The Three Sisters
by Anton Chekhov
✓

or to save your progress

Need another quote?
Need analysis on another quote?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
Request it
Request it
Request analysis
Request analysis
Request analysis

Act One Quotes

OLGA: […] Every day I teach at the Gymnasium and afterwards I give lessons until evening, and so I’ve got a constant headache and my thoughts are those of an old woman. And indeed, during these four years I’ve been teaching at the Gymnasium, I’ve felt my strength and my youth draining from me every day, drop by drop. And one single thought grows stronger and stronger…

IRINA: To leave for Moscow. To sell the house, finish with everything here and—to Moscow…

OLGA: Yes! To Moscow, soon.

Related Characters: Olga Prozorov (speaker), Irina Prozorov (speaker)
Page Number and Citation: 204
Explanation and Analysis:
The beginning of The Three Sisters is marked by relative hopefulness. Irina is celebrating her name-day, and the sisters are no longer mourning the death of their father, which took place one year ago. However, even here, the sisters are unable to accept their circumstances with contentment. In describing her desire to be free of her exhausting teaching job, Olga defines Moscow—the sisters’ birthplace—as liberation from their lives in a provincial backwater. Throughout the play, “To Moscow!” becomes a refrain of hope for a more stimulating and successful life, far away from their present situation. While it makes sense that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum vo

IRINA: Nikolay Lvovich, don’t talk to me about love.

TUZENBAKH [not listening]: I have a passionate thirst for life, for the struggle, for work, and that thirst has merged in my soul with my love for you, Irina, and as if it were all planned, you are beautiful and life seems to me so beautiful. What are you thinking about?

IRINA: You say life is beautiful. Yes, but what if it only seems so! For us three sisters life has not yet been beautiful, it has choked us like a weed… My tears are streaming.

Related Characters: Baron Nikolay Lvovich Tuzenbakh (speaker), Irina Prozorov (speaker)
Page Number and Citation: 219
Explanation and Analysis:
At the beginning of the play, most of the Prozorov sisters’ social world consists of an army brigade that’s stationed in their provincial capital, and several of these young soldiers are in love with Irina. The most persistent of these is Baron Tuzenbakh, who bonds with Irina over their common privileged upbringing and their idealization of work as the key to greater satisfaction in life. In a way, Irina is Tuzenbakh’s version of “Moscow”—a distant, unattainable longing, combined with his desire to break free of upper-class constraints and test himself in real struggle. Throughout the play, Irina resists Tuzenbakh’s affections Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti so

Act Two Quotes

ANDREY: […] Dear old Ferapont, how strangely life changes, how it deceives us! Today out of boredom and having nothing to do I picked up this book—my old university lectures, and I began to laugh… My God, I’m the secretary of the District Council—and Protopopov’s the chairman—and the most I can hope for is to be a member of that Council! To be a member of the local District Council, when every night I dream that I am a professor at Moscow University, a famous scholar who is Russia’s pride!

Related Characters: Andrey Prozorov (speaker), Ferapont
Page Number and Citation: 225
Explanation and Analysis:
Andrey Prozorov is one of the most tragic figures in The Three Sisters. At the beginning of the play, the sisters show him off as their future famous “scholar,” but less than two years later, he has drifted into a dead-end position in Russia’s massive governmental bureaucracy, married to an unpleasant woman who’s already having an affair with his superior. Like his sisters, Andrey dreams of Moscow, but unlike the girls’ vague longing for an indefinable future, Andrey looks back at his past academic achievements and knows his shot at becoming “Russia’s pride” is probably already lost. Chekhov portrays Andrey Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Com

IRINA: I must find another job, this one doesn’t suit me. What I wanted, what I dreamed of, it definitely does not have. It’s work with no poetry, no thinking […] [Andrey] lost two weeks ago, he lost at the beginning of December. I wish he’d be quick and lose everything, perhaps we’d leave this town. Lord God in heaven, I dream of Moscow every night. I’m just like a madwoman. [Laughs] We’re moving there in June, and until June there’s still… February, March, April, May… almost half a year!

