The Sellout
by Paul Beatty
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Prologue Quotes

This may be hard to believe, coming from a black man, but I've never stolen anything. Never cheated on my taxes or at cards. Never snuck into the movies or failed to give back the extra change to a drugstore cashier indifferent to the ways of mercantilism and minimum-wage expectations. I've never burgled a house. Held up a liquor store. Never boarded a crowded bus or subway car, sat in a seat reserved for the elderly, pulled out my gigantic penis and masturbated to satisfaction with a perverted, yet somehow crestfallen, look on my face.

Page Number and Citation: 3
Explanation and Analysis:
This paragraph is the very beginning of the prologue, and thus the introduction to the novel. With this list of stereotypes about black men, the narrator taunts the reader, forcing us to confront our own relationship to racial stereotypes. It may not be true that the reader will find it “hard to believe” that the narrator has never committed a crime simply because he is black; at the same time, racial stereotypes affect everyone, whether in conscious or unconscious ways. Almost everyone has been exposed to the kinds of stereotypes the narrator lists here, and thus will be familiar with Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitat

But I don’t feel responsible anymore. I understand now that the only time black people don't feel guilty is when we've actually done something wrong, because that relieves us of the cognitive dissonance of being black and innocent, and in a way the prospect of going to jail becomes a relief. In the way that cooning is a relief, voting Republican is a relief, marrying white is a relief—albeit a temporary one.

Related Characters: The Narrator (speaker)
Page Number and Citation: 18
Explanation and Analysis:
There is a black woman in the Supreme Court who has been berating the narrator while making references to black pride and American history. The narrator knows that she wants him to feel guilty, but, strangely, he actually feels relieved from guilt for the first time in his life. The fact that he has been charged with a terrible crime (which has not yet been revealed) and is on trial in the Supreme Court relieves him of the “cognitive dissonance” created by being both black and innocent in the face of a racist society that criminalizes black people. The narrator Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et

He's demanding to know how it is that in this day and age a black man can violate the hallowed principles of the Thirteenth Amendment by owning a slave. How could I willfully ignore the Fourteenth Amendment and argue that sometimes segregation brings people together. Like all people who believe in the system, he wants answers. He wants to believe that Shakespeare wrote all those books, that Lincoln fought the Civil War to free the slaves and the United States fought World War II to rescue the Jews and keep the world safe for democracy, that Jesus and the double feature are coming back. But I'm no Panglossian American. And when I did what I did, I wasn't thinking about inalienable rights, the proud history of our people. I did what worked, and since when did a little slavery and segregation ever hurt anybody, and if so, so fucking be it.

Related Characters: The Narrator (speaker), The Black Justice
Page Number and Citation: 23
Explanation and Analysis:
The justices of the Supreme Court are finally hearing the narrator’s case, Me v. the United States of America. While the narrator’s lawyer Hampton Fiske is speaking, the black Justice begins to shift uncomfortably and eventually demands: “Nigger, are you crazy?”. The narrator explains that the black Justice believes in the system, and in this passage shows how this means believing in progress. The narrator lists a series of historical ideas that are commonly taught and believed, yet are not all true. Many of these ideas—such as Lincoln fighting the civil war to free the slaves and America entering World Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum

Chapter 4 Quotes

In a way most Dickensians were relieved to not be from anywhere. It saved them the embarrassment of having to answer the small-talk "Where are you from?" question with "Dickens," then watching the person apologetically back away from you.

Related Characters: The Narrator (speaker)
Related Symbols: Dickens
Page Number and Citation: 58
Explanation and Analysis:
The narrator’s father has been killed by the police. Five years later, Dickens is removed from the map of California by the authorities of neighboring cities, who hope that erasing Dickens will help keep their own property prices up. The narrator is devastated by Dickens’ erasure, but not all “Dickensians” feel the same way. The stigma associated with living in Dickens is so extreme that many people would rather be from nowhere than from the city. The word “Dickensian” is usually used to describe situations that resemble the novels of Charles Dickens, and especially the urban poverty and abjection that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam vo

Chapter 7 Quotes

"If you ask me, Mark Twain didn't use the word 'nigger' enough," I mumbled. With my mouth filled with at least four of America's favorite cookies, I don't think anyone understood me. I wanted to say more. Like, why blame Mark Twain because you don't have the patience and courage to explain to your children that the "n-word" exists and that during the course of their sheltered little lives they may one day be called a "nigger" or, even worse, deign to call somebody else a "nigger." No one will ever refer to them as "little black euphemisms," so welcome to the American lexicon—Nigger!

