The Spanish Tragedy

The Spanish Tragedy

by Thomas Kyd

Lorenzo Character Analysis

Bel-Imperia’s brother, the Duke of Castile’s son, and the antagonist of The Spanish Tragedy. Lorenzo is a despicable man who treats his sister badly and steals a fellow soldier’s glory on the battlefield. He occasionally speaks his lines in Italian, lending him an air of Machiavellian evil. After Horatio captures Balthazar on the battlefield, Lorenzo lies and claims he was the one to take Balthazar’s horse and weapons. Lorenzo befriends Balthazar when he is as a prisoner at Lorenzo’s estate, and he encourages Balthazar to continue vying for Bel-Imperia’s love, even though she has made it perfectly clear that she hates Balthazar and isn’t interested. Lorenzo bribes Bel-Imperia’s servant, Pedringano, to tell him who Bel-Imperia’s love interest is, and after Pedringano tells him it is Horatio—whom Lorenzo disapproves of on account of his lower class status—Lorenzo murders Horatio with the help of Balthazar, Pedringano, and Serberine. Lorenzo holds his sister captive, and to tie up loose ends, he pays Pedringano to murder Serberine and abandons Pedringano at the gallows, where he is hung for his crime. Bel-Imperia manages to get a letter to Hieronimo about Horatio’s murder, but Lorenzo blocks Hieronimo’s efforts to get justice for his son. When Hieronimo tries to go to the King of Spain and plead Horatio’s case, Lorenzo tells the king that Hieronimo is insane and his complaints are merely the ramblings of a madman. After Lorenzo finally releases Bel-Imperia, Lorenzo claims that he has really helped to maintain her honor. Horatio was below Bel-Imperia in class and social status, Lorenzo says, just like Andrea was, and neither was an appropriate match for her. Hieronimo finally gets revenge for Horatio’s death and kills Lorenzo in the play-within-a-play during the last act, and Andrea requests that Lorenzo spend eternity on Ixion’s wheel, which is to say that Lorenzo will be strapped to a fiery wheel that is forever spinning. Lorenzo represents betrayal within the play and deceives nearly everyone he comes into contact with. Kyd argues that betrayal is everywhere in 16th-century society, and Lorenzo is evidence of this.

Lorenzo Quotes in The Spanish Tragedy

The The Spanish Tragedy quotes below are all either spoken by Lorenzo or refer to Lorenzo. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Revenge and Justice  Theme Icon
).

Act 2, Scene 1 Quotes

I have already found a stratagem,
To sound the bottom of this doubtful theme.
My lord, for once you shall be ruled by me:
Hinder me not whate’er you hear or see.
By force or fair means will I cast about
To find the truth of all this question out.
Ho, Pedringano!

Related Characters: Lorenzo (speaker), Balthazar, Bel-Imperia, Pedringano
Page Number and Citation: 30
Explanation and Analysis:

Both well, and ill: it makes me glad and sad:
Glad, that I know the hinderer of my love,
Sad, that I fear she hates me whom I love,
Glad, that I know on whom to be revenged,
Sad, that she’ll fly me if I take revenge.
Yet must I take revenge or die myself,
For love resisted grows impatient.
I think Horatio be my destined plague:
First, in his hand he brandished a sword,
And with that sword he fiercely waged war,
And in that war he gave me dangerous wounds,
And by those wounds he forced me to yield,
And by my yielding I became his slave.

Related Characters: Balthazar (speaker), Lorenzo, Bel-Imperia, Horatio
Page Number and Citation: 33
Explanation and Analysis:

Act 2, Scene 4 Quotes

What, will you murder me?

Ay, thus, and thus; these are the fruits of love.

