The Spanish Tragedy

The Spanish Tragedy

by Thomas Kyd

Bel-Imperia Character Analysis

Andrea and Horatio’s lover, the Duke of Castile’s daughter, and Lorenzo’s sister. When Andrea is killed by Balthazar, Bel-Imperia vows revenge, and she falls in love with Horatio soon after. For Bel-Imperia, loving Horatio is a form of revenge in itself, as Balthazar, who is a prisoner at her father’s estate, has fallen in love with Bel-Imperia, too. Horatio was Andrea’s best friend, and he was the one to capture Balthazar in battle, so Bel-Imperia knows that loving Horatio will anger Balthazar. When Bel-Imperia discovers that Horatio has taken the scarf that she gave Andrea before the war, she asks him to keep it and wear it in her honor. Neither Bel-Imperia’s father nor her brother, Lorenzo, approved of her relationship with Andrea, and they don’t approve of her relationship with Horatio either. When Bel-Imperia meets Horatio in the garden, she has her servant, Pedringano, keep watch by the gate, but Pedringano betrays her and alerts Lorenzo and Balthazar to their secret meeting. Lorenzo and Balthazar, along with Pedringano and Serberine, sneak into the garden and murder Horatio. They carry Bel-Imperia off and leave Horatio’s body behind, but Bel-Imperia manages to write a letter in her own blood and drop it out the window to Hieronimo below, telling him all about Lorenzo and Balthazar’s murder of Horatio. Hieronimo doesn’t initially believe Bel-Imperia’s letter, and she is locked away in a room on her father’s estate. When Lorenzo finally lets her out, the King of Spain and the Viceroy of Portugal are already arranging her marriage to Balthazar. Bel-Imperia finally exacts her revenge along with Hieronimo in the play-within-a-play during the last act, and she stabs Balthazar to death and before committing suicide. Andrea implies that Bel-Imperia will live in peace in the afterlife, but she is consumed in life by her desire for revenge. The character of Bel-Imperia illustrates the dangers of revenge—which Kyd ultimately argues should be left in the hands of God and law—and she also highlights the power of love to drive people to dire extremes, such as murder and suicide.

Bel-Imperia Quotes in The Spanish Tragedy

The The Spanish Tragedy quotes below are all either spoken by Bel-Imperia or refer to Bel-Imperia. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Revenge and Justice  Theme Icon
).

Act 1, Scene 1 Quotes

Not far from hence, amidst ten thousand souls,
Sat Minos, Aeacus, and Rhadamanth,
To whom no sooner ’gan I make approach,
To crave a passport for my wandering ghost,
But Minos, in graven leaves of lottery,
Drew forth the manner of my life and death.
“This knight,” quoth he, “both lived and died in love.
And for his love tried fortune of the wars.
And by war’s fortune lost both love and life.”

Related Characters: The Ghost of Andrea (speaker), Bel-Imperia, Balthazar
Page Number and Citation: 6
Explanation and Analysis:

Then know, Andrea, that thou art arrived
Where thou shalt see the author of thy death,
Don Balthazar, the prince of Portingale,
Deprived of life by Bel-Imperia.
Here sit we down to see the mystery,
And serve for Chorus in this tragedy.

Related Characters: Revenge (speaker), The Ghost of Andrea, Balthazar, Bel-Imperia
Related Literary Devices:
Page Number and Citation: 8
Explanation and Analysis:

Act 1, Scene 4 Quotes

I took him up, and wound him in mine arms,
And welding him unto my private tent,
There laid him down, and dewed him with my tears,
And sighed and sorrowed as became a friend.
But neither friendly sorrow, sighs nor tears
Could win pale Death from his usurped right.
Yet this I did, and less I could not do:
I saw him honoured with due funeral.
This scarf I plucked from off his lifeless arm,
And wear it in remembrance of my friend.

