The Thorn Birds
by Colleen McCullough

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Justine Cleary stands out for her fierce independence and emotional self-protection. As Meggie’s daughter and Dane’s sister, she grows up on the isolated Drogheda sheep station in Australia, where she quickly learns to rely on her own judgment. She feels disconnected from Meggie and rejects traditional gender roles expected of women. Determined to make her own way, she moves to Sydney and later to London, where she builds a successful career as a stage actress. Justine guards her emotions, using sarcasm and wit to keep others at a distance. After Dane dies while rescuing two swimmers in Crete, Justine struggles with overwhelming grief and guilt, blaming herself because she was not there with him. Her emotional defenses begin to shift when she deepens her relationship with Rainer Moerling Hartheim, a German diplomat and Dane’s friend. Though she resists intimacy at first, Justine eventually chooses love and emotional risk.

Justine Cleary Quotes in The Thorn Birds

The The Thorn Birds quotes below are all either spoken by Justine Cleary or refer to Justine Cleary . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Forbidden Love and Desire Theme Icon
).

Chapter 12 Quotes

The grizzling scrap of humanity responsible for all this lay in a wicker bassinet by the far wall, not a bit appreciative of their attention as they stood around her and peered down. She yelled her resentment, and kept on yelling. In the end the nurse lifted her, bassinet and all, and put her in the room designated as her nursery.

“There’s certainly nothing wrong with her lungs.” Archbishop Ralph smiled, sitting on the edge of the bed and taking Meggie’s pale hand.

“I don’t think she likes life much,” Meggie said with an answering smile. How much older he looked! As fit and supple as ever, but immeasurably older. She turned her head to Anne and Luddie, and held out her other.

Related Characters: Meggie Cleary (speaker), Father Ralph de Bricassart (speaker), Ludwig (“Luddie”) Mueller , Justine Cleary , Dane Cleary , Anne Mueller
Page Number and Citation: 376
Explanation and Analysis:
Meggie has just given birth to her daughter, Justine, but instead of focusing on her newborn child (Dane), she finds herself drawn to Ralph. Justine’s cries fill the room, but they seem distant to Meggie, who looks at Ralph and notices how much older he appears. She reaches for his hand, and they exchange a faint smile. Meggie’s fixation on Ralph during this moment of motherhood exposes a deep emotional disconnect from her child. Even in the aftermath of giving birth, her thoughts and feelings center on the man she cannot have. This moment reveals that Ralph, not Justine, remains Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis.

Chapter 15 Quotes

From the moment she set eyes on him, Justine adored her baby brother. Nothing was too good for Dane, nothing too much trouble to fetch or present in his honor. Once he began to walk she never left his side, for which Meggie was very grateful, worrying that Mrs. Smith and the maids were getting too old to keep a satisfactorily sharp eye on a small boy. On one of her rare Sundays off Meggie took her daughter onto her lap and spoke to her seriously about looking after Dane.

“I can’t be here at the homestead to look after him myself,” she said, “so it all depends on you, Justine. He’s your baby brother and you must always watch out for him, make sure he doesn’t get into danger or trouble.”

Related Characters: Meggie Cleary (speaker), Fiona Cleary , Justine Cleary , Dane Cleary
Page Number and Citation: 450-451
Explanation and Analysis:
In this passage, Justine’s childhood mirrors Meggie’s own in both painful and unexpectedly joyful ways, creating a cyclical pattern that defines the Cleary family. Justine, like her mother before her, grows up feeling a mix of love and neglect. Meggie, despite her emotional distance and unresolved bitterness, still provides for Justine and ensures her daughter has opportunities she never did. The warmth of their shared moments and the simple security of life on Drogheda offer Justine a sense of stability, even as the emotional barriers between them persist. Yet the cycle of emotional distance continues. Meggie, shaped by her own Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium es

Chapter 17 Quotes

“Don’t you want to get married?”

Justine looked scornful. “Not bloody likely! Spend my life wiping snotty noses and cacky bums? Salaaming to some man not half my equal even though he thinks he’s better? Ho ho ho, not me!”

Related Characters: Meggie Cleary (speaker), Justine Cleary (speaker)
Page Number and Citation: 528
Explanation and Analysis:
Here, Justine’s scornful rejection of marriage signifies a generational shift between Justine and her mother with regard to attitudes toward gender roles. Meggie, who upholds a more traditional view, sees marriage as an expected path. She entered her own marriage with naïve hopes of love and companionship but instead experienced rigid domestic duties and a controlling husband. Sacrifice and subservience defined her life, with society demanding that women prioritize family over personal freedom. Justine, in stark contrast, views marriage as a trap, a loss of independence filled with domestic drudgery and submission to a man who claims superiority without merit. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a.

