The Spirit Catches You and You Fall Down
by Anne Fadiman
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Integration and Assimilation Theme Analysis

Themes and Colors
Cultural Values, Spirituality, and Medicine  Theme Icon
Blame and Power Theme Icon
History and Ethnic Identity Theme Icon
Integration and Assimilation Theme Icon
LitCharts assigns a color and icon to each theme in The Spirit Catches You and You Fall Down, which you can use to track the themes throughout the work.
Integration and Assimilation Theme Icon
Integration and Assimilation Theme Icon

Because the Lees—like most Hmongs—came to the United States to escape war-torn Laos, their relationship to assimilation is complicated. The United States thinks of itself as a nation made up of many diverse populations, a “melting pot” of ethnicity. In the 20th century, though, being part of this “melting pot” seemed to require melting into the preexisting American culture. Historically resilient to coercive cultural changes, the newly-arrived Hmong had no interest in becoming Americans; they came to the United States for safety, not to adopt a new lifestyle. By examining the Hmong’s resistance to integration and assimilation, Fadiman widens the scope of The Spirit Catches You And You Fall Down, simultaneously illustrating the circumstances of Lia Lee’s medical crisis and creating an ethnographic document of Hmong immigrants in America.

The Lees’ story is the focal point of Fadiman’s ethnography. “When I first met them,” she writes, “during their eighth year in this country, only one American adult, Jeanine Hilt, had ever been invited to their home as a guest. It would be hard to imagine anything further from the vaunted American ideal of assimilation, in which immigrants are expected to submerge their cultural differences in order to embrace a shared national identity.” The word “submerge” is important in this passage, as it powerfully illustrates what, exactly, is being asked of Nao Kao and Foua Lee; because they brought their sick child to an American hospital, they were suddenly expected to blindly accept practices that starkly crossed their own beliefs and bury any tension that arose from “cultural differences”—all in the name of “embrac[ing] a shared national identity” in which they had no interest at all.

It’s worth emphasizing that the Hmong didn’t come to America to melt into a “shared national identity.” The Hmong came to the United States “for the same reason they had left China in the nineteenth century: because they were trying to resist assimilation.” Cast in this light, the Lees actually begin to look somewhat accommodating and flexible. After all, they did bring Lia to an American hospital, they did try using the prescribed medications, and they even cooperated with Jeanine Hilt, a social worker who worked for the American government—an institution insistent upon forcing its customs onto Hmong people in the name of integration and assimilation. Stubborn as they may have appeared to MCMC’s medical staff, the Lees allowed doctors to put Lia through many procedures that were directly antithetical to their own beliefs, some of which they believed would endanger Lia’s soul in the afterlife. Nonetheless, Nao Kao and Foua still brought her to the hospital during her seizures, a testament to their willingness to try anything in the name of helping their daughter, even if that meant indulging a medical practice that posed constant threats to their own principles.

The general effect on Hmong people of forced American assimilation was, simply put, unsuccessful and morally degrading. With very few resources and no frame of reference for urban and suburban modes of existence, this largely agrarian community had little chance of becoming the Americanized citizens the government hoped to create. While their children were able to learn English and successfully integrate their own cultural identities into a broader American identity, most Hmong adults found themselves disenfranchised, their traditional familial hierarchies destabilized by the fact that a young daughter proficient in English suddenly became the family’s spokesperson over the father or grandfather. Hmong culture, it seems, was not so much integrated as it was disarrayed in such a way that made it even more difficult for them to join the American community. Fadiman comments on this when she says: “none of [Foua’s] former skills were transferable to the United States—none, that is, except for being an excellent mother to her nine surviving children. It then occurred to me that this last skill had been officially contradicted by the American government, which had legally declared her a child abuser.” The government’s inability to accept that an immigrant might not want—or even be capable of—integration thus stripped Foua of the very reason she came to the United States in the first place: to safely raise her children.

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Integration and Assimilation Quotes in The Spirit Catches You and You Fall Down

Below you will find the important quotes in The Spirit Catches You and You Fall Down related to the theme of Integration and Assimilation.

