The Three-Body Problem

The Three-Body Problem

by

Liu Cixin

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The Three-Body Problem: Chapter 11 Summary & Analysis

Summary
Analysis
On his way home, Wang buys a V-suit, and as soon as his wife is asleep, he logs back in to Three Body. Immediately, Wang is back in front of King Zhou’s palace, though this time it looks Aztec instead of Egyptian; he is instinctively certain that “eons ha[ve] passed.” Wang travels to the flat space at the top of the pyramid, where he observes a series of telescopes and various models of the universe. He also notices a strange machine, powered by enslaved people, in which a copper sphere is moved seemingly at random.
Wang has earlier learned that each time he logs into the game, he will enter a new civilization at a different stage of progress. Here, he also learns that the game can shift geographies; whereas he began the first level in the Middle East, he is now in (what looks like) Mesoamerica. And, tellingly, Aztec civilization reached its peak in the 1400s, about 4000 years after the height of Egyptian civilization, so it would seem that time is moving forward.
Themes
Technology, Progress, and Destruction Theme Icon
Scientific Discovery and Political Division Theme Icon
History and Legacy Theme Icon
A tall man approaches Wang and introduces himself as Mozi. Mozi explains that no civilization has been able to survive the onslaught of Chaotic Eras, but that Civilization Number 139 progressed all the way through to the Steam Age. Mozi shows Wang the skeleton of the famous philosopher Confucius— Confucius, too, tried to predict the pattern of the sun, using his conception of order and propriety. The sun rose when Confusion said it would, but then it suddenly dimmed and vanished; a single flying star then appeared. This story confuses Wang, as it disrupts his idea of what might be causing the Chaotic Eras. 
Mozi is based on an actual philosopher and ethicist from Chinese history. In real life, Mozi passionately debated the famed scholar Confucius, so their relationship in the Three Body game parallels their historical one. Also worth noting: as Wang gets new information about what might be causing the Chaotic Eras, he changes his theory to fit his observations, rather than forcing the information to fit his theory.
Themes
Technology, Progress, and Destruction Theme Icon
Scientific Discovery and Political Division Theme Icon
Theory vs. Lived Experience Theme Icon
History and Legacy Theme Icon
Mozi tells Wang that they are now in the Han Dynasty. Unlike the various thinkers who have come before him, Mozi is certain that he has solved the mystery of this universe. He tells Wang that he believes the universe is comprised of two nesting, hollow      spheres “floating in a sea of fire.” The light of the sun and stars comes through holes in the spheres of the universe. The spheres move irregularly because they are propelled by the sea of fire.
Just as the Aztecs came after the Egyptians, the Han Dynasty rose about 200 years after the end of the Warring States period. Science is progressing, too: unlike the more abstract theories of Fu Xi, King Wen, and Confucius, Mozi is actually trying to build a workable model of the universe. Like Wang, he is interested in viewing science through a tangible, material lens.
Themes
Technology, Progress, and Destruction Theme Icon
Theory vs. Lived Experience Theme Icon
History and Legacy Theme Icon
When Wang asks questions about this model, he finds Mozi’s answers unsatisfactory, especially because Mozi wants to completely ignore the flying stars. As Wang asks more questions, he realizes that the copper sphere he saw was actually a physical replica of Wang’s model; a clerk stands inside to keep track of the spheres as they spin. Mozi explains that once the clerk records the movements within the model, they will be able to create an accurate calendar—achieving “the dream of hundreds of civilizations before us.”
Whereas Wang works to bring each new data point into his theory, Mozi does the opposite, willfully ignoring the information around him. Worse still, Mozi’s model relies on the enslaved labor of others; his determination reflects the cruelties people are willing to enact in the name of science.
Themes
Technology, Progress, and Destruction Theme Icon
Theory vs. Lived Experience Theme Icon
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Mozi informs Wang that according to his calculations, a long Stable Era is about to begin. As the passage of time in the game speeds up, Wang sees the world begin to rehydrate. While Mozi celebrates, Wang uses a telescope with a black shade to observe the sun. He notices that the sun in the game is very different from the sun on earth; this sun has a small core, while what appears to be the edge of the sun is really just scattered light from the center. This realization makes Wang certain that the “game designers had hidden a vast amount of data within the superficially simple images, just waiting to be revealed by players.”
Wang is beginning to understand that the purpose of the game is to force its players to interpret their surroundings; like real life, there is messy complexity in every detail of the game-generated planet. This wealth of information shows just how advanced the game technology (and the people who made it) must be.
Themes
Technology, Progress, and Destruction Theme Icon
Theory vs. Lived Experience Theme Icon
For the next 10 days, Wang observes the sun and the flying stars. One day, however, the sun does not rise, and Wang wonders if the civilization will collapse. Mozi is not concerned, boasting that “my predictions cannot be wrong”—and just as he says this, the sun does indeed start to rise. But the sun rises so fast that it sets the world on fire almost immediately. Though Mozi is already aflame, he continues to insist that “the universe is a machine. I created this machine.” Wang realizes that he, too, is burning up. The sun disappears, and the sky returns to darkness.
Mozi’s unwillingness to match his theory to reality is so strong that even as the sun scorches him to death, he cannot admit his fault. Mozi’s determination demonstrates how willing people are to invent something new—and also, how what seems like progress can actually be deeply destructive. 
Themes
Technology, Progress, and Destruction Theme Icon
Scientific Discovery and Political Division Theme Icon
Theory vs. Lived Experience Theme Icon
Quotes
The game ends, and Wang gets a message encouraging him to log on again. Wang takes off his V-suit, troubled by the notion that Three Body is somehow more real than reality. He muses that the real world has come to seem like the “superficially complex”—but actually very simple—painting called Along the River During the Qingming Festival.
Because the game is so rich with information and mystery, Wang no longer trusts his own lived experience. But, as always, the comparison to the painting is a reminder that the world Wang lives in, though in some ways simple, is also a place of great beauty and joy.
Themes
Technology, Progress, and Destruction Theme Icon
Theory vs. Lived Experience Theme Icon
The next day, Wang goes to work to distract himself, though he cannot hold off his sense of panic for long. After work, he decides to visit Ye Wenjie again at her home. When Wang tries to bring up what happened to Ye during the Cultural Revolution, she waves him off, explaining that “it’s all in the past” and that her age has given her a strange sense of perspective. Instead, she chooses to tell Wang about her time at the Red Coast base.
Whereas Wang is beginning to idealize the past and dread the future, Ye Wenjie has almost no interest in talking about her earlier life. Still, the two have formed an unusual but touching bond, further proving how different the elderly Ye is from her younger, more isolated self.
Themes
Trauma and Cyclical Harm Theme Icon
History and Legacy Theme Icon