The Sirens of Titan

by

Kurt Vonnegut

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The Sirens of Titan: Chapter 2: Cheers in the Wirehouse Summary & Analysis

Summary
Analysis
Constant gets out of the limousine and into a helicopter in order to prevent anyone following him. Even the chauffeur and helicopter pilot don’t know his true identity. The chauffeur asks if Constant was afraid of the crowd, and Constant replies he wasn’t, trying to channel Rumfoord’s aristocratic dignity. The chauffeur says someone or something must be watching over Constant, and Constant suddenly realizes this is true. However, at this moment he panics. He recalls that Rumfoord’s prophecy ended with Constant on Titan, and realizes that this means that he is probably going to die on Titan. When Constant gets into the helicopter, he is so distracted by his own horror that he forgets the fake name he gave to the pilot.
Constant is arguably not very intelligent, which is why it takes him until now to start panicking about the prophecy. Only at this point does he realize that Rumfoord’s prophecy means he has no free well. The idea that someone out there is looking out for him suddenly refers to Rumfoord’s omniscient view of the past and future. Rather than being a reassuring concept, this is a terrifying one, making Constant feel powerless and trapped.
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Fifty-nine days later, Rumfoord materializes again. In the meantime, a great deal happens. Constant sells his holdings in Galactic Spacecraft in order to sever any possible connection between himself and Mars, and buys stock in MoonMist Tobacco instead. He writes writing insulting letters to Beatrice on the official stationary of his company, Magnum Opus, Inc. As a result, Beatrice purchases cyanide to drink if she ever finds herself in proximity to Constant. The stock market crashes, and Beatrice loses everything, including the Newport estate. Meanwhile, in Hollywood, Malachi throws a party that lasts 56 days. 
Constant’s desperate attempt to avoid the prophecy coming true has an important precedent in the tradition of Ancient Greek tragedy. In these plays, the main character—who usually suffers from hubris—often learns a prophecy about themselves and either refuses to believe it or tries to avoid it. This never works, and the main character’s desperate attempts to change their fate never allow them to escape their ultimate downfall—and often these attempts are exactly what set the prophecy in motion to be fulfilled.
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 A solar watch repairman based in Boston named Martin Koradubian falsely claims to be the bearded individual invited to witness Rumfoord’s last materialization. He sells his story to a magazine for $3,000, claiming that Rumfoord told him about what would happen in the year 10 million C.E. Having once again materialized, Rumfoord sits in “Skip’s Museum” reading the magazine article and laughing. Beatrice sits with him, and Rumfoord observes that it is naively optimistic to assume that humans will be alive in 10 million years’ time. Suddenly, Beatrice leaps up and begins destroying the objects in the “museum,” throwing them on the floor.
Rumfoord doesn’t appear to take anything too seriously. He doesn’t mind that someone is lying about him in the newspaper and profiting from it; neither does he seem particularly disturbed by the estrangement that has occurred between him and his wife. Perhaps this nonchalant attitude is the result of his omniscience, since he likely already knows how these problems will pan out.
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Beatrice screams that Rumfoord should just read her mind, but he replies that when he tries to do so, he only gets “static.” Meanwhile, in Hollywood, Constant drunkenly sleeps in his pool, which only has about an inch of water in it. Debris from the party is lying everywhere, making the pool look like “a punchbowl in hell.” A blonde woman comes out of the house, speaking to someone on the phone. On seeing that Constant is awake she hands the phone to him, saying it’s Ransom K. Fern, the president of “that company [Constant] own[s]”—meaning Magnum Opus. The woman says that Fern is quitting because Constant is “broke.” 
Although the novel is set in the future, this scene is reminiscent of a real historical event—the stock market crash of 1929. Indeed, the lavish party Malachi Constant hosted before the crash recalls the opulence and debauchery of the “Roaring Twenties.” Just as in 1929, this new stock market crash brings this all to an abrupt halt.
