as an "impenetrable mystery" starkly contrasts with Ossipon's personal understanding of her recent struggles. This difference is part of Conrad's critique of the media in this novel. Even in a story full of layered perspectives, seemingly objective news can hide the complexities and motivations of an event. The constant, disruptive appearances of newspapers in The Secret Agent illustrate the challenge of finding the objective truth amidst the chaos of politically motivated narratives and personal agendas.

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