Related Characters: The Narrator (speaker)
Page Number and Citation: 97
Explanation and Analysis:
The narrator is—reluctantly—at a meeting of the Dum Dum Donut Intellectuals. Foy Cheshire has complained about the amount of times Mark Twain uses the n-word in Huckleberry Finn, and boasts that he rewrote the book, replacing the word with “warrior” and the word “slave” with “dark-skinned volunteer.” The narrator does not usually participate in the meetings, but he is annoyed by Foy’s argument, as he believes that it involves denying the reality of the world. Although the history and present reality of racism in America is painful, the narrator believes that simply ignoring this reality will not make it any Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus volup

Those pompous Dum Dum niggers wanted to ban the word, disinvent the watermelon, snorting in the morning, washing your dick in the sink, and the eternal shame of having pubic hair the color and texture of unground pepper. That's the difference between most oppressed peoples of the world and American blacks. They vow never to forget, and we want everything expunged from our record, sealed and filed away for eternity. We want someone like Foy Cheshire to present our case to the world with a set of instructions that the jury will disregard centuries of ridicule and stereotype and pretend the woebegone niggers in front of you are starting from scratch.

Related Characters: The Narrator (speaker), Foy Cheshire
Page Number and Citation: 98
Explanation and Analysis:
At a meeting of the Dum Dum Donut Intellectuals, the narrator silently mocks Foy Cheshire for his decision to rewrite Huckleberry Finn with the n-word and the word “slave” taken out. The narrator becomes more and more irate, claiming that people like Foy and the other Intellectuals want to erase history. This passage lays out why the narrator objects to the practice of ignoring stereotypes. He believes there is something inherently ridiculous about this project, as shown by his claim that the Intellectuals want to “disinvent the watermelon.” On a more serious level, the narrator also compares the beliefs of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque

Chapter 11 Quotes

"That's gay," countered her Latino nemesis, who was juggling the gonads with one hand.

"Juggling is gay!"

"Calling people who call you 'gay' just because you called them' gay' is gay!"

"Okay, that's enough." Charisma scolded. "My God, is there anything you kids don't think is gay?"

The fat boy thought for a long moment. "You know what's not gay...being gay."

Related Characters: Sheila Clark (speaker), Charisma Molina (speaker), The Narrator (speaker)
Page Number and Citation: 166-167
Explanation and Analysis:
The narrator has given a presentation at Career Day at Chaff Middle School. He demonstrates how to castrate a farm animal, and a little girl called Sheila Clark volunteers to perform the castration. Afterward, the narrator speaks with Charisma Molina, Marpessa’s best friend and the assistant principle of the school. The narrator and Charisma overhear Sheila and another student teasing each other about doing things that are “gay.” This exchange again complicates ideas about progress and the notion that younger generations are more progressive than older people. Initially, it seems as if the children are homophobic, as they repeatedly use Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas.

“Segregate the school.” As soon as I said it, I realized that segregation would be the key to bringing Dickens back. The communal feeling of the bus would spread to the school and then permeate the rest of the city. Apartheid united black South Africa, why couldn't it do the same for Dickens?

Related Characters: The Narrator (speaker)
Related Symbols: Dickens, Marpessa’s Bus
Page Number and Citation: 167
Explanation and Analysis:
Charisma has mentioned that ever since the narrator put up a sign telling passengers on Marpessa’s bus to give up their seats to white people, the bus has become the safest and most peaceful place around. She admits that she wishes Chaff Middle School would become more like the bus. Suddenly, the narrator tells Charisma to segregate the school, and as soon as he does so he realizes that this will also solve the problem of bringing back Dickens. The narrator’s reasoning at first seems ridiculous. Conventionally, segregation is thought of as imposing the opposite of a “communal feeling.” Yet Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perfe

During Black History Month, my father used to watch the nightly television footage of the Freedom buses burning, the dogs snarling and snapping, and say to me, "You can't force integration, boy. The people who want to integrate will integrate." I've never figured out to what extent, if at all, I agree or disagree with him, but it's an observation that's stayed with me. Made me realize that for many people integration is a finite concept. Here, in America, "integration" can be a cover-up. "I'm not racist. My prom date, second cousin, my president is black (or whatever)."