Related Characters: Horatio (speaker), The Ghost of Andrea, Bel-Imperia, Balthazar
Related Symbols: Bel-Imperia’s Scarf
Related Literary Devices:
Page Number and Citation: 22
Explanation and Analysis:

Ay, go Horatio, leave me here alone,
For solitude best fits my cheerless mood.
Yet what avails to wail Andrea’s death,
From whence Horatio proves my second love?
Had he not loved Andrea as he did,
He could not sit in Bel-Imperia’s thoughts.
But how can love find harbour in my breast,
Till I revenge the death of my beloved?
Yes, second love shall further my revenge.

Related Characters: Bel-Imperia (speaker), Horatio, The Ghost of Andrea, Balthazar
Page Number and Citation: 23
Explanation and Analysis:

Act 2, Scene 1 Quotes

I have already found a stratagem,
To sound the bottom of this doubtful theme.
My lord, for once you shall be ruled by me:
Hinder me not whate’er you hear or see.
By force or fair means will I cast about
To find the truth of all this question out.
Ho, Pedringano!

Related Characters: Lorenzo (speaker), Balthazar, Bel-Imperia, Pedringano
Page Number and Citation: 30
Explanation and Analysis:

Both well, and ill: it makes me glad and sad:
Glad, that I know the hinderer of my love,
Sad, that I fear she hates me whom I love,
Glad, that I know on whom to be revenged,
Sad, that she’ll fly me if I take revenge.
Yet must I take revenge or die myself,
For love resisted grows impatient.
I think Horatio be my destined plague:
First, in his hand he brandished a sword,
And with that sword he fiercely waged war,
And in that war he gave me dangerous wounds,
And by those wounds he forced me to yield,
And by my yielding I became his slave.

Related Characters: Balthazar (speaker), Lorenzo, Bel-Imperia, Horatio
Page Number and Citation: 33
Explanation and Analysis:

Act 2, Scene 3 Quotes

Brother of Castile, to the prince’s love
What says your daughter Bel-Imperia?

Although she coy it as becomes her kind,
And yet dissemble that she loves the prince,
I doubt not, I, but she will stoop in time.
And were she froward, which she will not be,
Yet herein shall she follow my advice,
Which is to love him or forgo my love.

Related Characters: King of Spain (speaker), Cyprian, Duke of Castile (speaker), Balthazar, Bel-Imperia
Page Number and Citation: 37
Explanation and Analysis:

Act 2, Scene 4 Quotes

What, will you murder me?

Ay, thus, and thus; these are the fruits of love.

Related Characters: Lorenzo (speaker), Horatio (speaker), Balthazar, Serberine, Bel-Imperia, Pedringano
Page Number and Citation: 41
Explanation and Analysis:

Act 3, Scene 2 Quotes

This sly enquiry of Hieronimo
For Bel-lmperia breeds suspicion,
And this suspicion bodes a further ill,
As for myself, I know my secret fault;
And so do they, but I have dealt for them.
They that for coin their souls endangered,
To save my life, for coin shall venture theirs:
And better it’s that base companions die,
Than by their life to hazard our good haps.
Nor shall they live, for me to fear their faith:
I’ll trust myself, myself shall be my friend,
For die they shall, slaves are ordained to no other end.

Related Characters: Lorenzo (speaker), Serberine, Horatio, Hieronimo, Bel-Imperia, Pedringano
Page Number and Citation: 57
Explanation and Analysis:

Act 3, Scene 14 Quotes

Welcome, Balthazar,
Welcome brave prince, the pledge of Castile’s peace;
And welcome Bel-lmperia. How now, girl?
Why com’st thou sadly to salute us thus?
Content thyself, for I am satisfied;
It is not now as when Andrea lived.
We have forgotten and forgiven that,
And thou art graced with a happier love.

