The Theory of Flight

by Siphiwe Gloria Ndlovu
Best friend to Beatrice, wife to Emil Coetzee and later Todd Carmichael, and mother to Vida’s first love Everleigh, Kuki begins life as Kuki Sedgwick, a freckly, redheaded girl who embraces conventional ideas and finds her friend Beatrice’s liberal thinking scary. At age 15, Kuki falls in love with handsome, macho Emil Coetzee and spends the next several years trying to make herself attractive enough to win his love. After they marry, Emil cruelly tells her that he only married her because her family name would help his career. Though unhappy in wedded life, Kuki adores her and Emil’s son Everleigh, a musical and artistic boy. After Emil browbeats Everleigh into accepting a draft to fight in a conflict implied to be the Zimbabwe War of Independence (1964-1979), Everleigh dies by landmine—and Kuki, finding courage in despair, obtains a divorce. Kuki wants to spend her whole life grieving Everleigh and judges herself for remarrying and trying to heal emotionally. She feels inadequate compared to Vida, Everleigh’s teenage love, who rejects society and lives as a homeless person after Everleigh’s death. One day while driving, Kuki is distracted by the sight of Vida on the street and hits 13-year-old Genie with her car. As a much older woman, Kuki is trying to find someone to take her nursing-home-bound friend Beatrice to the salon occasionally when she connects Beatrice with Genie. Though Kuki believes herself to be liberal because her second husband was liberal, she in fact holds racist beliefs, believing that Black people have sent the country into decline in the postcolonial era. Accompanying Beatrice on the convoy to retrieve Genie’s body from the Beauford Farm and Estate, Kuki has an unexpected reaction to the sight of Genie’s corpse, saying “no, no” and insisting that she and Genie were friends, though they weren’t. This reaction suggests that Kuki feels deep shame at her own lack of courage relative to people like Beatrice, Vida, and Genie, as well as guilt at her complicity in the white-supremacist systems that damaged the country’s history and contributed to Genie’s death.

Kuki Quotes in The Theory of Flight

The The Theory of Flight quotes below are all either spoken by Kuki or refer to Kuki. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Individual Aspiration vs. Group Belonging Theme Icon
).

Book 1, Part 3: The Present Quotes

The past ten years have had her talking about “them” more and more. Kuki does not want to be misunderstood. She is not a racist. She does not have a racist bone in her body. She is a liberal; has been ever since she married Todd Whitehead Carmichael in 1981. So no, she is not a racist. She is just a frustrated liberal.

[…]

They always seem so nice and friendly, but they are really wolves in sheep’s clothing . . . and if you give them an inch they will run the country into the ground and let it go to the dogs.

Related Characters: Kuki
Page Number and Citation: 78
Explanation and Analysis:

Book 1, Part 4: Teleology Quotes

The burning of that photograph was the only thing she did after the death of her beautiful, golden-haired boy that did not feel like a betrayal.

Related Characters: Kuki, Emil Coetzee
Page Number and Citation: 111
Explanation and Analysis:
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Kuki Character Timeline in The Theory of Flight

The timeline below shows where the character Kuki appears in The Theory of Flight. The colored dots and icons indicate which themes are associated with that appearance.
Book 1, Part 2: History
Colonialism and Postcolonialism Theme Icon
...a leftist sympathetic to African rights—but becomes best friends with a timid, patriotic conformist named Kuki Sedgwick. Despite their differences, the sole thing that ever comes between them is Kuki’s husband... (full context)
Colonialism and Postcolonialism Theme Icon
Gender and Sexuality Theme Icon
...as a hippie. Under her influence, the farm becomes a “multiracial commune and artists’ colony.” Kuki’s husband Emil Coetzee, who runs the Organization of Domestic Affairs, tries to prosecute the commune... (full context)
Book 1, Part 3: The Present
Colonialism and Postcolonialism Theme Icon
Gender and Sexuality Theme Icon
Kuki. 81-year-old Kuki, cognitively intact but (to her displeasure) aged in appearance, enters The Princess Margaret... (full context)
Beauty Theme Icon
Kuki enters Beatrice’s room. When Beatrice recognizes Kuki, Kuki—still perturbed by Beatrice’s Alzheimer’s—reminds herself that the... (full context)
Colonialism and Postcolonialism Theme Icon
Beauty Theme Icon
When Beatrice entered the nursing home, Kuki arranged for Genie to take Beatrice to a salon twice a month. It seems “more... (full context)
Colonialism and Postcolonialism Theme Icon
Valentine enters and tells Kuki and Beatrice that the Organization wants to evict the veterans squatting on the Beauford Farm... (full context)
Book 1, Part 4: Teleology
Colonialism and Postcolonialism Theme Icon
Beauty Theme Icon
...notice until she’s already crossed a busy street. Then she runs back toward Krystle, and Kuki’s car strikes her and sends her into the air. Jesus catches her in his pushcart... (full context)
Individual Aspiration vs. Group Belonging Theme Icon
Gender and Sexuality Theme Icon
Kuki. Kuki is driving and watching Jesus with his cart, distracted by thoughts of his courage,... (full context)
Colonialism and Postcolonialism Theme Icon
Gender and Sexuality Theme Icon
...South African and ethnically Afrikaner and in part because he’s unmarried. He decides to marry Kuki for her family’s long history in the country, which he believes will help his career.  (full context)
Gender and Sexuality Theme Icon
Only after Kuki has married Emil does Emil tell her his motives for proposing. The marriage makes her... (full context)
Love, Family, and Selfishness Theme Icon
Gender and Sexuality Theme Icon
Kuki wants to spend her life just mourning her son. Instead, she plans his funeral, moves... (full context)
Love, Family, and Selfishness Theme Icon
Gender and Sexuality Theme Icon
Afterward, a man who served with Kuki’s son in the army brought her another photo of him. In it, her son resembles... (full context)
Colonialism and Postcolonialism Theme Icon
Gender and Sexuality Theme Icon
Kuki feels her own perceived failure to mourn her son adequately more acutely because Vida, who... (full context)
Book 2, Part 2: Revelations
Colonialism and Postcolonialism Theme Icon
...like the Beauford Farm and Estate she remembers, yet horribly run-down and deserted. She asks Kuki, who is driving them, when they’ll reach the farm. Then she sees the sunflower field... (full context)
Individual Aspiration vs. Group Belonging Theme Icon
Colonialism and Postcolonialism Theme Icon
Love, Family, and Selfishness Theme Icon
...he’s driving Vida and Jestina as well as leading four other cars, carrying Beatrice and Kuki, the Masukus, Minenhle and Mordechai, and Bhekithemba. They park outside a dilapidated house. A man... (full context)
Individual Aspiration vs. Group Belonging Theme Icon
Colonialism and Postcolonialism Theme Icon
Kuki starts babbling denials and saying that Genie was her friend. Kuki is confused by her... (full context)
Individual Aspiration vs. Group Belonging Theme Icon
...that direction. To his surprise, all the mourners follow him: Minenhle, Mordechai, Jestina, Valentine, Bhekithemba, Kuki, Beatrice, Dr. Mambo, The Survivors, the veterans, Stefanos, Matilda, David, the undertaker (whose name is... (full context)