The Third and Final Continent

by Jhumpa Lahiri

The Third and Final Continent: Imagery 2 key examples

Definition of Imagery

Imagery, in any sort of writing, refers to descriptive language that engages the human senses. For instance, the following lines from Robert Frost's poem "After Apple-Picking" contain imagery that engages... read full definition
Imagery, in any sort of writing, refers to descriptive language that engages the human senses. For instance, the following lines from Robert Frost's poem "After... read full definition
Imagery, in any sort of writing, refers to descriptive language that engages the human senses. For instance, the following lines... read full definition
Imagery
Explanation and Analysis—Massachusetts Avenue:

Near the beginning of the story, when describing the street outside the YMCA where he stayed at the start of this time in Boston, the narrator uses imagery, as seen in the following passage:

A bare window overlooked Massachusetts Avenue, a major thoroughfare with traffic in both directions. Car horns, shrill and prolonged, blared one after another. Flashing sirens heralded endless emergencies and a fleet of buses rumbled past, their doors opening and closing with a powerful hiss, throughout the night. The noise was constantly distracting, at times suffocating. I felt it deep in my ribs, just as I had felt the furious drone of the engine on the SS Roma.

Explanation and Analysis—Tight Sweaters:

After the narrator’s new wife Mala arrives in Boston to live with him, she gifts him two sweaters that she knit in the six weeks since their wedding. The narrator uses subtle imagery here in order to bring readers more fully into the scene, as seen in the following passage:

When we arrived home, Mala opened up one of her suitcases and presented me with two pullover sweaters, both made with bright blue wool, which she had knitted in the course of our separation, one with a V neck, the other covered with cables. I tried them on; both were tight under the arms.

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