The Narrator Quotes in The Sellout
But I don’t feel responsible anymore. I understand now that the only time black people don't feel guilty is when we've actually done something wrong, because that relieves us of the cognitive dissonance of being black and innocent, and in a way the prospect of going to jail becomes a relief. In the way that cooning is a relief, voting Republican is a relief, marrying white is a relief—albeit a temporary one.
He's demanding to know how it is that in this day and age a black man can violate the hallowed principles of the Thirteenth Amendment by owning a slave. How could I willfully ignore the Fourteenth Amendment and argue that sometimes segregation brings people together. Like all people who believe in the system, he wants answers. He wants to believe that Shakespeare wrote all those books, that Lincoln fought the Civil War to free the slaves and the United States fought World War II to rescue the Jews and keep the world safe for democracy, that Jesus and the double feature are coming back. But I'm no Panglossian American. And when I did what I did, I wasn't thinking about inalienable rights, the proud history of our people. I did what worked, and since when did a little slavery and segregation ever hurt anybody, and if so, so fucking be it.
In a way most Dickensians were relieved to not be from anywhere. It saved them the embarrassment of having to answer the small-talk "Where are you from?" question with "Dickens," then watching the person apologetically back away from you.
"If you ask me, Mark Twain didn't use the word 'nigger' enough," I mumbled. With my mouth filled with at least four of America's favorite cookies, I don't think anyone understood me. I wanted to say more. Like, why blame Mark Twain because you don't have the patience and courage to explain to your children that the "n-word" exists and that during the course of their sheltered little lives they may one day be called a "nigger" or, even worse, deign to call somebody else a "nigger." No one will ever refer to them as "little black euphemisms," so welcome to the American lexicon—Nigger!
Those pompous Dum Dum niggers wanted to ban the word, disinvent the watermelon, snorting in the morning, washing your dick in the sink, and the eternal shame of having pubic hair the color and texture of unground pepper. That's the difference between most oppressed peoples of the world and American blacks. They vow never to forget, and we want everything expunged from our record, sealed and filed away for eternity. We want someone like Foy Cheshire to present our case to the world with a set of instructions that the jury will disregard centuries of ridicule and stereotype and pretend the woebegone niggers in front of you are starting from scratch.
"That's gay," countered her Latino nemesis, who was juggling the gonads with one hand.
"Juggling is gay!"
"Calling people who call you 'gay' just because you called them' gay' is gay!"
"Okay, that's enough." Charisma scolded. "My God, is there anything you kids don't think is gay?"
The fat boy thought for a long moment. "You know what's not gay...being gay."
“Segregate the school.” As soon as I said it, I realized that segregation would be the key to bringing Dickens back. The communal feeling of the bus would spread to the school and then permeate the rest of the city. Apartheid united black South Africa, why couldn't it do the same for Dickens?
During Black History Month, my father used to watch the nightly television footage of the Freedom buses burning, the dogs snarling and snapping, and say to me, "You can't force integration, boy. The people who want to integrate will integrate." I've never figured out to what extent, if at all, I agree or disagree with him, but it's an observation that's stayed with me. Made me realize that for many people integration is a finite concept. Here, in America, "integration" can be a cover-up. "I'm not racist. My prom date, second cousin, my president is black (or whatever)."
"You're supposed to wolf whistle! Like this…” Recklessly eyeballing her the whole way, he pursed his lips and let go a wolf whistle so lecherous and libidinous it curled both the white woman's pretty painted toes and the dainty red ribbon in her blond hair. Now it was her turn. And my father stood there, lustful and black, as she just as defiantly not only recklessly eyeballed him back but recklessly rubbed his dick through his pants.
I'm frigid. Not in the sense that I don't have any sexual desire, but in the obnoxious way men in the free-love seventies projected their own sexual inadequacies onto women by referring to them as "frigid" and "dead fish." I'm the deadest of fish. I fuck like an overturned guppy. A plate of day-old sashimi has more "motion of the ocean" than I do. So on the day of the shooting and drive-by orange-ing, when Marpessa stuck a tongue suspiciously tangy with satsuma tartness into my mouth and ground her pudenda into my
pelvic bone, I lay there on my bed—motionless.
I'm not so selfish as to believe that my relative happiness, including, but not limited to, twenty-four-hour access to chili burgers, Blu-ray, and Aeron office chairs is worth generations of suffering. I seriously doubt that some slave ship ancestor, in those idle moments between being raped and beaten, was standing knee-deep in their own feces rationalizing that, in the end, the generations of murder, unbearable pain and suffering, mental anguish, and rampant disease will all be worth it because someday my great-great-great-great-grandson will have Wi-Fi, no matter how slow and intermittent the signal is.
"This is me at the Compton Cookout . . . I'm the third 'ghetto chick' from the right." I stole a glance at the snapshot. The women and their dates blackened and Afro-wigged, toting forties and basketballs, smoking blunts. Their mouths filled with gold teeth and chicken drumsticks. It wasn't so much the racist ridicule as the lack of imagination that I found insulting. Where were the zip coons? The hep cats? The mammies? The bucks? The janitors? The dual threat quarterbacks? The weekend weather forecasters? The front desk receptionists that greet you at every single movie studio and talent agency in the city? Mr. Witherspoon will be down in a minute. Can I get you a water? That's the problem with this generation; they don't know their history.
Unmitigated Blackness is essays passing for fiction. It's the realization that there are no absolutes, except when there are. It's the acceptance of contradiction not being a sin and a crime but a human frailty like split ends and libertarianism. Unmitigated Blackness is coming to the realization that as fucked up and meaningless as it all is, sometimes it's the nihilism that makes life worth living.
That's what I liked about the man, although I didn’t agree with him when he said, "Get out. This is our thing." I respected that he didn’t give a fuck. But I wish I hadn't been so scared, that I had had the nerve to stand in protest. Not to castigate him for what he did or to stick up for the aggrieved white people. After all, they could've stood up for themselves, called in the authorities or their God, and smote everybody in the place, but I wish I'd stood up to the man and asked him a question: "So what exactly is our thing?”
“Why are you waving the flag?” I asked him. “Why now? I’ve never seen you wave it before.” He said that he felt like the country, the United States of America, had finally paid off its debts. “And what about the Native Americans? What about the Chinese, the Japanese, the Mexicans, the poor, the forests, the water, the air, the fucking California condor? When do they collect?” I asked him.
He just shook his head at me. Said something to the effect that my father would be ashamed of me and that I'd never understand. And he's right. I never will.