Anthony (Tony) Webster Quotes in The Sense of an Ending
But school is where it all began, so I need to return briefly to a few incidents that have grown into anecdotes, to some approximate memories which time has deformed into certainty.
This was another of our fears: that Life wouldn’t turn out to be like Literature.
“I hate the way the English have of not being serious about being serious. I really hate it.”
It was more unsettling because it looked and felt quietly wrong, as if some small lever of the universe had been pressed, and here, just for these minutes, nature was reversed, and time with it.
But I think I have an instinct for survival, for self-preservation. Perhaps this is what Veronica called cowardice and I called being peaceable.
I did, eventually, find myself thinking straight. That’s to say, understanding Adrian’s reasons, respecting them, and admiring him. He had a better mind and a more rigorous temperament than me; he thought logically, and then acted on the conclusion of logical thought. Whereas most of us, I suspect, do the opposite: we make an instinctive decision, then build up an infrastructure of reason to justify it. And call the result common sense.
History isn’t the lies of the victors, as I once glibly assured Old Joe Hunt; I know that now. It’s more the memories of the survivors, most of whom are neither victorious nor defeated.
We live in time, it bounds us and defines us, and time is supposed to measure history, isn’t it? But if we can’t understand time, can’t grasp its mysteries of pace and progress, what chance do we have with history—even our own small, personal, largely undocumented piece of it?
Why did I imagine Brother Jack had seen me coming and was having a bit of fun? Perhaps because in this country shadings of class resist time longer than differentials in age. The Fords had been posher than the Websters back then, and they were jolly well going to stay that way. Or was this mere paranoia on my part?
And for a moment, she almost looked enigmatic. But Margaret can’t do enigma, that first step to Woman of Mystery. If she’d wanted me to spend the money on a holiday for two, she’d have said so. Yes, I realise that’s exactly what she did say, but…
It strikes me that this may be one of the differences between youth and age: when we are young, we invent different futures for ourselves; when we are old, we invent different pasts for others.
But time…how time first grounds us and then confounds us. We thought we were being mature when we were only being safe. We imagined we were being responsible but were only being cowardly. What we called realism turned out to be a way of avoiding things rather than facing them. Time…give us enough time and our best-supported decisions will seem wobbly, our certainties whimsical.
I had wanted life not to bother me too much, and I had succeeded—and how pitiful that was.
“The question of accumulation,” Adrian had written. […] Life isn’t just addition and subtraction. There’s also the accumulation, the multiplication, of loss, of failure.
I know this much: that there is objective time, but also subjective time, the kind you wear on the inside of your wrist, next to where the pulse lies. And this personal time, which is the true time, is measured in your relationship to memory. So when this strange thing happened—when these new memories suddenly came upon me—it was as if, for that moment, time had been placed in reverse. As if, for that moment, the river ran upstream.
What had begun as a determination to obtain property bequeathed to me had morphed into something much larger, something which bore on the whole of my life, on time and memory. And desire. I thought—at some level of my being, I actually thought—that I could go back to the beginning and change things. That I could make the blood flow backwards.
Remorse, etymologically, is the action of biting again: that’s what the feeling does to you. Imagine the strength of the bite when I reread my words. They seemed like some ancient curse I had forgotten even uttering. Of course I don’t—I didn’t—believe in curses. That’s to say, in words producing events. But the very action of naming something that subsequently happens—of wishing specific evil, and that evil coming to pass—this still has a shiver of the otherworldly about it.
No, nothing to do with cleverness; and even less with moral courage. He didn’t grandly refuse an existential gift; he was afraid of the pram in the hall.
I looked at the chain of responsibility. I saw my initial in there. I remembered that in my ugly letter I had urged Adrian to consult Veronica’s mother. I replayed the words that would forever haunt me. As would Adrian’s unfinished sentence, “So, for instance, if Tony…”