The Taming of the Shrew
by William Shakespeare

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Social Hierarchy Theme Analysis

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Gender and Misogyny Theme Icon
Social Hierarchy Theme Icon
Theater, Performance, and Identity Theme Icon
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Social Hierarchy Theme Icon
Social Hierarchy Theme Icon

Women are just one socially oppressed group in the play; another is the class of servants that are continually beaten, abused, and insulted by the likes of Petruchio, Vincentio, and other noblemen. In fact, the play begins with a scene not about the relation between men and women, but between men of different social classes, as the Lord plays a practical joke on the poor Christopher Sly. Social standing is arguably a more important method of categorization than gender in the play. While women like Bianca and Katherine are disciplined and evaluated with respect to a strict code of gender roles, they enjoy privileges unavailable to their servants. Grumio is able to join Petruchio in teasing Katherine with the prospect of food, but she is able to hit him without consequence.

Despite disadvantages from being at the lower end of the social hierarchy, Tranio, and even arguably Biondello and Grumio, are often more clever than their masters. Grumio often misinterprets things overly literally, but this can also be seen as playing or joking with Petruchio, under the pretense of not understanding him. Tranio, meanwhile, comes up with the plan by which Lucentio successfully woos Bianca and, in devising the various disguises by which he and Lucentio trick Baptista, he is the force behind much of the plot of The Taming of the Shrew.

Shakespeare's play displays a rigid social hierarchy between noblemen and lower-class characters like the servants, but it also turns this hierarchy upside-down. The Lord dresses as a servant, Lucentio dresses up as the slightly lower-class Cambio, Tranio dresses up as Lucentio, and the old merchant dresses up as Vincentio. Moreover, the entire play is performed for the entertainment of Christopher Sly, a drunken beggar who has been tricked into thinking that he is a noble lord. As with gender, categories that society may often deem to be natural are revealed in the play as identities that have to be performed and put on like a costume. Social class is as much a matter of the clothes one wears and the way one behaves as it is a matter of one's birth. Thus, even as Shakespeare's comedy shows with comic lightness the brutal treatment of servants, it exposes the arbitrariness of this kind of social hierarchy.

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Social Hierarchy ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Social Hierarchy appears in each scene of The Taming of the Shrew. Click or tap on any chapter to read its Summary & Analysis.
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Social Hierarchy Quotes in The Taming of the Shrew

Below you will find the important quotes in The Taming of the Shrew related to the theme of Social Hierarchy.

Induction, Scene 1 Quotes

What think you, if he were conveyed to bed,
Wrapped in sweet clothes, rings put upon his fingers,
A most delicious banquet by his bed,
And brave attendants near him when he wakes,
Would not the beggar then forget himself?

Related Characters: A Lord (speaker), Christopher Sly
Related Symbols: Clothing
Related Literary Devices:
Page Number and Citation: Ind.1.38-43
Explanation and Analysis:
The Taming of the Shrewbegins with a strange "Induction," in which a drunken Christopher Sly, a beggar, refuses to pay what he owes, gets kicked out of a bar, and passes out. A Lord enters after finishing a hunt and notices Sly, unsure if he is "dead, or drunk." Finding the drunkard to be breathing, the Lord begins making fun of Sly and devises a prank to humiliate him. The prank turns out to be more of a social experiment. In the quote, the Lord wonders what would happen if the sleeping Sly were brought to a nice bed, dressed Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique

Induction, Scene 2 Quotes

Am I a lord, and have I such a lady?
Or do I dream? or have I dreamed till now?
I do not sleep: I see, I hear, I speak,
I smell sweet savors, and I feel soft things.
Upon my life, I am a lord indeed
And not a tinker, nor Christopher Sly.