Related Characters: The Narrator (speaker), The Narrator’s Father
Page Number and Citation: 167
Explanation and Analysis:
After the narrator tells Charisma that she should segregate the school, he realizes that segregation is the key to bringing back Dickens. He reflects that the assumption that segregation is inherently bad might be mistaken. He then remembers his father’s critique of integration. While the narrator’s father does not appear to have advocated for segregation, he was skeptical about the extent to which integration actually works to bring about racial equality. As this quotation shows, surface-level racial progress can disguise the persistence of real racism. From this perspective, the narrator’s embrace of segregation and other seemingly regressive projects makes more Dolorem

Chapter 13 Quotes

"You're supposed to wolf whistle! Like this…” Recklessly eyeballing her the whole way, he pursed his lips and let go a wolf whistle so lecherous and libidinous it curled both the white woman's pretty painted toes and the dainty red ribbon in her blond hair. Now it was her turn. And my father stood there, lustful and black, as she just as defiantly not only recklessly eyeballed him back but recklessly rubbed his dick through his pants.

Related Characters: The Narrator’s Father (speaker), The Narrator (speaker), Rebecca
Page Number and Citation: 177
Explanation and Analysis:
The narrator recalls a memory in which, after he claimed that he did not believe there was any racism in America, his father drove him all the way to a random town in Mississippi to engage in “reckless eyeballing”—the practice of black men staring at white women. The narrator’s father told his son to whistle, but—unable to whistle properly—the narrator ended up whistling the tune of Ravel’s Bolero. Frustrated, the narrator’s father demonstrates how to do it himself, with cartoonish lechery. This is one of the moments in the novel during which stereotypes are taken to the most extreme degree. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium rec

Chapter 17 Quotes

I'm frigid. Not in the sense that I don't have any sexual desire, but in the obnoxious way men in the free-love seventies projected their own sexual inadequacies onto women by referring to them as "frigid" and "dead fish." I'm the deadest of fish. I fuck like an overturned guppy. A plate of day-old sashimi has more "motion of the ocean" than I do. So on the day of the shooting and drive-by orange-ing, when Marpessa stuck a tongue suspiciously tangy with satsuma tartness into my mouth and ground her pudenda into my

pelvic bone, I lay there on my bed—motionless.

Related Characters: The Narrator (speaker), Marpessa Delissa Dawson
Related Symbols: Satsumas
Page Number and Citation: 201
Explanation and Analysis:
The narrator has been hanging around outside Marpessa’s house. One night, he takes her a picture of his satsuma tree and some fresh satsumas. Marpessa’s brother Stevie, along with King Cuz, find the narrator outside her house. Marpessa then pulls up with satsuma juice all over her face. Marpessa and the narrator kiss and then sleep together, but in this passage the narrator admits that he is “frigid” and stays completely still while having sex. This emphasizes the idea that the narrator does not conform to the masculine stereotype of a sexually aggressive and virile man. Indeed, it is telling Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedi

Chapter 19 Quotes

I'm not so selfish as to believe that my relative happiness, including, but not limited to, twenty-four-hour access to chili burgers, Blu-ray, and Aeron office chairs is worth generations of suffering. I seriously doubt that some slave ship ancestor, in those idle moments between being raped and beaten, was standing knee-deep in their own feces rationalizing that, in the end, the generations of murder, unbearable pain and suffering, mental anguish, and rampant disease will all be worth it because someday my great-great-great-great-grandson will have Wi-Fi, no matter how slow and intermittent the signal is.

Related Characters: The Narrator (speaker)
Page Number and Citation: 219
Explanation and Analysis:
The narrator has learned that his segregation policy is already starting to improve life in Dickens. He is at a meeting of the Dum Dum Donut Intellectuals, where the members are discussing whether on some level slavery was worth it because they would rather be born in the present-day United States than in Africa. This infuriates the narrator, and in this passage he emphasizes how ridiculous the Intellectuals’ reasoning is. The narrator’s anger is palpable in this quotation, which is one of the most serious moments in the novel. While he arguably exaggerates the position of the Intellectuals for comic Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium

Chapter 22 Quotes

"This is me at the Compton Cookout . . . I'm the third 'ghetto chick' from the right." I stole a glance at the snapshot. The women and their dates blackened and Afro-wigged, toting forties and basketballs, smoking blunts. Their mouths filled with gold teeth and chicken drumsticks. It wasn't so much the racist ridicule as the lack of imagination that I found insulting. Where were the zip coons? The hep cats? The mammies? The bucks? The janitors? The dual threat quarterbacks? The weekend weather forecasters? The front desk receptionists that greet you at every single movie studio and talent agency in the city? Mr. Witherspoon will be down in a minute. Can I get you a water? That's the problem with this generation; they don't know their history.