Related Characters: Cyprian, Duke of Castile (speaker), Balthazar, Bel-Imperia, The Ghost of Andrea, Hieronimo, Horatio
Page Number and Citation: 99
Explanation and Analysis:

Act 4, Scene 4 Quotes

And you, my lord, whose reconciled son
Marched in a net, and thought himself unseen
And rated me for brainsick lunacy.
With “God amend that mad Hieronimo!”—
How can you brook our play’s catastrophe?
And here behold this bloody handkercher,
Which at Horatio’s death I weeping dipped
Within the river of his bleeding wounds:
It as propitious, see I have reserved,
And never hath it left my bloody heart,
Soliciting remembrance of my vow
With these, O these accursed murderers:
Which now performed, my heart is satisfied.

Related Characters: Hieronimo (speaker), King of Spain, Horatio, Lorenzo, Balthazar, Bel-Imperia
Related Symbols: Bel-Imperia’s Scarf
Page Number and Citation: 120
Explanation and Analysis:
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Bel-Imperia Character Timeline in The Spanish Tragedy

The timeline below shows where the character Bel-Imperia appears in The Spanish Tragedy. The colored dots and icons indicate which themes are associated with that appearance.
Act 1, Scene 1
Love and Madness Theme Icon
...and he served the court with duty and honor. He was secretly in love with Bel-Imperia, and she loved him as well, but their relationship was cut short by Andrea’s death... (full context)
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
...to the present moment. Now, Revenge says, Andrea shall see his murderer, Balthazar, killed by Bel-Imperia. Revenge and Andrea will watch the events unfold, and serve as the Chorus of the... (full context)
Act 1, Scene 4
Love and Madness Theme Icon
Bel-Imperia enters with Horatio. She says that she must know how Andrea died, and Horatio agrees... (full context)
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
Bel-Imperia tells Horatio that she knows the scarf well. She gave it to Andrea before he... (full context)
Love and Madness Theme Icon
After Horatio exits, Bel-Imperia claims that Horatio is her “second love,” but she can’t fully giver herself to him... (full context)
Love and Madness Theme Icon
Lorenzo enters with Balthazar, and Lorenzo asks Bel-Imperia why she seems so sad. Bel-Imperia tells her brother that she prefers to be alone,... (full context)
Act 2, Scene 1
Love and Madness Theme Icon
Betrayal Theme Icon
Lorenzo enters with Balthazar and again tells the prince not to worry. Bel-Imperia will soon accept Balthazar’s love, Lorenzo promises. Balthazar disagrees. He confesses that that is his... (full context)
Love and Madness Theme Icon
Betrayal Theme Icon
At first, Pedringano tells Lorenzo and Balthazar that he doesn’t know who loves Bel-Imperia. Lorenzo draws his sword, and Pedringano says that Bel-Imperia is in love with Horatio. Lorenzo... (full context)
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
Betrayal Theme Icon
...and Balthazar alone. Balthazar is upset, but he is also pleased. He is upset that Bel-Imperia, whom he deeply loves, seems to hate him; however, Balthazar is pleased to know who... (full context)
Act 2, Scene 2
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
Horatio enters with Bel-Imperia, and Pedringano shows Lorenzo and Balthazar to a hiding place above, where they are able... (full context)
Act 2, Scene 3
Class, Gender, and Society Theme Icon
...the Duke of Castile and the Portuguese Ambassador. The king asks Castile if his daughter, Bel-Imperia, is accepting of Balthazar’s love. Castile claims that Bel-Imperia is resistant but will bend in... (full context)
Act 2, Scene 4
Betrayal Theme Icon
Horatio, Bel-Imperia, and Pedringano enter the garden, where Horatio and Bel-Imperia can visit while Pedringano guards the... (full context)
Love and Madness Theme Icon
Betrayal Theme Icon
Horatio and Bel-Imperia sit in the garden and speak of their love. Horatio kisses her, and Bel-Imperia suddenly... (full context)
Act 2, Scene 6
Revenge and Justice  Theme Icon
...he has seen only the death of his dear friend, Horatio, and the abuse of Bel-Imperia. Revenge again encourages Andrea to have patience and assures him that the death of Balthazar... (full context)
Act 3, Scene 2
Revenge and Justice  Theme Icon