Related Characters: Christopher Sly (speaker), Bartholomew the Page
Page Number and Citation: Ind.2.68-73
Explanation and Analysis:
The Lord's preparations have been made and Sly has woken up; he is extremely confused. To complete the inversion of the social hierarchy, the Lord is dressed up as a servant, and addresses Sly as a lord. When Sly denies his new identity, the Lord tells the confused Sly to stop acting crazy and to remember his noble birth, cataloging the privileges that the new position offers and mentioning Sly's 'beautiful wife.' Here Sly begins to question his identity and reality, wondering, as the Lord predicted, if he really is a lord."Do I dream?" Sly asks, "or have I dreamed Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea.

Act 1, Scene 1 Quotes

Thou shalt be master, Tranio, in my stead
Keep house, and port, and servants, as I should.

Related Characters: Lucentio (speaker), Tranio
Related Symbols: Clothing
Page Number and Citation: 1.1.208-209
Explanation and Analysis:
The players have begun the play within the play, and the central plot is underway: Baptista has two daughters, Kate and Bianca, and will not permit the younger Bianca to marry until her older, "shrewish" sister gets married first. A student Lucientio has arrived in the Italian city of Padua, the setting for the play, along with his servant Tranio. Lucentio almost immediately falls in love with Bianca, and is so captivated by her beauty that he needs Tranio to summarize Baptista's conditions. Learning that Bianca will only accept tutors instead of suitors, Lucentio decides to pose as a Latin Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur

Act 1, Scene 2 Quotes

I can, Petruchio, help thee to a wife
With wealth enough, and young and beauteous,
Brought up as best becomes a gentlewoman.
Her only fault, and that is faults enough,
Is that she is intolerable curst,
And shrewd and forward, so beyond all measure
That, were my state far worser than it is,
I would not wed her for a mine of gold.

Related Characters: Hortensio (speaker), Katherine, Petruchio
Page Number and Citation: 1.2.86-93
Explanation and Analysis:
In this quote, Hortensio tells Petruchio that there is a potential wife for him, "With wealth enough, and young and beauteous." She is attractive and will cary a large dowry, and she is of an acceptable social status. But there is a problem with her: "she is intolerable curst"; she is a shrew. Hortensio says that even if he were poor, he would not wed Katherine "for a mine of gold." Kate's shrewishness and unwomanliness make her an unacceptable choice for Hortensio and other male suitors, but all that Petruchio cares about is wealth. What's more, he seems eager to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta

Act 3, Scene 2 Quotes

To me she's married, not unto my clothes.

Related Characters: Petruchio (speaker), Katherine
Related Symbols: Clothing
Page Number and Citation: 3.2.119
Explanation and Analysis:
Petruchio has finally arrived at the wedding, but he is wearing the clothes of a poor man. Baptista is disgruntled, and an argument begins surrounding Petruchio's attire. Tranio (disguised himself as his master Lucentio) suggests that Petruchio change, and Baptista says that he will not let Katherine marry when Petruchio is dressed this way. Petruchio, however, insists she will marry him just as he is, stating thatKatherine is marrying him, not his clothes. While clothes symbolize social status and gender, Petruchio is here asserting that they are changeable and ultimately unimportant. What matters, according to Petruchio, is Petruchio's own wit, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus har

Act 4, Scene 3 Quotes

Well, come, my Kate, we will unto your father's.
Even in these honest mean habiliments.
Our purses shall be proud, our garments poor,
For ‘tis the mind that makes the body rich,
And as the sun breaks through the darkest clouds,
So honor peereth in the meanest habit.

Related Characters: Petruchio (speaker), Katherine
Related Symbols: Clothing
Page Number and Citation: 4.3.175-180
Explanation and Analysis:
Petruchio has informed Katherine that they will be attending the celebration of Bianca's wedding back at Padua. He has brought in a tailor with a hat and gown, but with each design he pretends that there is something wrong, denying Katherine what she desires. In the quote, Petruchio says that they will go to the wedding in their everyday clothes. They will dress like they are poor, but "tis the mind that makes the body rich," and like the sun breaking through clouds, honor will shine through even the meanest clothing. Here Petruchio asserts his dominance yet again, while showing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident ex