Related Characters: Irina Prozorov (speaker), Andrey Prozorov
Page Number and Citation: 230
Explanation and Analysis:
In Act Two, Irina has attempted to fulfill her longing for “work” by taking a job at the Telegraph Office. Already, however, the job is falling short of her idealistic expectations for the rewards of labor—it’s not “poetic” or intellectual enough for her. This serves as ironic commentary on the idealism of the turn-of-the-century intelligentsia who sought existential meaning in work, rather than seeing it as primarily a means of support. Most work, Chekhov suggests, isn’t nearly romantic enough to meet such lofty sensibilities. After this complaint, Irina is quick to revive her longing for Moscow—although she still believes a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostr

TUZENBAKH: […] After us men will fly in hot-air balloons, and jackets will change, and they’ll discover, maybe, a sixth sense and develop it, but life will remain the same, difficult and full of secrets and happy. And in a thousand years man will still sigh, ‘Ah, life is hard!’—and at the same time he will, as now, be afraid and not want to die.

VERSHININ [after some thought]: What shall I say to you? I think that everything on earth must gradually change, and already is changing before our eyes. In two or three hundred or even a thousand years—the point isn’t in the precise period—a new, happy life will dawn. Of course we won’t take part in that life, but we are living for it now, working, yes, suffering, we are creating that life—and in this alone lies the goal of our existence and, if you like, our happiness.

Related Characters: Baron Nikolay Lvovich Tuzenbakh (speaker), Aleksandr Ignatyevich Vershinin (speaker)
Page Number and Citation: 231
Explanation and Analysis:
Throughout the play, Tuzenbakh and Vershinin often engage in “philosophical” conversation about the meaning of life and the nature of change. In this exchange, they are whiling away a dull party by speculating about human life a couple of hundred years from their day. Tuzenbakh’s view is that human nature will stay more or less constant, no matter how much technology, science, and other fields advance; people will still be conflicted about life, finding it difficult yet precious.Vershinin, on the other hand, holds that life is transforming so dramatically that, in time, human existence will be fundamentally different, and better. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequa

VERSHININ: The other day I was reading the diary of a French minister, written in prison. The minister had been sent there over the Panama affair. With what delight, with what rapture he talks about the birds he sees from his prison window and which he never noticed before when he was a minister. Of course, now he’s been released, he doesn’t notice the birds, just as before. In the same way you too won’t notice Moscow when you’re living there. We have no happiness and it doesn’t exist, we only desire it.

Related Characters: Aleksandr Ignatyevich Vershinin (speaker)
Related Symbols: Birds
Page Number and Citation: 235
Explanation and Analysis:
Just before Vershinin’s anecdote, Masha mentions the tiresome winter weather and asserts that, if she were in Moscow, she would never complain about the weather. In turn, Vershinin argues that Masha makes a fundamentally human mistake. The diary he cites is a work titled Impressions cellulaires, published in 1898 by French Minister of Public Works Charles Baihaut, who was jailed for accepting bribes related to the construction of the Panama Canal. Vershinin argues that, like Baihaut, people tend to become obsessed with what they do not have. Then, once they’re free to enjoy those things, they no longer appreciate them. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus v

Act Three Quotes

CHEBUTYKIN: Last Wednesday I had a patient at Zasyp, a woman—she died and it’s my fault that she died. Yes… Twenty-five years ago I knew a few things but now I remember nothing. Nothing. Perhaps I am not a man but only look as if I have arms and legs and a head; perhaps I don’t exist at all but only think that I walk, eat, sleep. [Weeps.] Oh if only I could just not exist! [Stops weeping; gloomily] Devil knows… A couple of days ago they were chatting in the Club; talking about Shakespeare, Voltaire… I haven’t read them, haven’t read them at all, but I tried to look as if I had. And the others did what I did. How cheap! How low! And I remembered the woman I murdered on Wednesday… and I remembered everything, and I felt I was morally deformed, vile, loathsome… I went off and hit the bottle…