Related Characters: Lorenzo (speaker), Horatio (speaker), Balthazar, Serberine, Bel-Imperia, Pedringano
Page Number and Citation: 41
Explanation and Analysis:

Act 3, Scene 2 Quotes

This sly enquiry of Hieronimo
For Bel-lmperia breeds suspicion,
And this suspicion bodes a further ill,
As for myself, I know my secret fault;
And so do they, but I have dealt for them.
They that for coin their souls endangered,
To save my life, for coin shall venture theirs:
And better it’s that base companions die,
Than by their life to hazard our good haps.
Nor shall they live, for me to fear their faith:
I’ll trust myself, myself shall be my friend,
For die they shall, slaves are ordained to no other end.

Related Characters: Lorenzo (speaker), Serberine, Horatio, Hieronimo, Bel-Imperia, Pedringano
Page Number and Citation: 57
Explanation and Analysis:

Act 3, Scene 5 Quotes

My master hath forbidden me to look in this box, and by my
troth ’tis likely, if he had not warned me, I should not have had
so much idle time; for we men’s-kind in our minority are like
women in their uncertainty: that they are most forbidden,
they will soonest attempt. So I now. By my bare honesty, here’s
nothing but the bare empty box. Were it not sin against secrecy,
I would say it were a piece of gentleman-like knavery. I must
go to Pedringano, and tell him his pardon is in this box; nay, I
would have sworn it, had I not seen the contrary. I cannot choose
but smile to think how the villain will flout the gallows, scorn
the audience, and descant on the hangman, and all presuming
of his pardon from hence. Will’t not be an odd jest, for me to
stand and grace every jest he makes, pointing my finger at this
box, as who would say, ‘Mock on, here’s thy warrant.’ Is’t not a
scurvy jest that a man should jest himself to death? Alas, poor
Pedringano, I am in a sort sorry for thee, but if I should be
hanged with thee, 1 cannot weep.

Related Characters: Lorenzo’s Page (speaker), Lorenzo, Pedringano, Serberine
Related Symbols: The Box 
Page Number and Citation: 65
Explanation and Analysis:

Act 4, Scene 4 Quotes

And you, my lord, whose reconciled son
Marched in a net, and thought himself unseen
And rated me for brainsick lunacy.
With “God amend that mad Hieronimo!”—
How can you brook our play’s catastrophe?
And here behold this bloody handkercher,
Which at Horatio’s death I weeping dipped
Within the river of his bleeding wounds:
It as propitious, see I have reserved,
And never hath it left my bloody heart,
Soliciting remembrance of my vow
With these, O these accursed murderers:
Which now performed, my heart is satisfied.

Related Characters: Hieronimo (speaker), King of Spain, Horatio, Lorenzo, Balthazar, Bel-Imperia
Related Symbols: Bel-Imperia’s Scarf
Page Number and Citation: 120
Explanation and Analysis:
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Lorenzo Character Timeline in The Spanish Tragedy

