Josef K. Quotes in The Trial
Someone must have been telling tales about Josef K., for one morning, without having done anything wrong, he was arrested.
What kind of people were they? What were they talking about? Which department did they belong to? After all, K. had rights, the country was at peace, the laws had not been suspended—who, then, had the audacity to descend on him in the privacy of his own home?
He [Josef] went out, grasped her [Fraulein Burstner], kissed her on the lips and then all over her face, like a thirsty animal furiously lapping at the water of the spring it has found at last. Finally he kissed her on the neck, over the throat, and left his lips there for a long time.
He was annoyed that he hadn’t been told precisely where the room was, the manner in which he was being treated was strangely negligent or offhand, a point he intended to make loudly and clearly. Finally he went up the first staircase after all, with the memory of something the guard Willem had said going through his mind, namely that the court was attracted by guilt, so that logically the hearing should be held in a room on the staircase K. happened to choose.
The woman really did tempt him and, however much he thought about it, he could find no plausible reason why he should not yield to the temptation. He easily dismissed the cursory objection that she would tie him to the court. In what way could she tie him? Would he not still remain free enough to crush the court at one blow, at least insofar as it affected him? Could he not have confidence in himself to do that small thing? And her offer of help sounded genuine and was perhaps not to be discounted. Could there be any better revenge on the examining magistrate and his entourage, than to deprive them of this woman and take her to himself?
He felt as if he were seasick, as if he were on a ship in a heavy sea. It was as if the water were crashing against the wooden walls, as if a rushing sound came from the far end of the corridor, like water pouring over, as if the corridor were rocking to and fro and as if the people sitting on either side were going up and down. It made the calm of the young woman and the man who were helping him to the exit all the more incomprehensible.
He felt anguish at having been unable to prevent the thrashing, but it wasn’t his fault. If Franz hadn’t screamed—true, it must have hurt a lot, but a man should be able to control himself at decisive moments—if Franz hadn’t screamed then K. would, at least very probably, have found some means of winning the thrasher over.
Please don’t ask me for names, but stop making this mistake, stop being intransigent, no one can resist this court, you just have to confess. Confess at the next opportunity. It’s only then there’s a possibility of escaping, only then, though even that’s not possible without outside help. But you needn’t worry about that, I’ll provide the help myself.
It was very important, because the first impression the defence made often determined the whole course of the trial. Unfortunately he [Herr Huld] had to point out to K. that it sometimes happened that first submissions to the court were not read at all. They were simply filed, and the officials declared that hearing and observing the accused was more important than any written material. If the petitioner was insistent they would add that, once all the material had been gathered and before a decision was reached, all the files, including the first submission, would naturally be reviewed as a whole. Unfortunately, he said, that too was mostly incorrect, the first submission was usually mislaid or completely lost, and even if it was kept right to the end it was hardly read, though he, the lawyer, had only heard rumours to that effect.
‘Yes,’ said the painter, ‘it was in the commission that I had to paint her like that, it’s actually Justice and the Goddess of Victory at the same time.’ ‘That’s not a good combination,’ said K. with a smile, ‘Justice has to be in repose, otherwise the scales will wobble and a just verdict will not be possible.’ ‘I’m following my client’s wishes,’ the painter said. ‘Yes, of course,’ said K., who had not intended to offend anyone with his remark. ‘You’ll have painted the figure as it is on the chair.’ ‘No,’ said the painter, ‘I’ve never seen either the figure or the chair, but I was told what I was to paint.’
Then the priest shouted down at K., ‘Can’t you see even two steps in front of you?’ It was shouted angrily, but at the same time as if by a person who can see someone falling and shouts out automatically, throwing caution to the winds because he is horrified himself.
The court does not want anything from you. It receives you when you come and dismisses you when you go.
Then Fräulein Bürstner appeared in the square, coming up a small set of steps from a lower street. It wasn’t quite certain that it was her, though the similarity was great. But K. wasn’t bothered whether it was definitely Fräulein Bürstner or not, it was just that he immediately became aware of the futility of his resistance. There was nothing heroic about his resistance, about making things difficult for the two men, about trying to enjoy the last semblance of life as he defended himself.
I’m grateful that I’ve been given these two half-mute, uncomprehending men to accompany me on my way and it’s been left to me to tell myself everything that is needful.
His eye fell on the top storey of the house beside the quarry. Like a flash of light, the two casements of a window parted and a human figure, faint and thin from the distance and height, leant far out in one swift movement then stretched its arms out even farther. Who was it? A friend? A kind person? Someone who felt for him? Someone who wanted to help? Was it just one? Or all of them? Was help still possible? Were there still objections he’d forgotten? Of course there were. Logic may be unshakeable, but it cannot hold out against a human being who wants to live. Where was the judge he had never seen? Where was the high court he had never reached?
‘Like a dog!’ he said. It seemed as if his shame would live on after him.