Related Characters: Ivan Romanych Chebutykin (speaker)
Page Number and Citation: 248
Explanation and Analysis:
In Act Three, Chekhov allows several characters’ simmering internal tensions to boil over, beginning with the Prozorovs’ old family friend, Chebutykin. In the first two acts, Chebutykin was a buffoonish, lovable figure who sometimes drank to excess and made offhand remarks about the pointlessness of life. Now it’s clear why: he sees himself as a worthless failure and a fake—and, worse than that, a murderer and “deformed.”Chekhov uses Chebutykin’s dark revelation as a turning-point in the development of other characters, too, like the start of an emotional avalanche. From now on, others, especially the Prozorov siblings, begin to speak more Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Moll

OLGA: Darling, I tell you as a sister, as a friend, if you want my advice, marry the Baron!

[IRINA is crying quietly.]

I know you respect him and think highly of him… True, he’s not good-looking, but he’s so decent and honest… After all, we marry not for love but just to do our duty. At any rate that’s what I think, and I would marry without being in love. I would accept whoever proposed, provided only he was a decent man. I would even marry someone old…

IRINA: I’ve been waiting. We were going to move to Moscow and there I would meet my true love, I dreamed of him, I loved him… But all that’s turned out to be nonsense, all nonsense…

Related Characters: Olga Prozorov (speaker), Irina Prozorov (speaker), Baron Nikolay Lvovich Tuzenbakh
Page Number and Citation: 255
Explanation and Analysis:
Act Three’s fire leads to a series of self-revelations, among them Irina’s recognition that a move to Moscow will never happen and that she feels hopeless in life. In response, Olga urges her to marry the hapless Baron who’s faithfully followed her around for years. Their exchange shows the difference between the two sisters’ views of love and marriage. Olga believes that marriage is fundamentally a pragmatic, dutiful act; she could have been happy with any decent man who could relieve her of her unrewarding work obligations. Irina is much more romantic, and in fact, she relegated true love to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaqu

Act Four Quotes

IRINA: […] Nikolay, why are you so distracted today?

[A pause.]

What happened yesterday by the theatre?

TUZENBAKH [making an impatient movement]: I’ll be back in an hour and be with you again. [Kissing her hands.] My beloved… [Looking into her face.] It’s already five years since I came to love you and I still can’t get accustomed to it, and you seem to me more and more beautiful. […] Tomorrow I will take you away, we will work, we’ll be rich, my dreams will come true. You will be happy. There’s just one thing, only one—you don’t love me!

IRINA: It’s not in my power! I will be your wife, true and obedient, but love—no, what can I do! [Weeps.] I’ve never loved once in my life. Oh, how I dreamed of love, for a long time how I dreamed, day and night, but my soul was like an expensive piano, shut and its key lost.

Related Characters: Irina Prozorov (speaker), Baron Nikolay Lvovich Tuzenbakh (speaker), Solyony
Page Number and Citation: 270
Explanation and Analysis:
In Act Four, Irina has agreed to marry Tuzenbakh and is preparing to embark on a new life with him. Unbeknownst to her, however, Solyony, a soldier whose love she’d rejected years ago, has followed through on his threat to fight any rival for her love, and his duel with Tuzenbakh is now imminent. This tender scene highlights the differences between their experiences of love. Tuzenbakh loves Irina so much that he’s willing to risk death for her sake, knowing that she doesn’t feel the same way about him; Irina, however, feels unable to love at all—as if “love” has Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem

ANDREY: Oh where is it now, where has my past gone, the time when I was young, merry, clever, when I had fine thoughts, fine dreams, when my present and my future were lit up by hope? […] [People] just eat, drink, sleep, then they die […] and in order not to be dulled by boredom, they diversify their life with vile gossip, vodka, cards, law suits, and the wives deceive their husbands and the husbands lie, pretend they see nothing and hear nothing, and an irremediably coarse influence weighs down on the children […] The present is repulsive, but when I think of the future how wonderful things become! There’s a feeling of ease, of space; and in the distance there’s a glimmer of the dawn, I see freedom […] from the ignoble life of a parasite.