Chapter 19 Quotes

The tension began to leave her; the worst of it was over. “What I like—no, love—about you the most is that you give me such a good run for my money I never do quite catch up.”

His shoulders shook. “Then look at the future this way, Herzchen. Living in the same house with me might afford you the opportunity to see how it can be done.” He kissed her brows, her cheeks, her eyelids. “I would have you no other way than the way you are, Justine. Not a freckle of your face or a cell of your brain.”

Related Characters: Rainer Moerling Hartheim (speaker), Justine Cleary (speaker), Father Ralph de Bricassart , Meggie Cleary
Page Number and Citation: 691
Explanation and Analysis:
This exchange between Justine and Rainer at the end of The Thorn Birds captures a rare moment of vulnerability for Justine, a character defined by her fierce independence and relentless ambition. Throughout the novel, Justine rejects the traditional expectations of marriage, seeing it as a trap that stifles freedom and individuality. Yet here, she admits that what she loves most about Rainer is his ability to challenge her—an acknowledgment that love does not have to mean submission. Instead, it can mean a partnership between equals. Rainer’s response deepens this idea. He embraces Justine as she is, celebrating both her sharp Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. De
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Justine Cleary Character Timeline in The Thorn Birds

The timeline below shows where the character Justine Cleary appears in The Thorn Birds. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 12
Forbidden Love and Desire Theme Icon
Gender Roles and Limitations Theme Icon
Ambition and Personal Sacrifice Theme Icon
...declares the child healthy despite her small size and difficult birth. Meggie names the child Justine. Although Meggie survives, she is physically broken and emotionally numb. Ralph visits her bedside, offering... (full context)
Gender Roles and Limitations Theme Icon
Loss and Grief Theme Icon
...comfort Meggie further. Luke does not respond to news of the birth, and Meggie raises Justine without his support. She performs all the duties of a mother but feels no deep... (full context)
Gender Roles and Limitations Theme Icon
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By the time Justine is six months old, Meggie has not recovered her physical or emotional strength. The Wet... (full context)
Chapter 13
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...come quickly. Luke, on his way to Sydney, stops at Himmelhoch to visit. He sees Justine for the first time and remarks on her unusual eyes. Anne confronts him about abandoning... (full context)
Chapter 14
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Meggie returns quietly to Drogheda with Justine, riding with Bluey Williams, the mail man, in his mail truck. As they near the... (full context)
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Ambition and Personal Sacrifice Theme Icon
...progresses, she spends more time indoors, sewing and knitting for the new baby while observing Justine. Unlike her easygoing babyhood, Justine grows into a solemn, self-willed child who resists affection from... (full context)
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Ambition and Personal Sacrifice Theme Icon
...a son she names Dane. The labor is quick and relatively painless, and unlike with Justine, she is able to nurse him. Dane is fair-haired and blue-eyed, bearing an unmistakable resemblance... (full context)
Chapter 15
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...never complains. She convinces herself it is selfish to wish to be with Dane and Justine when her work is needed for the war effort. Meanwhile, Justine and Dane continue to... (full context)
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...their rides, laughing and roughhousing with him, easing the pain of years lost to war. Justine sulks at being left out, but the boys find it hard to relate to her... (full context)
Chapter 16
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On the veranda, Meggie and Fiona sit together watching Justine and Dane at play. The two children could not be more different: Justine is fierce,... (full context)
Religious Duty Theme Icon
Ralph soon meets Justine, who is less welcoming. Justine, outspoken and scornful of religious authority, refuses to kiss Ralph’s... (full context)
Chapter 17
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In 1954, when Justine is 17 years old, she announces to Meggie that she has made a final decision... (full context)
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Meggie tries to persuade Justine to consider becoming an artist instead, reminding her that she has income from Drogheda and... (full context)
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Justine mocks the idea of marriage, claiming she has no desire to be tied down wiping... (full context)
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Their sparring ends when Meggie offers to take Justine into town to sort out her finances and gives her permission to come home anytime.... (full context)
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Meggie is stunned that Fiona supports Justine’s choice so readily. Fiona says she has always believed children should be allowed to live... (full context)
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Fiona warns Justine about the dangers of pride and urges her to cooperate more with her mother. Though... (full context)
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Soon after, Justine moves to Sydney and finds a tiny flat in Neutral Bay, a converted Victorian mansion... (full context)
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Justine cannot understand Dane’s rejection of sensual and emotional experience, especially given his physical beauty. She... (full context)
