The Things They Carried

Storytelling and Memory Theme Analysis

Themes and Colors
Mortality and Death Theme Icon
Social Obligation Theme Icon
Morality Theme Icon
Storytelling and Memory Theme Icon
Shame and Guilt Theme Icon
LitCharts assigns a color and icon to each theme in The Things They Carried, which you can use to track the themes throughout the work.
Storytelling and Memory Theme Icon

Storytelling in The Things They Carried operates on multiple levels: at the level of the book itself, the stories within stories, and the reflections on the value of these stories both in the context of the war and then post-war. "The Lives of the Dead" speaks to O'Brien's belief that stories have the power to give an entire life to those who have passed on. He refers to his childhood love Linda who passed away from a brain tumor when they were nine, and how he spent his nights inventing stories and false futures to ease his grief. O'Brien does the same thing with the man that he killed with a grenade in "The Man I Killed," which is not a story about the act of killing as much as it is inventing a past and future for the unnamed, skinny man who perished at O'Brien's hands.

The collection further explores the very role and purpose of "war stories," and how they can be told "correctly" and how to tell whether or not one is "true." There is a rhythm to war stories; there is a level of detail to be expected. O'Brien establishes rules for telling war stories, which presents a poignant irony given the fact that war exists in a space that largely lacks rules. The role of these war stories during the war was to keep the soldiers' minds off of their obligations, off of death, and after the war to give words to experiences that are unspeakable—that do not make sense to people that were not there. A war story provides an account that speaks to the bond of the men who fought and died together, while recognizing that the greatest truth of a war story is the visceral feeling it fosters in the listener/reader. O'Brien's collection argues that "stories," due to their complexity, their amorality, and their ability to give a voice to the voiceless, are the most authentic medium to accurately communicate wartime experiences—factual or not.

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Storytelling and Memory ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Storytelling and Memory appears in each story of The Things They Carried. Click or tap on any chapter to read its Summary & Analysis.
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Storytelling and Memory Quotes in The Things They Carried

Below you will find the important quotes in The Things They Carried related to the theme of Storytelling and Memory.
Love Quotes

For a few moments he considered asking her to his room, but instead he laughed and told her how back in college he'd almost done something very brave. It was after seeing Bonnie and Clyde, he said, and on this same spot he'd almost picked her up and carried her to his room and tied her to the bed and put his hand on her knee and just held it there all night long. It came close, he told her—he'd almost done it. Martha shut her eyes. She crossed her arms at her chest, as if suddenly cold, rocking slightly, then after a time she looked at him and said she was glad he hadn't tried it. She didn't understand how men could do those things. What things? he asked, and Martha said, The things men do. Then he nodded. It began to form. Oh, he said, those things.

Related Characters: Tim O'Brien (speaker), Lieutenant Jimmy Cross, Martha
Page Number: 27
Explanation and Analysis:

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Spin Quotes

The bad stuff never stops happening: it lives in its own dimension, replaying itself over and over.

Related Characters: Tim O'Brien (speaker)
Page Number: 31
Explanation and Analysis:

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But the thing about remembering is that you don't forget. You take your material where you find it, which is in your life, at the intersection of past and present. The memory-traffic feeds into a rotary up on your head, where it goes in circles for a while, then pretty soon imagination flows in and the traffic merges and shoots off down a thousand different streets. As a writer, all you can do is pick a street and go for the ride, putting things down as they come at you. That's the real obsession. All those stories.

Related Characters: Tim O'Brien (speaker)
Page Number: 33
Explanation and Analysis:

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That's what stories are for. Stories are for joining the past to the future. Stories are for those late hours in the night when you can't remember how you got from where you were to where you are. Stories are for eternity, when memory is erased, when there is nothing to remember except the story.

Related Characters: Tim O'Brien (speaker)
Page Number: 35-36
Explanation and Analysis:

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On the Rainy River Quotes

The day was cloudy. I passed through towns with familiar names, through the pine forests and down to the prairie, and then to Vietnam, where I was a soldier, and then home again. I survived, but it's not a happy ending. I was a coward. I went to the war.

Related Characters: Tim O'Brien (speaker)
Page Number: 57
Explanation and Analysis:

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How to Tell a True War Story Quotes

A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain men from doing the things men have always done. If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie. There is no rectitude whatsoever. There is no virtue. As a first rule of thumb, therefore, you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil.

Related Characters: Tim O'Brien (speaker)
Page Number: 65
Explanation and Analysis:

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In a true war story, if there's a moral at all, it's like the threat that makes the cloth. You can't tease it out. You can't extract the meaning without unraveling the deeper meaning. And in the end, really, there's nothing much to say about a true war story, except maybe "Oh."