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Back in Newport, the Rumfoords’ butler is summoned by the sound of Beatrice’s scream. Beatrice accuses Rumfoord of being “not nearly as omniscient as you pretend to be.” She yells that Rumfoord should have warned her about the stock market crash, but Rumfoord indicates that it wouldn’t have helped for her to know. Returning to the magazine, Rumfoord reads an ad for MoonMist Cigarettes, which features the three “sirens of Titan” from the photograph Rumfoord showed Constant. Rumfoord explains to Beatrice that even if he told her everything that was going to happen, it wouldn’t help, because she’d still have to “take the roller-coaster ride.”
Rumfoord’s statement that knowing the future is completely useless (and seemingly damaging) because the future is unchangeable reiterates the idea that knowing the future is not a particularly “glamorous” or fortunate position to be in. Indeed, if humans don’t have free will, perhaps the only comfort that does exist is the fact that we can’t predict the future—otherwise life would be hopelessly boring.
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Beatrice asks if there is any way she can avoid her fate with Constant, and Rumfoord says that there isn’t. Beatrice requests to at least hear how it will happen, and Rumfoord agrees to tell her. He explains that the President of the United States is currently announcing the multibillion dollar inauguration of a “New Age of Space” to tackle unemployment. The Whale will be renamed The Rumfoord and be sent to Mars. Beatrice and Constant will go to inspect the spaceship before its departure, and accidentally be sent to Mars in it. The narrator quotes from the President’s speech, in which he claims that worrying too much about the chrono-synclastic infundibula prevents “progerse.”
Here Vonnegut turns his satirical attention toward presidents, politicians, and capitalism. Whereas before space exploration was outlawed due to the terrible risks involved, as soon as the economy needs a boost the president completely reverses course. The President’s argument that imposing restrictions interrupts “progerse” (the misspelling/mispronunciation of this word hints at his incompetence) indicates that the restrictions were either unnecessary to begin with or that the government is willing to risk people’s safety if it means boosting the economy.
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Meanwhile, in Hollywood, the blonde woman informs Constant of what happened at the end of his party, of which he has no recollection. The woman says that he forced everyone to leave. Constant had tried to become so intoxicated that it would be impossible for him to travel into space. The blonde woman then relays that Constant burst into tears and described his unhappy childhood, claiming that his mother was a “whore” but that he was proud to be her son. Then he called himself a whore. He gave all the attendees at the party an oil well, and claimed that the blonde woman was the only person he could trust.
This passage illustrates the cliché that very wealthy people can be the unhappiest of all, because money causes them become isolated, lonely, and paranoid. Despite being surrounded by “friends” to whom he gives lavish gifts, Constant clearly feels completely alone. Moreover, his paranoia about not being able to trust anyone can also be a side effect of having vastly more money than those around oneself.
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Constant then claimed that everyone was waiting for him to fall asleep so they could put him in a spaceship and send him to Mars. At this point he forced everyone but the blonde woman to leave. Constant and the woman travelled to Mexico to get married, and now she is furious because she’s discovered he doesn’t have any money left. The woman claims that she had an even worse childhood than Constant—her mother was a whore, too, and her father abandoned them, but unlike Constant’s family, hers were poor.
The blonde woman makes an important point in this passage. While it is true that the ultrawealthy can suffer all number of emotional traumas and problems, it is also true that being wealthy inevitably insulates them from other kinds of problems, no matter what other terrible things occur in their life.
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In Newport, Beatrice tells Rumfoord a story about when her father bought her tickets to ride a rollercoaster, and she refused to get on because “it looked silly and dirty and dangerous.” She believes that this is the correct attitude to have toward rollercoasters. Rumfoord tells her that with Constant, she will experience true love for the first time, and that she should be excited about it. As Rumfoord speaks, he begins to disappear. Kazak runs into the room and disappears along with him.
Unlike her “courageous,” hubristic husband, Beatrice is cautious. However, both husband and wife are united by the fact that, whether they are exercising courage or caution, they do so in an obnoxious, self-important manner that seems to stem from their immense wealth and privilege.
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