The Spanish Tragedy
The Spanish Tragedy
by Thomas Kyd
✓

or to save your progress

The Spanish Tragedy Quotes

Need another quote?
Need analysis on another quote?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
Request it
Request it
Request analysis
Request analysis
Request analysis

Act 1, Scene 1 Quotes

Not far from hence, amidst ten thousand souls,
Sat Minos, Aeacus, and Rhadamanth,
To whom no sooner ’gan I make approach,
To crave a passport for my wandering ghost,
But Minos, in graven leaves of lottery,
Drew forth the manner of my life and death.
“This knight,” quoth he, “both lived and died in love.
And for his love tried fortune of the wars.
And by war’s fortune lost both love and life.”

Related Characters: The Ghost of Andrea (speaker), Bel-Imperia, Balthazar
Page Number and Citation: 6
Explanation and Analysis:
This quote occurs at the very beginning of The Spanish Tragedy, when the Ghost of Andrea explains his death and arrival in the underworld, and it is important because it reflects Andrea’s deep love for Bel-Imperia. This passage also reflects Kyd’s classical influence and his connection to ancient Greek and Roman literature. There are frequent references to Greek and Roman mythology throughout the play, which begin with the reference to Minos, Aeacus, and Rhadamanth, the judges of the underworld. These judges decide where Andrea will go in death—that is, what part of the underworld he will live in—and their judgements Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia so

Then know, Andrea, that thou art arrived
Where thou shalt see the author of thy death,
Don Balthazar, the prince of Portingale,
Deprived of life by Bel-Imperia.
Here sit we down to see the mystery,
And serve for Chorus in this tragedy.

Related Characters: Revenge (speaker), Bel-Imperia, Balthazar, The Ghost of Andrea
Related Literary Devices:
Page Number and Citation: 8
Explanation and Analysis:
This quote occurs at the beginning of the play, after Revenge takes Andrea’s ghost back to Earth to witness Bel-Imperia avenge Andrea’s death, and it is important because it introduces the theme of revenge in the play and establishes the Ghost of Andrea and Revenge as the chorus of the play. Andrea and Revenge look over the action throughout the entire play and occasionally offer commentary. Revenge offers a bit of foreshadowing here and explicitly states that Andrea will witness Balthazar’s death at the hands of Bel-Imperia near the end of the play. It is known from the very beginning Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in.

Act 1, Scene 3 Quotes

Thus have I with an envious, forged tale
Deceived the king, betrayed mine enemy,
And hope for guerdon of my villainy.

Related Characters: Villuppo (speaker), Alexandro, Balthazar, Viceroy of Portugal
Page Number and Citation: 20
Explanation and Analysis:
This short quote occurs as Kyd introduces the Portuguese subplot, after Villuppo falsely accuses Alexandro of shooting Balthazar in the back, and it is important because it reflects Kyd’s central argument that betrayal is rampant in 16th-century society. Here, Villuppo tells the Viceroy of Portugal that Alexandro has maliciously murdered the viceroy’s son, Balthazar, for no reason other than “hope for guerdon for [his] villainy.” Plainly put, Villuppo is looking to be rewarded for turning in Balthazar’s killer—whether or not it is true. In telling this lie, Villuppo betrays Alexandro—whom the viceroy threatens to torture and hang for his crime—but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium e

Act 1, Scene 4 Quotes

I took him up, and wound him in mine arms,
And welding him unto my private tent,
There laid him down, and dewed him with my tears,
And sighed and sorrowed as became a friend.
But neither friendly sorrow, sighs nor tears
Could win pale Death from his usurped right.
Yet this I did, and less I could not do:
I saw him honoured with due funeral.
This scarf I plucked from off his lifeless arm,
And wear it in remembrance of my friend.

Related Characters: Horatio (speaker), Balthazar, Bel-Imperia, The Ghost of Andrea
Related Symbols: Bel-Imperia’s Scarf
Related Literary Devices:
Page Number and Citation: 22
Explanation and Analysis:
Here, Horatio explains Don Andrea’s death to Bel-Imperia, and this quote is important because it reflects Horatio’s deep love for his friend, Andrea, and also introduces Bel-Imperia’s scarf, a symbol of love and revenge within the play. Horatio is driven by his love for Andrea when he collects Andrea’s slain body and performs his funeral rites. Horatio says he “wound [Andrea] in [his] arms.” He doesn’t merely pick Andrea up or move his body; he holds him tightly and encompasses him in his arms, a gesture that clearly exhibits the tenderness and protectiveness he feels for Andrea. Horatio cries over Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit u

Ay, go Horatio, leave me here alone,
For solitude best fits my cheerless mood.
Yet what avails to wail Andrea’s death,
From whence Horatio proves my second love?
Had he not loved Andrea as he did,
He could not sit in Bel-Imperia’s thoughts.
But how can love find harbour in my breast,
Till I revenge the death of my beloved?
Yes, second love shall further my revenge.