The timeline below shows where the character Lorenzo appears in The Spanish Tragedy. The colored dots and icons indicate which themes are associated with that appearance.
Act 1, Scene 2
Betrayal Theme Icon
...Portingales retreated. A trumpet sounds to announce the return of the soldiers. Horatio enters with Lorenzo, another soldier and the son of the Duke of Castile, holding Balthazar as their prisoner.... (full context)
Betrayal Theme Icon
...their prisoner, and while he won’t be free, he will be kept in luxury. Both Lorenzo and Horatio are restraining Balthazar, so the king asks which one of them subdued the... (full context)
Betrayal Theme Icon
The King of Spain asks Balthazar if he surrendered to Lorenzo or Horatio, and Balthazar claims to have surrendered to both. As such, the king says... (full context)
Act 1, Scene 4
Love and Madness Theme Icon
Lorenzo enters with Balthazar, and Lorenzo asks Bel-Imperia why she seems so sad. Bel-Imperia tells her... (full context)
Act 2, Scene 1
Love and Madness Theme Icon
Betrayal Theme Icon
Lorenzo enters with Balthazar and again tells the prince not to worry. Bel-Imperia will soon accept... (full context)
Love and Madness Theme Icon
Betrayal Theme Icon
At first, Pedringano tells Lorenzo and Balthazar that he doesn’t know who loves Bel-Imperia. Lorenzo draws his sword, and Pedringano... (full context)
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
Betrayal Theme Icon
Pedringano exits, leaving Lorenzo and Balthazar alone. Balthazar is upset, but he is also pleased. He is upset that... (full context)
Act 2, Scene 2
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
Horatio enters with Bel-Imperia, and Pedringano shows Lorenzo and Balthazar to a hiding place above, where they are able to spy on the... (full context)
Act 2, Scene 4
Betrayal Theme Icon
...of guarding the gate like Bel-Imperia has asked, he will earn more gold by alerting Lorenzo to their presence in the garden. (full context)
Love and Madness Theme Icon
Betrayal Theme Icon
...and Bel-Imperia suddenly hears someone else enter the garden. “Pedringano!” she yells. “We are betrayed!” Lorenzo enters with Balthazar and his servant, Serberine. Pedringano is with them as well, but he... (full context)
Act 3, Scene 2
Revenge and Justice  Theme Icon
...written in blood. It is a letter from Bel-Imperia to Horatio, and it claims that Lorenzo and Balthazar have killed Horatio and abducted Bel-Imperia. “Hieronimo,” Bel-Imperia writes, “revenge Horatio’s death.” (full context)
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
Hieronimo can’t believe Bel-Imperia’s letter, and he wonders why Lorenzo and Balthazar would want to kill Horatio. Still, Hieronimo has vowed revenge, and he must... (full context)
Betrayal Theme Icon
Lorenzo, suspicious of Hieronimo, tells Pedringano that Serberine must have told Hieronimo about Horatio’s murder. Pedringano... (full context)
Class, Gender, and Society Theme Icon
Betrayal Theme Icon
A messenger enters and Lorenzo orders him to go to Serberine and tell him to meet Lorenzo that evening in... (full context)
Act 3, Scene 3
Betrayal Theme Icon
Pedringano arrives at the park with a pistol. Lorenzo has given him more gold, and Pedringano plans to kill Serberine just as Lorenzo has... (full context)
Act 3, Scene 4
Class, Gender, and Society Theme Icon
Betrayal Theme Icon
Lorenzo and Balthazar enter, and Balthazar asks Lorenzo why he is up so early. Lorenzo tells... (full context)
Betrayal Theme Icon
Lorenzo reflects on the beauty of his plan. He has “set the trap,” and Balthazar has... (full context)
Betrayal Theme Icon
Lorenzo turns to his page and tells him to go to Pedringano in prison. He is... (full context)
Act 3, Scene 5
Class, Gender, and Society Theme Icon
Betrayal Theme Icon
Lorenzo’s page enters with the box and curses Lorenzo for telling him not to look inside.... (full context)
Act 3, Scene 7
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
...body. He hands Hieronimo the paper and exits. The letter is written by Pedringano to Lorenzo, and it implicates Lorenzo and Balthazar in Horatio’s murder. Hieronimo knows now that Bel-Imperia’s letter... (full context)
Act 3, Scene 9
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
Love and Madness Theme Icon
...window. She is furious that she has been taken from court and locked away by Lorenzo. She doesn’t know why Hieronimo has not yet avenged Horatio’s death. As Bel-Imperia cries to... (full context)
Act 3, Scene 10
Class, Gender, and Society Theme Icon
Betrayal Theme Icon
Balthazar enters with Lorenzo and Lorenzo’s page. Lorenzo asks the page if he is sure he saw Pedringano’s dead... (full context)