Related Characters: Topsy / Butterfly Davis (speaker), The Narrator (speaker)
Page Number and Citation: 246
Explanation and Analysis:
At the LA Festival of Forbidden Cinema and Unabashedly Racist Animation, Hominy performs to an adoring crowd. Some of the audience members are black sorority girls dressed in blackface. One of them, Butterfly, comes home with the narrator and Hominy, sitting on Hominy’s lap on the drive back. Here the narrator describes the photos she shows him and Hominy of her in various other blackface costumes. He humorously proposes the idea that stereotypes themselves are not inherently offensive, but what is problematic about them is their limited nature, which does not reflect the full range of “types” that exist in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem acc

Chapter 24 Quotes

Unmitigated Blackness is essays passing for fiction. It's the realization that there are no absolutes, except when there are. It's the acceptance of contradiction not being a sin and a crime but a human frailty like split ends and libertarianism. Unmitigated Blackness is coming to the realization that as fucked up and meaningless as it all is, sometimes it's the nihilism that makes life worth living.

Related Characters: The Narrator (speaker)
Page Number and Citation: 277
Explanation and Analysis:
In the middle of his Supreme Court case, while Hampton is giving a long and impressive speech, the narrator—who is already very high—sneaks out to smoke weed on the Supreme Court steps. He thinks about the different levels of blackness, concluding that the ultimate level is “Unmitigated Blackness.” In a sense, his description of Unmitigated Blackness reads somewhat like a manifesto. The Sellout embraces contradiction, human frailty, and nihilism, all of which might not inherently be associated with traditional ideas of blackness in America. However, here the narrator suggests that they actually have an important connection to black identity in Dolorem et quae. Exercitationem non aut. E

Chapter 26 Quotes

That's what I liked about the man, although I didn’t agree with him when he said, "Get out. This is our thing." I respected that he didn’t give a fuck. But I wish I hadn't been so scared, that I had had the nerve to stand in protest. Not to castigate him for what he did or to stick up for the aggrieved white people. After all, they could've stood up for themselves, called in the authorities or their God, and smote everybody in the place, but I wish I'd stood up to the man and asked him a question: "So what exactly is our thing?”

Related Characters: The Narrator (speaker)
Page Number and Citation: 287-289
Explanation and Analysis:
The narrator and Marpessa are at the open-mic night at Dum Dum Donuts. A black comic onstage has chastised a white couple for laughing at his jokes, telling them to leave because this is “our thing.” After this incident, the narrator reflects that he wished he’d asked the comic: “What exactly is our thing?” This is yet another example of the narrator wanting to say something but stopping himself. Indeed, the very question he wanted to ask conveys his fundamental uncertainty and jealousy of those who have more certainty. He has spent the whole novel trying to preserve his own Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occa

Closure Quotes

“Why are you waving the flag?” I asked him. “Why now? I’ve never seen you wave it before.” He said that he felt like the country, the United States of America, had finally paid off its debts. “And what about the Native Americans? What about the Chinese, the Japanese, the Mexicans, the poor, the forests, the water, the air, the fucking California condor? When do they collect?” I asked him.

He just shook his head at me. Said something to the effect that my father would be ashamed of me and that I'd never understand. And he's right. I never will.

Related Characters: The Narrator (speaker), Foy Cheshire (speaker), The Narrator’s Father
Page Number and Citation: 289
Explanation and Analysis:
In the short, final section of the novel, entitled “Closure,” the narrator jumps back in time, recalling the day when Obama was inaugurated. Foy Cheshire was driving around in his car, waving the American flag. In this passage, the narrator recalls the conversation he had with Foy. This conversation reveals the narrator’s skepticism not only about the extent to which Obama’s election truly was a moment of racial triumph, but also about the idea of celebrating black progress while forgetting about other oppressed groups. Foy’s reply is typically condescending, but the narrator admits that there is some truth in it. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accu
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