Preface Quotes

I have always felt that the action most worth watching is not at the center of things but where edges meet. I like shorelines, weather fronts, international borders. There are interesting frictions and incongruities in these places, and often, if you stand at the point of tangency, you can see both sides better than if you were in the middle of either one. This is especially true, I think, when the apposition is cultural. When I first came to Merced, I hoped that the culture of American medicine, about which I knew a little, and the culture of the Hmong, about which I knew nothing, would in some way illuminate each other if I could position myself between the two and manage not to get caught in the cross fire.

Related Characters: Anne Fadiman (speaker)
Page Number and Citation: viii
Explanation and Analysis:
Fadiman’s metaphors for cross-cultural dialogue are surprisingly tense: she mentions the intersection of weather fronts, for example, which create storms, as well as international borders, which are often zones of conflict. She even invokes the possibility of becoming “caught in the cross fire” while trying to bridge the divide between American medicine and Hmong immigrants. This immediately raises the stakes of her project, suggesting that cross-cultural dialogue is an emotionally fraught and even dangerous undertaking. This ultimately proves true, as Fadiman will demonstrate that it was the failure of cross-cultural dialogue that led to the irrevocable deterioration of Lia Lee’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molesti

Chapter 2 Quotes

The history of the Hmong yields several lessons that anyone who deals with them might do well to remember. Among the most obvious of these are that the Hmong do not like to take orders; that they do not like to lose; that they would rather flee, fight, or die than surrender; that they are not intimidated by being outnumbered; that they are rarely persuaded that the customs of other cultures, even those more powerful than their own, are superior; and that they are capable of getting very angry. Whether you find these traits infuriating or admirable depends largely on whether or not you are trying to make a Hmong do something he or she would prefer not to do. Those who have tried to defeat, deceive, govern, regulate, constrain, assimilate, intimidate, or patronize the Hmong have, as a rule, disliked them intensely.

Related Characters: Anne Fadiman (speaker)
Page Number and Citation: 17
Explanation and Analysis:
Fadiman assumes a rather light touch by suggesting—rather than stating—that people dealing with the Hmong “might do well to remember” the Hmong’s history. Framing this as a suggestion allows Fadiman to avoid making a blunt generalization about either the reader or the Hmong, and it shows that she values convincing the reader of a nuanced point, rather than simply telling them what to believe. Such nuanced suggestions are, of course, crucial to her project as an outsider advocating for cross-cultural sensitivity. Context is all important to Fadiman, and this kind of generalized sentiment about a cultural group’s traits runs the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusanti

Chapter 3 Quotes

Although the inklings Dan had gathered of the transcendental Hmong worldview seemed to him to possess both power and beauty, his own view of medicine in general, and of epilepsy in particular, was, like that of his colleagues at MCMC, essentially rationalist. Hippocrates’ skeptical commentary on the nature of epilepsy, made around 400 B.C., pretty much sums up Dan’s own frame of reference: “It seems to me that the disease is no more divine than any other. It has a natural cause just as other diseases have. Men think it is divine merely because they don’t understand it. But if they called everything divine which they do not understand, why, there would be no end to divine things.”

Related Characters: Anne Fadiman (speaker), Lia Lee, Dan Murphy
Page Number and Citation: 29
Explanation and Analysis:
Fadiman provides this quote by Hippocrates as a way of contextualizing Dan Murphy’s commitment to medicine. Although Dan’s interest in Hmong beliefs proved him perhaps more competent than other American physicians when attending to the Lees, there is no avoiding the fact that his viewpoint—informed, as it was, by his own structures of belief—stood in opposition to the views of the Lee family. Fadiman calls attention to the fact that Dan was operating in a “frame of reference,” an idea that is in keeping with Arthur Kleinman’s later assertion that doctors shouldn’t forget the fact that they, too, are steeped Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur

Chapter 5 Quotes

The MCMC nursing staff came to know Lia well—better, in fact, than most of them would have wished. After she was old enough to walk, whenever she was well enough to get out of bed she ran up and down the corridor in the pediatric unit, banging on doors, barging into the rooms of other sick children, yanking open the drawers in the nursing station, snatching pencils and hospital forms and prescription pads and throwing them on the floor.