Class, Gender, and Society Theme Icon
Love and Madness Theme Icon
Bel-Imperia can’t possibly see how Lorenzo has saved her honor, so he explains. Their father (the Duke of Castile) and the... (full context)
Class, Gender, and Society Theme Icon
Love and Madness Theme Icon
Bel-Imperia asks Lorenzo why he has kept her locked up all this time, and Lorenzo says that her... (full context)
Act 3, Scene 11
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
...ask if they might find Castile’s son there. Hieronimo asks if they are looking for Lorenzo, and when they say that they indeed are, Hieronimo tells them that he knows just... (full context)
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
...a “brazen cauldron, fixed by Jove,” and there, Hieronimo says, is where they will find Lorenzo, bathing himself in “boiling lead and blood of innocents.” The men laugh, and Hieronimo laughs... (full context)
Act 3, Scene 12
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
...rope up again. The king enters with the Portuguese Ambassador, the Duke of Castile, and Lorenzo. (full context)
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
...of Portugal has received the king’s recent letters. “Justice, O, justice to Hieronimo,” Hieronimo interrupts. Lorenzo holds Hieronimo back, telling him the king is busy. The king asks who has interrupted,... (full context)
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
Love and Madness Theme Icon
...at the mention of his son’s name. “Justice, O justice, justice, gentle king!” Hieronimo cries. Lorenzo again blocks Hieronimo and tells him to stop, but Hieronimo will not be silenced. “Give... (full context)
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
Love and Madness Theme Icon
Lorenzo tells the King of Spain that Hieronimo is “in a manner lunatic,” and the king... (full context)
Act 3, Scene 13
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
Love and Madness Theme Icon
...and sorrow. He must get revenge for Horatio, he says, and he promises to torture Lorenzo and Balthazar for killing his son. He threatens to tear them limb from limb, ripping... (full context)
Act 3, Scene 14
Revenge and Justice  Theme Icon
Class, Gender, and Society Theme Icon
The King of Spain enters, along with the Duke of Castile, the Viceroy of Portugal, Lorenzo, Balthazar, and Bel-Imperia. The king welcomes the viceroy to Spain and informs him that Balthazar... (full context)
Act 3, Scene 15
Revenge and Justice  Theme Icon
Betrayal Theme Icon
...to leave him alone, but Andrea insists he wake up. Hieronimo is in league with Lorenzo, Andrea says, but Revenge assures him that he is not. Hieronimo will not forget about... (full context)
Act 4, Scene 1 
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
...to think that he will leave Horatio’s death unavenged, and he vows again to kill Lorenzo and Balthazar. Bel-Imperia says she would like to help him, and Hieronimo says he already... (full context)
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
Balthazar and Lorenzo enter. They are looking for Hieronimo and need his help. Balthazar asks Hieronimo if he... (full context)
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
...friend, and Hieronimo says he will play it himself. Balthazar will play Soliman, Hieronimo says, Lorenzo will be the knight, and Bel-Imperia will play Perseda. Balthazar says that he thinks a... (full context)
Revenge and Justice  Theme Icon
Hieronimo tells Balthazar, Lorenzo, and Bel-Imperia that they will each perform their parts in a different language. Balthazar will... (full context)
Act 4, Scene 4
Revenge and Justice  Theme Icon
...Balthazar and tells the viceroy that his son is meant to be Soliman, the emperor. Lorenzo enters, and the king looks on excitedly. They continue acting, reciting their foreign lines, and... (full context)
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
...an unlucky son. The curtain raises, revealing the dead body of Horatio. Hieronimo says that Lorenzo and Balthazar killed Horatio simply because he loved Bel-Imperia. They all rated Hieronimo for “brainsick... (full context)
Revenge and Justice  Theme Icon
Love and Madness Theme Icon
...march, and the King of Spain and the Viceroy of Portugal mourn the deaths of Lorenzo and Balthazar. (full context)
Act 4, Scene 5
Revenge and Justice  Theme Icon
...and Pedringano. Isabella, is dead too, and so is Balthazar, the Duke of Castile, and Lorenzo. Bel-Imperia has killed herself, Andrea says, and so has Hieronimo. Andrea promises to lead Isabella,... (full context)