Katherina and Bianca serve as narrative foils for one another, both in their projected and actual natures. At the beginning of the play, Katherina's aggression—particularly towards men—is juxtaposed with the behavior of her sister, Bianca, whose mannerisms and personality align with what was considered appropriate feminine behavior for the time period. In the following passage from Act 1, Scene 1, Tranio and Lucentio discuss this sisterly difference in an aside:
TRANIO: [aside to LUCENTIO ]
Husht, master, here’s some good pastime toward.
That wench is stark mad or wonderful froward.LUCENTIO: [aside to TRANIO ]
But in the other’s silence do I see
Maid’s mild behavior and sobriety.
Peace, Tranio.
Katherina and Bianca serve as narrative foils for one another, both in their projected and actual natures. At the beginning of the play, Katherina's aggression—particularly towards men—is juxtaposed with the behavior of her sister, Bianca, whose mannerisms and personality align with what was considered appropriate feminine behavior for the time period. In the following passage from Act 1, Scene 1, Tranio and Lucentio discuss this sisterly difference in an aside:
Unlock with LitCharts A+TRANIO: [aside to LUCENTIO ]
Husht, master, here’s some good pastime toward.
That wench is stark mad or wonderful froward.LUCENTIO: [aside to TRANIO ]
But in the other’s silence do I see
Maid’s mild behavior and sobriety.
Peace, Tranio.