Related Characters: Bel-Imperia (speaker), Balthazar, Horatio, The Ghost of Andrea
Page Number and Citation: 23
Explanation and Analysis:
This short soliloquy occurs just after Horatio has left the garden and Bel-Imperia is alone, and it is significant because it reveals Bel-Imperia’s love for Horatio. Bel-Imperia is clearly grief-stricken and mourning the loss of Andrea, which is why she is in a “cheerless mood.” She has obvious reservations about falling in love with Horatio, but she ultimately implies that Andrea would approve. After all, had Andrea and Horatio not been such good friends, it is unlikely she would have fallen in love with Horatio in the first place. The Ghost of Andrea never remarks on Bel-Imperia and Horatio’s love Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deseru

Now, lordings, fall to; Spain is Portugal,
And Portugal is Spain, we both are friends,
Tribute is paid, and we enjoy our right,
But where is old Hieronimo, our marshal?
He promised us, in honour of our guest.
To grace our banquet with some pompous jest.

Related Characters: King of Spain (speaker), Hieronimo, Portuguese Ambassador
Page Number and Citation: 26
Explanation and Analysis:
This quote occurs after the Portuguese Ambassador arrives to pay tribute to Spain, and it is significant because it reflects the combining powers of Spain and Portugal, but it also establishes Hieronimo as a poet and playwright— a crucial component of his eventual revenge. Historically speaking, Spain and Portugal combined into one power during Kyd’s lifetime when Phillip II of Spain became the king of Portugal in 1581. The two kingdoms were combined for some 60 years afterward, and this union is reflected in the king’s language, as “Spain is Portugal, / And Portugal is Spain.” Now that the tribute Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro pe

Act 2, Scene 1 Quotes

I have already found a stratagem,
To sound the bottom of this doubtful theme.
My lord, for once you shall be ruled by me:
Hinder me not whate’er you hear or see.
By force or fair means will I cast about
To find the truth of all this question out.
Ho, Pedringano!

Related Characters: Lorenzo (speaker), Balthazar, Bel-Imperia, Pedringano
Page Number and Citation: 30
Explanation and Analysis:
Here, Lorenzo reveals his plan to discover who Bel-Imperia’s love interest is, and this passage is important because it reflects the ease with which Lorenzo betrays those around him. Bel-Imperia has made it known in no uncertain terms that she is not interested in Balthazar, and Balthazar is convinced that Bel-Imperia will never love him; however, Lorenzo says she isn’t interested because she loves someone else. If they can find out who that person is, they can eliminate him and get closer to their goal: Balthazar and Bel-Imperia as a wedded pair. Lorenzo’s plan is sure to reveal the truth, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perf

Both well, and ill: it makes me glad and sad:
Glad, that I know the hinderer of my love,
Sad, that I fear she hates me whom I love,
Glad, that I know on whom to be revenged,
Sad, that she’ll fly me if I take revenge.
Yet must I take revenge or die myself,
For love resisted grows impatient.
I think Horatio be my destined plague:
First, in his hand he brandished a sword,
And with that sword he fiercely waged war,
And in that war he gave me dangerous wounds,
And by those wounds he forced me to yield,
And by my yielding I became his slave.

Related Characters: Balthazar (speaker), Lorenzo, Bel-Imperia, Horatio
Page Number and Citation: 33
Explanation and Analysis:
This quote occurs when Balthazar discovers that Bel-Imperia is in love with Horatio, and it is significant because it illustrates how Balthazar is motivated by both love and revenge. Balthazar claims to be both “glad and sad” because he is happy to finally know who Bel-Imperia’s love interest is, but he knows that Bel-Imperia still hates him. However, Balthazar now has a place to focus his anger and revenge in relation to Bel-Imperia’s denial of his love. Lorenzo has convinced Balthazar that the only reason Bel-Imperia resists him is because she loves another. Thus, the first step to winning Bel-Imperia’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. V

Act 2, Scene 3 Quotes

Brother of Castile, to the prince’s love
What says your daughter Bel-Imperia?

