The Threepenny Opera

by

Bertolt Brecht

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The Threepenny Opera: Act 3, Scene 2 Summary & Analysis

Summary
Analysis
Lucy sits alone in an attic bedroom in the Old Bailey. Constable Smith knocks at the door and tells her that “Mrs. Polly Macheath” would like to see her. Lucy tells Smith to send Polly in. Polly enters the room, greets Lucy pleasantly, and begins to apologize for her behavior the previous day. She begs Lucy’s forgiveness, and suggests that their fighting was all Macheath’s fault—he’s the one who put the women in such a dreadful position. Lucy tells Polly that Macheath is fond of her, and Polly tells Lucy that she can tell how much Macheath loves her—at the same time, Polly knows that “a man always fears a woman who loves him too much.” Lucy suggests they have both loved Macheath too much, and Polly agrees. 
In this scene, Polly and Lucy begin to bond—however tenuously—over the ways in which they’ve both let their feelings of love and infatuation for Macheath control their lives and blind them to everything else that’s important.
Themes
Greed, Selfishness, and Corruption Theme Icon
Love and Sex Theme Icon
Polly begins explaining how her love affair with Macheath started—she admits that she first saw him only ten days ago, and that they were married only the day before yesterday. Polly says that just twelve short days ago, she never could have imagined her present situation. She says that since yesterday, when she first discovered just how many crimes Macheath was wanted for, she has been thinking a lot about the man—she now believes he has no heart, but “a stone in its place.” Polly weeps—she knows she’s made a mistake, but now feels Macheath is all that she has.
It's impossible to tell whether Polly’s sob story—or any of the details in it—are real. Polly has grown up in a house of schemers and is prepared to say whatever she needs to in order to get what she wants out of a situation. Polly may really feel that her life revolves around Macheath—or she may be using the lessons she’s learned from her father and his gang of beggars to spin a story that she believes will get to Lucy’s heart.
Themes
Greed, Selfishness, and Corruption Theme Icon
Love and Sex Theme Icon
Theater, Archetypes, and Artifice Theme Icon
Lucy tells Polly that the misfortune of bad luck in love can befall any woman—even the cleverest of them. She leaves the room to get Polly a snack to comfort her. When Lucy is gone, Polly devilishly mutters, “The silly little fool!” Lucy returns with coffee and pastry. As the women eat, Polly notices a picture of Macheath in the corner of the room—she asks when he brought it. Lucy insists he didn’t bring it, then accuses Polly of having come to spy around—in turn, Polly accuses Lucy of knowing Macheath’s whereabouts. Lucy insists she doesn’t know. Polly, distressed, says she doesn’t know where he is, either. She can’t believe he’s run out on both of them—but says that she’s at least happy that the “tragedy” with Macheath has brought Lucy to her.
Even after appearing to have made up and set aside their differences, there is still a degree of subterfuge and one-upping happening between Lucy and Polly. The two women—Polly especially—are so expert at affecting artificial personalities that it’s difficult to let their true selves shine through.
Themes
Greed, Selfishness, and Corruption Theme Icon
Love and Sex Theme Icon
Theater, Archetypes, and Artifice Theme Icon
Lucy reveals that she’s been faking her pregnancy to ensnare Macheath. Polly applauds her trickery. Lucy tells Polly that when Macheath is found, Polly should feel free to take him for her own. At the sound of voices outside, both women go to the window. Lucy reports that Macheath is outside—he’s been arrested. Mrs. Peachum appears at the door with widow’s clothes for Polly—Macheath is to be hanged. As Polly changes sheepishly, Mrs. Peachum tells her daughter how beautiful she’ll look once she’s a widow.
Mrs. Peachum never approved of the marriage between Polly and Macheath—and can hardly conceal her joy over the fact that it will soon be over. She’s looking forward to helping her daughter embody the archetype of a widow, in keeping with the Peachum family’s obsession with appearances, faux or not. 
Themes
Love and Sex Theme Icon
Theater, Archetypes, and Artifice Theme Icon
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