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Some time later, Justine arrives in Rome and joins Dane, who has arranged a comfortable place for her to... (full context)
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Although Justine bristles at the patriarchal atmosphere, she takes a liking to Rainer. Their banter is playful... (full context)
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Days later, Justine grows restless in Rome, impatient with Dane’s monastic life and her own purposelessness in the... (full context)
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Their conversation shifts as Justine asks Rainer about his past marriage. Rainer admits that he did not love his wife,... (full context)
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They also talk about acting. Justine explains how she conserves her emotions offstage to invest them in her roles. She believes... (full context)
Chapter 18
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...like a trick of the mind. Rome and London feel no farther than Sydney, and Justine and Dane never really stop being the children who go off to boarding school. Even... (full context)
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...forgets to post half the letters he writes, so they often arrive in messy bundles. Justine writes constantly, pouring out pages of scandalous, unfiltered thoughts that both shock and delight the... (full context)
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In one letter, Justine casually mentions that Rainer has just flown into London after seeing Dane in Rome. Rainer,... (full context)
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...when Meggie is in Rome, Rainer seizes the chance to seduce her. They kiss, but Justine panics and flees. Rainer realizes he must approach her more carefully if he hopes to... (full context)
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...for what comes next. They all assume he will return to Australia after ordination. Only Justine and Meggie suspect he might stay in Europe. Meggie soothes herself by remembering how happy... (full context)
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...anyone else. Anne says the Clearys are simply not a passionate family—not even Dane or Justine. She does leave room for one possibility: maybe Justine will marry Rainer. She seems fond... (full context)
Religious Duty Theme Icon
Loss and Grief Theme Icon
...their journey to Rome. Meggie, Jims, Patsy, and Anne Mueller travel together, joined later by Justine, who flies in from London. The plane lands just before dawn. Dane is waiting for... (full context)
Religious Duty Theme Icon
Loss and Grief Theme Icon
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...prayers, hands placed on bowed heads. When Dane lies prostrate before the altar, Meggie grips Justine’s hand so tightly her knuckles whiten. Justine looks down the pew at her mother, then... (full context)
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Afterward, crowds gather around the new priests. Justine watches Dane from a distance and thinks he looks complete—untouchable, even. She cannot imagine ever... (full context)
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In the days that follow, Justine tries to pull Dane aside for a proper conversation, but it never quite happens. They... (full context)
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Meanwhile, Justine decides not to go to Greece with Dane, realizing she needs to figure out her... (full context)
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Australia House in London contacts Justine with the news of Dane’s death. Shocked and devastated, Justine struggles to comprehend the loss.... (full context)
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After days of agonizing silence, Justine receives confirmation: Dane has been buried in an unknown location in Crete. Meggie decides to... (full context)
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Ralph charters a private plane, and together with Meggie and Justine, he brings Dane’s body home to Drogheda. Ralph officiates the funeral Mass, mourning not only... (full context)
Chapter 19
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Rainer sits at his desk in Bonn, sipping coffee and feeling optimistic about seeing Justine again. Her recent silence does not worry him; he assumes she is still resisting her... (full context)
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Back in Bonn, Rainer receives two deliveries—one from Justine, the other from Ralph’s lawyers. The lawyers inform him that he has been named the... (full context)
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...he does not attempt to contact her. Instead, he goes to the theater and watches Justine perform as Desdemona onstage. She is commanding, emotionally powerful, and distant. He realizes the stage... (full context)
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Justine’s guilt grows alongside her sorrow. She sees herself as the cause of Dane’s death—not because... (full context)
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Time passes, and Justine goes on acting, performing the parts of Desdemona, Ophelia, Portia, Cleopatra. She builds her career... (full context)
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...he came only to see her, and she tries to understand why. When she mentions Justine, he says he has not seen her since Dane’s death. Meggie admits she has not... (full context)
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Rainer explains that Justine stayed in London because of him, not out of love for the stage or the... (full context)
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Meanwhile, in London, Justine’s emotional exhaustion deepens. She spends more time with Rainer, but he remains distant, offering only... (full context)
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The letter shakes Justine. After reading it, she rushes to Rainer’s house and confesses everything—her regrets, her guilt, and... (full context)