Catherine Baker Martin Quotes in The Silence of the Lambs
“Wash yourself.”
It was the same unearthly voice she’d heard talking to the dog.
Another bucket coming down on a thin cord. She smelled hot, soapy water.
“Take it off and wash yourself all over, or you’ll get the hose.” And an aside to the dog as the voice faded, “Yes it will get the hose, won’t it, Darlingheart, yes it will!”
“I hadn’t heard your voice in years—I suppose the last time was when you gave me all the misleading answers in my interviews and then ridiculed me in your Journal articles. It’s hard to believe an inmate’s opinions could count for anything in the professional community, isn’t it?”
To even mention Buffalo Bill in the same breath with the problems we treat here is ignorant and unfair and dangerous, Mr. Crawford. It makes my hair stand on end.
He switches back to the cage just in time. The big insect’s wings are held above her back, hiding and distorting her markings. Now she brings down her wings to cloak her body and the famous design is clear. A human skull, wonderfully executed in the furlike scales, stares from the back of the moth. Under the shaded dome of the skull are the black eye holes and prominent cheekbones. Beneath them darkness lies like a gag across the face above the jaw. The skull rests on a marking flared like the top of a pelvis.
A skull stacked upon a pelvis, all drawn on the back of a moth by an accident of nature.
“He covets. In fact, he covets being the very thing you are. It’s his nature to covet. How do we begin to covet, Clarice? Do we seek out things to covet? Make an effort at an answer.”
“No. We just—”
“No. Precisely so. We begin by coveting what we see every day. Don’t you feel eyes moving over you every day, Clarice, in chance encounters? I hardly see how you could not. And don’t your eyes move over things?”
Do you think if you caught Buffalo Bill yourself and if you made Catherine all right, you could make the lambs stop screaming, do you think they’d be all right too and you wouldn’t wake up again in the dark and hear the lambs screaming?
He had in the past hunted young women through the blacked-out basement using his infrared goggles and light, and it was wonderful to do, watching them feel their way around, seeing them try to scrunch into corners. He liked to hunt them with the pistol. He liked to use the pistol. Always they became disoriented, lost their balance, ran into things. He could stand in absolute darkness with his goggles on, wait until they took their hands down from their faces, and shoot them right in the head. Or in the legs first, below the knee so they could still crawl.
Catherine Baker Martin Quotes in The Silence of the Lambs
“Wash yourself.”
It was the same unearthly voice she’d heard talking to the dog.
Another bucket coming down on a thin cord. She smelled hot, soapy water.
“Take it off and wash yourself all over, or you’ll get the hose.” And an aside to the dog as the voice faded, “Yes it will get the hose, won’t it, Darlingheart, yes it will!”
“I hadn’t heard your voice in years—I suppose the last time was when you gave me all the misleading answers in my interviews and then ridiculed me in your Journal articles. It’s hard to believe an inmate’s opinions could count for anything in the professional community, isn’t it?”
To even mention Buffalo Bill in the same breath with the problems we treat here is ignorant and unfair and dangerous, Mr. Crawford. It makes my hair stand on end.
He switches back to the cage just in time. The big insect’s wings are held above her back, hiding and distorting her markings. Now she brings down her wings to cloak her body and the famous design is clear. A human skull, wonderfully executed in the furlike scales, stares from the back of the moth. Under the shaded dome of the skull are the black eye holes and prominent cheekbones. Beneath them darkness lies like a gag across the face above the jaw. The skull rests on a marking flared like the top of a pelvis.
A skull stacked upon a pelvis, all drawn on the back of a moth by an accident of nature.
“He covets. In fact, he covets being the very thing you are. It’s his nature to covet. How do we begin to covet, Clarice? Do we seek out things to covet? Make an effort at an answer.”
“No. We just—”
“No. Precisely so. We begin by coveting what we see every day. Don’t you feel eyes moving over you every day, Clarice, in chance encounters? I hardly see how you could not. And don’t your eyes move over things?”
Do you think if you caught Buffalo Bill yourself and if you made Catherine all right, you could make the lambs stop screaming, do you think they’d be all right too and you wouldn’t wake up again in the dark and hear the lambs screaming?
He had in the past hunted young women through the blacked-out basement using his infrared goggles and light, and it was wonderful to do, watching them feel their way around, seeing them try to scrunch into corners. He liked to hunt them with the pistol. He liked to use the pistol. Always they became disoriented, lost their balance, ran into things. He could stand in absolute darkness with his goggles on, wait until they took their hands down from their faces, and shoot them right in the head. Or in the legs first, below the knee so they could still crawl.