Although she coy it as becomes her kind,
And yet dissemble that she loves the prince,
I doubt not, I, but she will stoop in time.
And were she froward, which she will not be,
Yet herein shall she follow my advice,
Which is to love him or forgo my love.

Related Characters: Cyprian, Duke of Castile (speaker), King of Spain (speaker), Balthazar, Bel-Imperia
Page Number and Citation: 37
Explanation and Analysis:
This quote occurs after the King of Spain decides to arrange a marriage between Bel-Imperia and Balthazar in order to join the royal houses of Spain and Portugal, and it is important because it underscores the oppression of Bel-Imperia as a woman in 16th-century society. The king wants to know how Bel-Imperia feels about her match with Balthazar, but instead of asking Bel-Imperia how she feels, the king asks her father the Duke of Castile. This suggests that what Bel-Imperia thinks or wants doesn’t matter—she will ultimately be forced to marry whoever the king and her father decide. Castile says Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligend

Act 2, Scene 4 Quotes

What, will you murder me?

Ay, thus, and thus; these are the fruits of love.

Related Characters: Horatio (speaker), Lorenzo (speaker), Serberine, Bel-Imperia, Balthazar, Pedringano
Page Number and Citation: 41
Explanation and Analysis:
This short exchange between Horatio and Lorenzo occurs just before Lorenzo—along with Balthazar, Pedringano, and Serberine—kills Horatio, and this quote is important because it reflects Kyd’s overreaching argument that love can lead people to do terrible things. Lorenzo and the others have just bombarded Horatio and Bel-Imperia during their secret meeting in the garden, and Horatio seems to immediately know that their presence isn’t good. It isn’t a secret that Lorenzo deeply disapproves of Bel-Imperia’s love affair with Horatio, and he is willing to kill Horatio to keep them apart. Lorenzo’s reply that “these are the fruits of love” suggests Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molest

Act 2, Scene 5 Quotes

See’st thou this handkercher besmeared with blood?
It shall not from me till I take revenge.
See’st thou those wounds that yet are bleeding fresh?
I’ll not entomb them till I have revenged.
Then will I joy amidst my discontent,
Till then my sorrow never shall be spent.

Related Characters: Hieronimo (speaker), Isabella, Horatio
Related Symbols: Bel-Imperia’s Scarf
Page Number and Citation: 44-5
Explanation and Analysis:
This quote occurs after Hieronimo and Isabella find Horatio’s dead body in the garden, and it is important because it reflects Hieronimo’s desire to avenge his son’s death. Furthermore, this passage underscores the continued importance of Bel-Imperia’s scarf within the play. Here, Hieronimo refers to the scarf as a “handkercher,” but it is implied that it is the same scarf. The image of the scarf soaked in Horatio’s blood is a particularly powerful end to Bel-Imperia and Horatio’s love, but Hieronimo’s immediate attraction to the scarf reflects his own love for his son. While it can certainly be said that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tem

The heavens are just, murder cannot be hid:
Time is the author both of truth and right,
And time will bring this treachery to light.

Related Characters: Isabella (speaker), Hieronimo, Horatio
Related Literary Devices:
Page Number and Citation: 45
Explanation and Analysis:
This passage, spoken by Isabella, occurs after Hieronimo vows revenge for Horatio’s death, and it is significant because it reflects Kyd’s primary argument that revenge is ultimately God’s responsibility and is not for mortal men to seek. After Horatio’s murder, Hieronimo wants to find the murderers and seek blood for blood justice. The only way for the murderers to atone for their actions is to die, and Hieronimo vows to find them and kill them, thereby taking both revenge and justice into his own hands. Isabella, on the other hand, urges Hieronimo to be patient and implies that it isn’t Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis con

Act 3, Scene 1 Quotes

Say, treacherous Villuppo, tell the king,
Wherein hath Alexandro used thee ill?

Rent with remembrance of so foul a deed,
My guilty soul submits me to thy doom:
For not for Alexandro’s injuries,
But for reward and hope to be preferred,
Thus have I shamelessly hazarded his life.