Related Characters: Tim O'Brien (speaker)
Page Number: 74
Explanation and Analysis:

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It comes down to gut instinct. A true war story, if truly told, makes the stomach believe.

Related Characters: Tim O'Brien (speaker)
Page Number: 73-74
Explanation and Analysis:

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The Man I Killed Quotes

In the presence of his father and uncles, he pretended to look forward to doing his patriotic duty, which was also a privilege, but at night he prayed with his mother that the war might end soon. Beyond anything else, he was afraid of disgracing himself, and therefore his family and village. But all he could do, he thought, was wait and pray and try not to grow up too fast.

Related Characters: Tim O'Brien (speaker)
Related Symbols: The Man O'Brien Killed
Page Number: 120
Explanation and Analysis:

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Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

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Ambush Quotes

I did not hate the young man; I did not see him as the enemy; I did not ponder issues of morality or politics or military duty. I crouched and kept my head low. I tried to swallow whatever was rising from my stomach, which tasted like lemonade, something fruity and sour. I was terrified. There were not thoughts about killing. The grenade was to make him go away—just evaporate—and I leaned back and felt my head go empty and then felt it fill up again. I had already thrown the grenade before telling myself to throw it.

Related Characters: Tim O'Brien (speaker)
Related Symbols: The Man O'Brien Killed
Page Number: 126
Explanation and Analysis:

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Notes Quotes

By telling stories, you objectify your own experience. You separate it from yourself. You pin down certain truths. You make up others. You start sometimes with an incident that truly happened, like the night in the shit field, and you carry it forward by inventing incidents that did not in fact occur but that nonetheless help to clarify and explain.

Related Characters: Tim O'Brien (speaker)
Page Number: 152
Explanation and Analysis:

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Norman did not experience a failure of nerve that night. He did not freeze up or lose the Silver Star for valor. That part of the story is my own.

Related Characters: Tim O'Brien (speaker), Norman Bowker
Page Number: 153-154
Explanation and Analysis:

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Good Form Quotes

"Daddy, tell the truth," Kathleen can say, "did you ever kill anybody?" And I can say honestly, "Of course not." Or I can say, honestly, "Yes."

Related Characters: Tim O'Brien (speaker), Kathleen (speaker)
Related Symbols: The Man O'Brien Killed
Page Number: 171
Explanation and Analysis:

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Night Life Quotes

He said he'd done his best. He'd tried to be a decent medic. Win some and lose some, he said, but he'd tried hard. Briefly then, rambling a little, he talked about a few of the guys who were gone now, Curt Lemon and Kiowa and Ted Lavender, and how crazy it was that people who were so incredibly alive could get so incredibly dead.

Related Characters: Tim O'Brien (speaker), Kiowa, Bob "Rat" Kiley, Ted Lavender, Curt Lemon
Page Number: 211
Explanation and Analysis:

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The Lives of the Dead Quotes

But this is true too: stories can save us. I'm forty-three years old, and a writer now, and even still, right here, I keep dreaming Linda alive. And Ted Lavender, too, and Kiowa, and Curt Lemon, and a slim young man I killed, and an old man sprawled beside a pigpen, and several others whose bodies I once lifted and dumped into a truck. They're all dead. But in a story, which is a kind of dreaming, the dead sometimes smile and sit up and return to the world.

Related Characters: Tim O'Brien (speaker), Kiowa, Ted Lavender, Curt Lemon, Linda
Related Symbols: The Man O'Brien Killed
Page Number: 212
Explanation and Analysis:

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The thing about a story is that you dream it as you tell it, hoping that others might then dream along with you, and in this way memory and imagination and language combine to make spirits in the head. There is the illusion of aliveness.

Related Characters: Tim O'Brien (speaker)
Page Number: 218
Explanation and Analysis:

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It was a kind of self-hypnosis. Partly willpower, partly faith, which is how stories arrive.

Related Characters: Tim O'Brien (speaker)
Related Symbols: The Man O'Brien Killed
Page Number: 230
Explanation and Analysis:

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Well, right now I'm not dead. But when I am, it's like…I don't know, I guess it's like being inside a book that nobody's reading.
A book?
An old one. It's up on a library shelf, so you're safe and everything, but the book hasn't been checked out for a long, long time. All you can do is wait. Just hope somebody'll pick it up and start reading.

Related Characters: Tim O'Brien (speaker), Linda (speaker)
Page Number: 231
Explanation and Analysis:

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Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.