...up and discovers that it has been written in blood. It is a letter from Bel-Imperia to Horatio, and it claims that Lorenzo and Balthazar have killed Horatio and abducted Bel-Imperia.... (full context)
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
Hieronimo can’t believe Bel-Imperia’s letter, and he wonders why Lorenzo and Balthazar would want to kill Horatio. Still, Hieronimo... (full context)
Class, Gender, and Society Theme Icon
Betrayal Theme Icon
...exits, and Lorenzo is left alone. He is suspicious of Hieronimo and his inquiry about Bel-Imperia’s whereabouts. Lorenzo must make sure that he is not identified as Horatio’s killer, which means... (full context)
Act 3, Scene 7
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
...to Lorenzo, and it implicates Lorenzo and Balthazar in Horatio’s murder. Hieronimo knows now that Bel-Imperia’s letter is true after all. He says again that only blood can right the wrong... (full context)
Act 3, Scene 9
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
Love and Madness Theme Icon
Bel-Imperia sits alone at a window. She is furious that she has been taken from court... (full context)
Act 3, Scene 10
Class, Gender, and Society Theme Icon
Betrayal Theme Icon
...body, and the page insists he has. The page exits, and a servant enters with Bel-Imperia. She immediately turns to Lorenzo and verbally attacks him. He is not her brother, Bel-Imperia... (full context)
Class, Gender, and Society Theme Icon
Love and Madness Theme Icon
Bel-Imperia can’t possibly see how Lorenzo has saved her honor, so he explains. Their father (the... (full context)
Class, Gender, and Society Theme Icon
Love and Madness Theme Icon
Bel-Imperia asks Lorenzo why he has kept her locked up all this time, and Lorenzo says... (full context)
Act 3, Scene 12
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
...in the Spanish court, and he happily agrees to the marriage between his son and Bel-Imperia. The viceroy will come to Spain himself for the marriage, which he hopes will forge... (full context)
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
Love and Madness Theme Icon
...that they will instead wait and see. They all exit to go tell Balthazar and Bel-Imperia of their impending marriage. (full context)
Act 3, Scene 14
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
...Spain enters, along with the Duke of Castile, the Viceroy of Portugal, Lorenzo, Balthazar, and Bel-Imperia. The king welcomes the viceroy to Spain and informs him that Balthazar and Bel-Imperia will... (full context)
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
Love and Madness Theme Icon
Betrayal Theme Icon
Balthazar and Bel-Imperia enter, and Castile tells Bel-Imperia to cheer up. “It is not now as when Andrea... (full context)
Act 4, Scene 1 
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
Bel-Imperia enters with Hieronimo and asks if this is how he shows his love for Horatio.... (full context)
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
...play it himself. Balthazar will play Soliman, Hieronimo says, Lorenzo will be the knight, and Bel-Imperia will play Perseda. Balthazar says that he thinks a comedy would be much better, but... (full context)
Revenge and Justice  Theme Icon
Hieronimo tells Balthazar, Lorenzo, and Bel-Imperia that they will each perform their parts in a different language. Balthazar will speak in... (full context)
Act 4, Scene 4
Revenge and Justice  Theme Icon
...King of Spain enters with the Viceroy of Portugal and the Duke of Castile. Balthazar, Bel-Imperia, and Hieronimo enter and begin to perform their parts. The king points out Balthazar and... (full context)
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
...body of Horatio. Hieronimo says that Lorenzo and Balthazar killed Horatio simply because he loved Bel-Imperia. They all rated Hieronimo for “brainsick lunacy,” he says and pulls Horatio’s bloody scarf from... (full context)
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
Love and Madness Theme Icon
Betrayal Theme Icon
Hieronimo tells the audience that Bel-Imperia was not supposed to kill herself. This script does call for it, he says, but... (full context)
Act 4, Scene 5
Revenge and Justice  Theme Icon
...Pedringano. Isabella, is dead too, and so is Balthazar, the Duke of Castile, and Lorenzo. Bel-Imperia has killed herself, Andrea says, and so has Hieronimo. Andrea promises to lead Isabella, Hieronimo,... (full context)