Related Characters: Alexandro (speaker), Villuppo (speaker), Viceroy of Portugal, Balthazar
Page Number and Citation: 51
Explanation and Analysis:
This is part of the Portuguese subplot, and it is significant because it again reflects Kyd’s argument that betrayal is widespread and easily executed. Here, Alexandro calls Villuppo “treacherous” because he has falsely accused Alexandro of shooting Balthazar in the back. Alexandro asks Villuppo to tell the viceroy what he has done to warrant such a betrayal. Villuppo’s answer is simple: Alexandro has done nothing; betraying Alexandro simply suited Villuppo’s selfish desires. “Rent” is an obsolete from of the word “rend,” which means to tear or break apart, and Villuppo’s use of this word suggests that he is torn up Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perfe

Act 3, Scene 2 Quotes

This sly enquiry of Hieronimo
For Bel-lmperia breeds suspicion,
And this suspicion bodes a further ill,
As for myself, I know my secret fault;
And so do they, but I have dealt for them.
They that for coin their souls endangered,
To save my life, for coin shall venture theirs:
And better it’s that base companions die,
Than by their life to hazard our good haps.
Nor shall they live, for me to fear their faith:
I’ll trust myself, myself shall be my friend,
For die they shall, slaves are ordained to no other end.

Related Characters: Lorenzo (speaker), Serberine, Horatio, Hieronimo, Bel-Imperia, Pedringano
Page Number and Citation: 57
Explanation and Analysis:
This quote appears when Hieronimo asks about Bel-Imperia’s whereabouts after Horatio’s murder, and it is important because it reflects the despicable nature of Lorenzo’s character and his intention to betray everyone to ensure he is never implicated in Horatio’s murder. Lorenzo is suspicious of Hieronimo because he is suspicious of everyone. Lorenzo is a man who betrays nearly everyone he comes into contact with; therefore, he is understandably worried that he, too, will be betrayed. Lorenzo’s “suspicion bodes a further ill” because it means that he will have to kill Pedringano and Serberine—or at least arrange for their deaths—to ensure Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur

Act 3, Scene 5 Quotes

My master hath forbidden me to look in this box, and by my
troth ’tis likely, if he had not warned me, I should not have had
so much idle time; for we men’s-kind in our minority are like
women in their uncertainty: that they are most forbidden,
they will soonest attempt. So I now. By my bare honesty, here’s
nothing but the bare empty box. Were it not sin against secrecy,
I would say it were a piece of gentleman-like knavery. I must
go to Pedringano, and tell him his pardon is in this box; nay, I
would have sworn it, had I not seen the contrary. I cannot choose
but smile to think how the villain will flout the gallows, scorn
the audience, and descant on the hangman, and all presuming
of his pardon from hence. Will’t not be an odd jest, for me to
stand and grace every jest he makes, pointing my finger at this
box, as who would say, ‘Mock on, here’s thy warrant.’ Is’t not a
scurvy jest that a man should jest himself to death? Alas, poor
Pedringano, I am in a sort sorry for thee, but if I should be
hanged with thee, 1 cannot weep.

Related Characters: Lorenzo’s Page (speaker), Lorenzo, Pedringano, Serberine
Related Symbols: The Box 
Page Number and Citation: 65
Explanation and Analysis:
This passage occurs when Lorenzo sends his page to deliver the empty box to Pedringano after Serberine’s murder, and it is significant because it further underscores betrayal within the play. Both Pedringano and the page are at an increased risk of being betrayed by Lorenzo because they are his servants. They are of a lower social status, and Lorenzo therefore sees them as disposable. The page’s lower class standing is reflected in the change to prose for the page’s lines. Most of the play is written in blank verse—poetry, usually in iambic pentameter, which generally doesn’t rhyme—but the page’s lines Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima p

Act 3, Scene 6 Quotes

Thus must we toil in other men’s extremes,
That know not how to remedy our own;
And do them justice, when unjustly we, |
For all our wrongs, can compass no redress.
But shall I never live to see the day
That I may come, by justice of the heavens,
To know the cause that may my cares allay?
This toils my body, this consumeth age,
That only I to all men just must be,
And neither gods nor men be just to me.

Related Characters: Hieronimo (speaker), Horatio
Page Number and Citation: 66
Explanation and Analysis:
This quote appears as Hieronimo continues to seek justice for Horatio, and it is significant because it underscores Hieronimo’s inability to obtain justice through legal channels. As the Knight Marshal of Spain, it is highly ironic that Hieronimo can’t get justice for his own son. Hieronimo is a judge, and he is literally expected to dispense justice to others, yet he can’t seem to get it himself. He “toil[s] in other men’s extremes” (i.e. their legal problems) but doesn’t know how to “remedy [his] own.” In other words, Hieronimo has to solve everyone problems and ensure them justice, but the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium

Peace, impudent, for thou shalt find it so:
For blood with blood shall, while I sit as judge,
Be satisfied, and the law discharged.
And though myself cannot receive the like,
Yet will I see that others have their right.
Despatch, the fault’s approved and confessed,
And by our law he is condemned to die.