Related Characters: Anne Fadiman (speaker), Lia Lee
Page Number and Citation: 44
Explanation and Analysis:
In this passage, readers are invited to empathize with the doctors and nurses at MCMC. Although Fadiman is eager to portray the Lees in a positive light, it’s evident that she is committed to presenting the story of Lia’s illness and the subsequent culture clash without bias (despite the fact that she is quite close with Foua and Nao Kao). By relating the ways in which Lia troubled the people providing her care, she illustrates the thanklessness of working at a community hospital. Of course, the fact that Lia was a challenging patient does not justify the bigotry some of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste

The idea that the drugs prescribed to cure, or at least attempt to treat, an illness are in fact causing it is not one that most doctors ever encounter. Doctors are used to hearing patients say that drugs make them feel bad, and indeed the unpleasant side effects of many medications are one of the main reasons that patients so often stop taking them. But most patients accept the doctor’s explanation of why they got sick in the first place, and even if they resist the recommended treatment, they at least believe their doctor has prescribed it in good faith and that it is not designed to hurt them. Doctors who deal with the Hmong cannot take this attitude for granted. What’s more, if they continue to press their patients to comply with a regimen that, from the Hmong vantage, is potentially harmful, they may find themselves, to their horror, running up against that stubborn strain in the Hmong character which for thousands of years has preferred death to surrender.

Related Characters: Anne Fadiman (speaker), Lia Lee
Page Number and Citation: 50
Explanation and Analysis:
The most instructive moment in this passage comes when Fadiman writes, “Doctors are used to hearing […].” This is exactly what The Spirit Catches You And You Fall Down is interested in exploring: the things people are “used to,” and how being accustomed to certain practices often restricts people from comprehending other ways of thinking. Fadiman further reinforces this point when she says, “Doctors who deal with the Hmong cannot take this attitude for granted.” Indeed, since the Hmong operate within a different paradigm of health and spirituality, it wouldn’t make sense to blindly apply the concepts of standard American Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo mi

Chapter 8 Quotes

While Foua was telling me about the dozens of tasks that constituted her “easy” work in Laos, I was thinking that when she said she was stupid, what she really meant was that none of her former skills were transferable to the United States—none, that is, except for being an excellent mother to her nine surviving children. It then occurred to me that this last skill had been officially contradicted by the American government, which had legally declared her a child abuser.

Related Characters: Anne Fadiman (speaker), Foua Lee
Page Number and Citation: 105
Explanation and Analysis:
This passage appears after Fadiman tells a story about how Foua told her she felt stupid after getting lost in MCMC one day, which led Foua to admit her feeling of cultural incompetency in the United States, a confession that Fadiman found quite sad. This prompted Fadiman to ask Foua what her daily life looked like in Laos, hoping to show the woman that she was a perfectly intelligent and competent person but that the current framework in which she lived simply did not recognize this. When Fadiman eventually realized that the United States essentially usurped even Foua’s competency as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque

Chapter 15 Quotes

At this point, [Lia’s sister], who was three at the time, ran over to Lia and started banging her on the chest.

“Don’t do that, there’s a good boy,” said Martin, addressing the little girl in English, of which she did not speak a word. “[… P]lease tell them they have got to watch these other little children. Lia is not a doll.”

Related Characters: Anne Fadiman (speaker), Martin Kilgore, Nao Kao Lee, Lia Lee, Foua Lee
Page Number and Citation: 222
Explanation and Analysis:
This occurred when Fadiman accompanied Martin Kilgore to the Lees’ house to watch him perform a routine at-home checkup after Lia’s final neurological crisis. Although it may seem harmless and small, Martin’s admonition of Lia’s sister—“Don’t do that, there’s a good boy”—is fraught with significance. Beyond the obvious fact that he misidentified the child’s gender (lending a certain out-of-touch quality to this interaction), he risked overstepping familial hierarchies of which he was most likely unaware. By telling Nao Kao and Foua’s child not to do something, he intensified the powerful role he already occupied by virtue of his position as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Veli