Related Characters: Andrey Prozorov (speaker)
Page Number and Citation: 272
Explanation and Analysis:
Andrey’s musings sum up his situation at the end of the play, also showing Chekhov’s view of the aimless, unfulfilled gentry. Andrey regrets his wasted youth, while recognizing that his failure is part of humanity’s common lot—many people throw away their potential in pointless vices and dysfunctional marriages. Such things are passed down to subsequent generations, becoming a drain on society as children repeat the errors of their parents. And yet, even as he laments the cyclical nature of such failure, Andrey can’t help looking to the future with hope—the distant future always seems “wonderful” and freeing compared to one’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Poss

ANFISA: […] Life is good, my little girl, life is good! In a school apartment in the Gymnasium with Olyushka, my darling—God has granted me this in my old age. I haven’t lived like this in all my born days, sinner that I am… A big apartment, nothing to pay, and I have a little room all to myself and a bed. All free. I wake up at night - and O Lord, Mother of God, there is no human being happier than me!

Related Characters: Anfisa (speaker), Olga Prozorov, Irina Prozorov
Page Number and Citation: 274
Explanation and Analysis:
Earlier in the play, Natasha tyrannized the Prozorovs’ old servant, Anfisa, calling her a worthless “witch” and prohibiting her to sit down in Natasha’s presence. At the end, Anfisa’s life substantially changes for the better when Olga takes her in, granting her unprecedented comfort and leisure. Anfisa’s delight is a rare happy moment in the final act, contrasting with the grief and tedium of the other characters’ lives. In fact, one could say that Anfisa is the only truly happy character at the end of the play, precisely because she didn’t spend her life agonizing over the meaning of happiness, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliqua

VERSHININ: What else can I say to you as a goodbye? What bit of philosophy?… [Laughs.] Life is a heavy load. Many of us find it blank, hopeless, but still one has to admit it is becoming brighter and easier every day, and one can see the time is not far off when it will be filled with light. [Looking at his watch.] I must go, I must! Once humanity was occupied with wars, filling the whole of its existence with campaigns, invasions, victories, all that has now had its day, and left behind a huge empty space, which for the time being there is nothing to fill; humanity is passionately seeking that and of course will find it. Oh, if only it could be quick about it!

Related Characters: Aleksandr Ignatyevich Vershinin (speaker), Masha Prozorov, Olga Prozorov
Page Number and Citation: 275
Explanation and Analysis:
When Olga and Vershinin say goodbye before the brigade’s departure, Vershinin offers some spontaneous “philosophy” as a parting gift. In contrast to his earlier speeches, however, his optimism about the future is now tempered by an acknowledgement of life’s difficulty and a desire that humanity would quickly figure out the meaning of it all. His slightly more pessimistic outlook stems from the fact that he’s about to say goodbye to his lover, Masha, presumably for good, resigning himself anew to his unhappy marriage. His matter-of-fact glance at his watch, right after declaring the imminent transformation of life, adds a note Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Ve

OLGA [embracing both her sisters]: The band is playing so gaily and cheerfully, it makes one want to live! My God! Time will pass and we will be gone for ever, they’ll forget us, forget our faces, our voices and how many there were of us, but for those who live after us our sufferings will become joy —happiness and peace will come down on earth, and there’ll be a kind word and a blessing for those who are living now. Dear sisters, our life is not yet over. We shall live! The band is playing so gaily, so joyfully, and I think in a little while we too will know why we live, why we suffer… If we only knew, if we only knew!

CHEBUTYKIN: […] What can it matter! What can it matter!

OLGA: If we only knew, if we only knew!

Related Characters: Olga Prozorov (speaker), Ivan Romanych Chebutykin (speaker), Irina Prozorov, Masha Prozorov
Page Number and Citation: 279
Explanation and Analysis:
These final lines of the play bring the Prozorovs’ sufferings to an ambiguous close: Olga is stuck in an unwanted job; Masha has said goodbye to her true love; and Irina’s fiancé has just been killed in a duel. Olga admits that life has an inescapable futility; the best they can hope for is that their struggles will benefit future generations. Yet the raucous cheer of the retreating army band seems to mock whatever comfort they might draw from this. In the end, Olga suggests, it’s impossible for people to know why they suffer, no matter how they try to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia
No matches.