Related Characters: Hieronimo (speaker), Lorenzo’s Page, Serberine, Horatio, Pedringano
Related Symbols: The Box 
Page Number and Citation: 67
Explanation and Analysis:
This quote occurs as Hieronimo sentences Pedringano to death after the murder of Serberine, and it is significant because it reflects Hieronimo’s power to exact revenge as an official agent of the law. This quote also highlights Hieronimo’s “blood with blood” idea of justice. The only way that Pedringano can atone for the murder of Serberine is to pay with his life, just as the only way Lorenzo and Balthazar can atone for Horatio’s death is with their own deaths. In this way, justice and revenge are closely linked in Hieronimo’s view and are impossible to separate. Even though it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperi

Act 3, Scene 13 Quotes

And art thou come, Horatio, from the depth,
To ask for justice in this upper earth?
To tell thy father thou art unrevenged,
To wring more tears from Isabella’s eyes,
Whose lights are dimmed with over-long laments?
Go back my son, complain to Aeacus,
For here’s no justice; gentle boy be gone,
For justice is exiled from the earth;
Hieronimo will bear thee company.
Thy mother cries on righteous Rhadamanth
For just revenge against the murderers.

Related Characters: Hieronimo (speaker), The Ghost of Andrea, Bazulto, Horatio, Isabella
Page Number and Citation: 93
Explanation and Analysis:
Here, Bazulto comes to Hieronimo in Hieronimo’s official capacity of Knight Marshal to seek justice for his own son’s death, and Hieronimo mistakes him for Horatio. This quote is significant because it underscores Hieronimo worsening insanity and also highlights Kyd’s central claim that justice, especially for the lower classes, is unobtainable. The fact that Hieronimo has confused an old man for his son, who is a young man, suggests that Hieronimo’s insanity is not only genuine, but worsening as well. While Hieronimo later implies that his insanity is only a ruse, his confusion here suggests otherwise. Hieronimo implies that Horatio Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam c

Act 3, Scene 14 Quotes

Welcome, Balthazar,
Welcome brave prince, the pledge of Castile’s peace;
And welcome Bel-lmperia. How now, girl?
Why com’st thou sadly to salute us thus?
Content thyself, for I am satisfied;
It is not now as when Andrea lived.
We have forgotten and forgiven that,
And thou art graced with a happier love.

Related Characters: Cyprian, Duke of Castile (speaker), Hieronimo, Horatio, Balthazar, Bel-Imperia, The Ghost of Andrea
Page Number and Citation: 99
Explanation and Analysis:
This quote appears after Bel-Imperia and Balthazar’s wedding is announced, and it is significant because it reflects the fact that Bel-Imperia has little agency over her life and marriage, and she has even less control to seek revenge on behalf of Andrea. Bel-Imperia arrives “sadly to salute” her father because he is forcing her to marry Balthazar against her will. Not only is Bel-Imperia unable to exact her revenge for Andrea’s death because of the oppression she suffers as a woman in the 16th century, she is being forced to marry a man she hates. Castile’s mention of Andrea suggests Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Si

Act 4, Scene 4 Quotes

And you, my lord, whose reconciled son
Marched in a net, and thought himself unseen
And rated me for brainsick lunacy.
With “God amend that mad Hieronimo!”—
How can you brook our play’s catastrophe?
And here behold this bloody handkercher,
Which at Horatio’s death I weeping dipped
Within the river of his bleeding wounds:
It as propitious, see I have reserved,
And never hath it left my bloody heart,
Soliciting remembrance of my vow
With these, O these accursed murderers:
Which now performed, my heart is satisfied.

Related Characters: Hieronimo (speaker), Lorenzo, Bel-Imperia, King of Spain, Horatio, Balthazar
Related Symbols: Bel-Imperia’s Scarf
Page Number and Citation: 120
Explanation and Analysis:
This passage occurs at the end of The Spanish Tragedy, after Hieronimo exacts his revenge in the play-within-a-play during the last act, and it is significant because it suggests that Hieronimo’s insanity is just an act. This quote further reflects the significance of Bel-Imperia’s scarf and implies that Hieronimo has finally found justice. Here, Hieronimo is speaking to the king, even though he refers to Lorenzo as the king’s son, and he refers to Lorenzo’s attempts to block Hieronimo from the king. When Hieronimo tries to get the king’s attention, Lorenzo tells the king that Hieronimo is insane and should Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit nequ
No matches.